Figurative Paintings

White Table, Oil on Canvas Painting by Nicholas Turner B. 1972, 2022 Additional information: Medium: Oil on canvas Dimensions: 80 x 80 cm 31 1/2 x 31 1/2 in Signed, titled and dated...

Original painting. Acrylic, oil and colored pencil on high quality linen canvas stretcher. Finished off with a soft glossy varnish. 80 x 80 cm 31.5 x 31.5" . The corners are blank...

Original painting of Whos's in trouble this time? Sean uses very toned down colours but draws the attention to the figures of an police man facing a lady. There is also a dog and a c...

The Watsman, a painted view between Obersee and Koningsee, Upper Bavaria. Study painted in 1856 by François Roffiaen. François Roffiaen (1820-1898): Biography François Roffiaen's f...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

A vine shoot in warm autumn colours shows a ripe, purplish bunch against a silvery background. With elegance and great balance Margherita Leoni (b. 1974 Bergamo) weighs solids and ...

MARC GONZ   THE HIDDEN GAZE     When confronted with the universe of Marc Gonz, we discover creations that seem to be the result of a working session of a hy...

Mixed media, signed bottom left Image size: 9 x 9 1/2 inches (23 x 24.25 cm) Mounted and framed

This work is from the artist's SOCIAL series, based on the iconic Cuban magazine of the same name. Conde, uninterested in painting his home town of Havana as it currently is, hearkens back to the heydays of Cuba, time of SOCIAL magazine. Conde has revived SOCIAL magazine, if only in his head, and is creating 240 new covers for the magazine. He will symbolically close the magazine on the date of the revolution. The artist often uses gold, silver and palladium leaf in the works to symbolize the power and wealth which Cuba once possessed. In this work, SOCIAL "I", a stylized woman from a bygone era has plucked the silver I from the word SOCIAL, in the background the pattern is representative of the ever present Cuban tiles.

Catch, 100cm

Sakti Burman - Untitled Watercolour on Paper 30 x 20 inches Born : 1935 Kolkata Education : 1956 Government College of Arts and Crafts in Kolkata and the Ecole Nationale des Beaux ...

The artwork is oil paint on a silver leaf background. Gordon has created a modern exciting twist on a skull. Biography Irish contemporary painter...

This is artwork is oil paint on a silver leaf background. It is entitled Sapphire Metallic Skull. Biography Irish contemporary painter, Gordon Ha...

Compelling figurative abstract of the silhouette of a figure in white, in a minimalist monochromatic background by Jean Wallin (American). Signed “Wallin” in bottom right corner. Pre...

"Victory Gallop" is a mesmerizing watercolor on textured rag paper, capturing the essence of the Bon Vivant lifestyle. A woman, adorned in resplendent garments and an exquisite hat, ...

Ali Eckert grew up within two cultures and has been strongly influenced by American imagery and pop cultural elements. His art explores various iconography ...

The Monuments - Abstract Impressionist Composition in Acrylic on Laid Paper A bold abstract painting by California-based artist, Ricardo de Silva (Br...

Alice in Her Wonderland Bedroom is a painting artwork, realized by Sergio Barletta in 1992. Tempera and white lead on cardboard. Hand-signed, titled and dated on the lower margin ...

TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of genres including fashion, lifestyle, editorial, conceptual, sports, portraiture, and nightlife photography...

Christ, the Great High Priest. Greek-Italian style Icon with silver filigreed oklad. Egg tempera, over gesso on wood with a silver cover, "oklad", with pol...

A wonderful original figure painting for a 1930's illustration by Charles Kinghan (American, 1895-1984). A woman in a plaid green skirt and mustard yel...

Tickled Pink by Alison Gilbert is an original painting and a statement piece at 120cm x 120cm (48″ x 48″) These bold pastel colour combinations are having a party as they dance across the canvas in a vibrant celebration of joy and life. This painting is sold framed, the frame will be custom made upon sale, so please allow for an extra week for dispatch. Discover original artwork by Alison Gilbert with Wychwood Art online and in our Deddington gallery. Alison is a British contemporary abstract artist...

