Figurative Paintings

This painting by Charles Shaw depicts a group of Latin women dancing on a dance floor wearing traditional dresses. The environment of the scene is obscured in the composition. 20" x ...

"Cloud" Figurative Nude Oil Painting 47" x 24" inch by Sergey Dolmatov Year: 2010

"Cats and Coffins" Oil Painting 15" x 17" inch (1971) by Zohra Efflatoun Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from Cairo. Whereas Zohra, who lived in Alexandria, studied under the patronage of the Alexandrian pioneer painters Adham and Seif Wanly...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches. It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation. After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter. The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...

"Le Chat V" Oil Painting 20" x 14" inch (1971) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from Cairo. Whereas Zohra, who lived in Alexandria, studied under the patronage of the Alexandrian pioneer painters Adham and Seif Wanly...

"Cairo Street Corner" Oil Painting 39" x 28" inch (1974) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from Cairo. Whereas Zohra, who lived in Alexandria, studied under the patronage of the Alexandrian pioneer painters Adham and Seif Wanly...

"Altai. Belukha Mountain" Oil Painting 24" x 16" inch by Sergey Dolmatov Year: 2006

"Twins" Oil Painting 35" x 24" inch by Sergey Dolmatov

"Toy Seller" Oil Painting 35" x 45" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting...

"Aquarius" Oil Painting 31.5" x 51" inch by Sergey Dolmatov Year: 2014

"Night. Silence." Oil Painting 39" x 29" inch by Sergey Dolmatov Year: 2010

"Contemplating" Oil Painting 27" x 19" inch by Zohra Efflatoun Signed Zohra Efflatoun came from an artistic family. Her half-sister Inji was a renowned painter from Cairo. Whereas Zohra, who lived in Alexandria, studied under the patronage of the Alexandrian pioneer painters Adham and Seif Wanly...

"Strelka. Beginning" Oil Painting 25.5" x 29.5" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting...

"Disappearing" Oil Painting 27.5" x 39" inch by Sergey Dolmatov Year: 2010

"The Keeper" Oil Painting 24" x 35" inch by Sergey Dolmatov Year: 2010

"Botanica" Oil Painting 20" x 14" inch by Andrey Remnev ARTIST BIO: "My birth place is Yakhroma town, in the vicinity of Moscow. It is situated on high hills, from where broad Bruegelian vistas are open. The uneven terrain with significant differences of high and low; a canal between the Moskva river and the Volga; small rivers, woods and villages; a nearby ancient town of Dmitrov, which is equal to Moscow in age; ships cruising the canal and trains outdistancing them – all this I saw from my window since my early years. It was a view that embraced all the diversity of the world. This is why I can say that the impressions of my childhood and youth – beautiful nature and remarkable people – are the most important ones. In the museum of Moscow's St. Andronic Monastery I copied the best examples of the old Russian painting...

"With thoughts about…" Oil Painting 39" x 31" inch by c Year: 2009 Size framed: 44" x 36" inch

"The Kunafeh Merchant" Oil Painting 27" x 31" inch (1960) by Youssef Sida Signed and dated 1960 Youssef Sida 1922-1994 Born in 1922 in Damietta, and in ...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret...

"Le Chat I" Oil Painting 20" x 19" inch (1959) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sister Inji w...

"Paris Street Corner" Oil Painting 20" x 28" inch (1968) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sis...

"Stroll in the