Jeffrey Morgan (British, b.1942) Charlie Chaplin Poster paint and collage 23.3/4 x 14.5/8 in. (60.3 x 37.2 cm.) A 1960s pop art design for a tin print f...

This is a unique painting. It is an oil painting on 22 carat gold leaf gilded on a canvas. CS Art comprises of two artists, one French, the other Norwegian. Th...

With golfing as one of the favourite pastime of urban city life, golfers became the latest subject of my Lowry style paintings. Golfers appear to be randomly scattered on the crisp w...

Inspired by various facets of his own life story, Salvadoran-American artist J Oscar Molina creates work that seamlessly bridges cultures, industries, a...

Inspired by various facets of his own life story, Salvadoran-American artist J Oscar Molina creates work that seamlessly bridges cultures, industries, a...

"Last Step" is an oil on canvas painting, predominantly of yellow and gold shades surrounding a blue green figure. Frank Arnold is thought by many to be one of the foremost abstract ...

#2209D is an original minimalist style drawing by artist David Jones. In this contemporary life drawings David Jones used a drawing techniques central to his practise which involved meditative drawing, helping to create the clean lines and considered compositions. David Jones, artist draws Matisse style life drawings. David Jones art is represented by Wychwood Art...

America Martin "Man on the Island with White Linen Towel" Acrylic on Pink Linen 88.5 x 52.5 in. Framed Exploring the identity of both her namesake and cou...

We thank Mrs. Bożena Anna Kowalczyk who suggested the attribution to Francesco Galimberti based on a photograph of the artwork. This engaging drawing, finely executed in black and red chalks, depicts a Venetian diplomat in his 'new clothes...

Masc Regis is a modern artwork realized in 1970s by Erté (Romain de Tirtoff). Mixed clored tempera on paper. Hand signed on the lower margin. Provenance: Coll. G. Carandente, Roma...

Aster da Fonseca Listening Acrylic on Tape on Paper Year: 2022 Size: 11x14in Signed by hand COA provided Ref.: 924802-1367 collage acrylic paint tape nature landscape bird tree beau...

Grażyna Rigall is a painter, illustrator, author of stage designs and music videos. - The artist is interested in the merging of the world of fauna and flora with the world of man, p...

"Fire & Ice" is an archival pigment print of an oil painting on canvas from Jaime Corum's "Bourbon Visions" series. About the Artist: Jaime Corum's equine...

Industrial illustration of a smokestack by Charles Ross Kinghan (American, 1895-1984). A large tower and holding tanks are rendered in exquisite detail, especially considering the size of the illustration. The smokestack towers above the landscape, with stairs running up the outside. Two large green holding tanks sit next to the tower. At ground level, there are a few small figures, indicating the enormous scale of the refinery. possibly a sketch for Colliers or The Saturday Evening Post Magazine. Unsigned, but was acquired with other signed estate works by the artist. Presented...

Reference number F371 This work is painted with oil on a paper that is mounted on a canvas and placed in a made to measure wood strectcher. It is signed in the bottom left. The paint...

Original 1940s watercolor on paper painting by Charles Ragland Bunnell portraying a semi abstracted view of Golden Cycle Mill in Colorado Springs, Colorado. Painted in shades of black and gray. Presented in a custom black frame, outer dimensions measure 18 x 19 ½ x 1 ⅜ inches. Image sight size is 8 ⅛ x 9 ⅝ inches. Golden Cycle Mining and Reduction Company was a mining company in Colorado City (now Old Colorado City) in El Paso County, Colorado. Piece is clean and in excellent condition - please contact us for a detailed condition report. Expedited and international shipping is available - please contact us for a quote. About the artist: Artist and teacher, Charles (“Charlie”) Bunnell worked in a variety of styles throughout his career because as an artist he believed, “I’ve got to paint a thousand different ways. I don’t paint any one way.” At different times he did representational landscapes while concurrently involved with semi- or completely abstract imagery. He was one of a relatively small number of artists in Colorado successfully incorporating into their work the new trends emanating from New York and Europe after World War II. During his lifetime he generally did not attract a great deal of critical attention from museums, critics and academia. However, he personally experienced a highpoint in his career when Katherine Kuh, curator at the Art Institute of Chicago, personally chose one of his paintings – Why? - for its large exhibition of several hundred examples of abstract and surrealist art held in 1947-48, subsequently including it among the fifty pieces selected for a traveling show to ten other American museums. An only child, Bunnell developed his love of art at a young age through frequent drawing and political cartooning. In high school he was interested in baseball and golf and also was the tennis champion for Westport High School in Kansas City. Following graduation, his father moved the family to Denver, Colorado, in 1916 for a better-paying bookkeeping job, before relocating the following year to Colorado Springs to work for local businessman, Edmond C. van Diest, President of the Western Public Service Company and the Colorado Concrete Company. Bunnell would spend almost all of his adult life in Colorado Springs. In 1918 he enlisted in the United States Army, serving in the 62nd Infantry Regiment through the end of World War I. Returning home with a 10% disability, he joined the Zebulon Pike Post No. 1 of the Disabled American Veterans Association and in 1921 used the benefits from his disability to attend a class in commercial art design conducted under a government program in Colorado Springs. The following year he transferred to the Broadmoor Art Academy (founded in 1919) where he studied with William Potter and in 1923 with Birger Sandzén. Sandzén’s influence is reflected in Bunnell’s untitled Colorado landscape (1925) with a bright blue-rose palette. For several years thereafter Bunnell worked independently until returning to the Broadmoor Art Academy to study in 1927-28 with Ernest Lawson, who previously taught at the Kansas City Art Institute where Bunnell himself later taught in the summers of 1929-1930 and in 1940-41. Lawson, a landscapist and colorist, was known for his early twentieth-century connection with “The Eight” in New York, a group of forward-looking painters including Robert Henri and John Sloan whose subject matter combined a modernist style with urban-based realism. Bunnell, who won first-place awards in Lawson’s landscapes classes at the Academy, was promoted to his assistant instructor for the figure classes in the 1928-29 winter term. Lawson, who painted in what New York critic James Huneker termed a “crushed jewel” technique, enjoyed additional recognition as a member of the Committee on Foreign Exhibits that helped organize the landmark New York Armory Exhibition in 1913 in which Lawson showed and which introduced European avant-garde art to the American public. As noted in his 1964 interview for the Archives of American Art in Washington, DC, Bunnell learned the most about his teacher’s use of color by talking with him about it over Scotch as his assistant instructor. “Believe me,” Bunnell later said, “[Ernie] knew color, one of the few Americans that did.” His association with Lawson resulted in local scenes of Pikes Peak, Eleven Mile Canyon, the Gold Cycle Mine near Colorado City and other similar sites, employing built up pigments that allowed the surfaces of his canvases to shimmer with color and light. (Eleven Mile Canyon was shown in the annual juried show at the Carnegie Institute in Pittsburgh in 1928, an early recognition of his talent outside of Colorado.) At the same time, he animated his scenes of Colorado Springs locales by defining the image shapes with color and line as demonstrated in Contrasts (1929). Included in the Midwestern Artists’ Exhibition in Kansas City in 1929, it earned him the gold medal of the Kansas City Art Institute, auguring his career as a professional artist. In the 1930s Bunnell used the oil, watercolor and lithography media to create a mini-genre of Colorado’s old mining towns and mills, subject matter spurned by many local artists at the time in favor of grand mountain scenery. In contrast to his earlier images, these newer ones – both daytime and nocturnal -- such as Blue Bird Mine essentially are form studies. The conical, square and rectangular shapes of the buildings and other structures are placed in the stark, undulating terrain of the mountains and valleys devoid of any vegetation or human presence. In the mid-1930s he also used the same approach in his monochromatic lithographs titled Evolution, Late Evening, K.C. (Kansas City) and The Mill, continuing it into the next decade with his oil painting, Pikes Peak (1942). During the early 1930s he studied for a time with Boardman Robinson, director of the Broadmoor Art Academy and its successor institution, the Colorado Springs Fine Arts Center from 1930 to 1947. In 1934 Robinson gave him the mural commission under the Public Works of Art Project (PWAP) for West Junior High School in Colorado Springs, his first involvement in one of several New Deal art...

Clarence Holbrook Carter (American, 1904-2000) Pinnacle, c. 1960s Acrylic and collage on scintilla 22 x 8 inches 23.25 x 9 inches, framed A surrealist mid-century figural abstract p...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Still Life with Apples and Bottle is an oil painting realized in 2006 by Zhang Wei Guang (Mirror). Beautiful oil painting on canvas. Includes frame. Hand-written notes on the ba...

original painting; acrylic on high quality canvas stretcher, finished off with a glossy varnish. Comes in a white wooden frame and ready to hang. Measurements with frame: 73 x 90 x 3...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

This original artwork Ornament & Misfit was realized by the Italian artist EMPHI in 2019. Acrylic paint and ink on cardboard from the series Tuttifrutti. Hand-signed on the lower c...

Pink Dreams "Drink Me" is an original drawing from the "Pink Dreams" Collection (2019). It is one of 15 artworks with a similar theme and dimensions. All unique pieces and currently ...

"Little Lions" (after Bartholomaus Spranger) is an original drawing part of the Beast Collection (2022). It was first exhibited at The Other Art Fair London in 2022 and is currently ...

Sandra Cohen’s “Pantomime Horse” is an unframed 18 x 18 x 1 inch acrylic painting on canvas, loosely painted in tones of yellow, orange, pink, brown, and ...

MALCAH ZELDIS ''Basketball'', 1988, gouache on paper Hand signed and dated bottom right, titled in pencil on paper verso Malcah Zeldis (born Mildred ...

'Untitled' (The Last Picture Show) - 2005, Edition 2/10, 20x20cm, Based on a Polaroid, Certificate and signature label, Not mounted, Artist inve...

Original mid 20th century landscape painting of Northern California with a white farm house and barn by Jon Blanchette (1908-1987). Vintage painting circa 1950-1960s plein air style...

Wendy Artin is an American contemporary artist who works primarily in watercolor and charcoal. Her work is figurative and classical and explores the timele...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunity in the United States. Dan...

Memories of Love III (The Girl behind the White Picket Fence) - 2013 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and signatur...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

Original watercolor on paper, signed in pencil.

Silver Fog is a fine oil on canvas realized in 2018 by Anastasia Kurakina . Excellent condition. This original painting explores Kurakina's preferred subject matter: the female wo...

Lovely figurative composition of two neighbors talking over a fence by Marilyn Spencer (American, 1939-2017). A figure dressed in blue is leaning over a fence, towards a neighbor dressed in yellow. Presumably the two people are engaged in conversation, based on their body language. This piece has a loose, sketchy style that adds an innocent quality to the composition. Signed in the lower right corner. Tag on verso from Mullaly-Matisse Galleries Presented in a gold-colored aluminum frame with an off-white mat. Paper size: 7.5"H x 7.5"W (approx - paper is not square) Marilyn Spencer (American, 1939-2017) was a lifelong resident of New Orleans and a popular regional artist. She worked mainly in acrylic (on canvas and paper) and lithograph, with most of her work depicting landscapes and scenes of women engaged in daily life. Spencer produced a lithograph for the New Orleans Saints...

Hock Tee Tan was born in Malaysia and studied Fine Art at Nanyang Academy of Fine Art in Singapore. He came to London in 1976 and has been working as a Fine Artist ever since. He uses oil pastels...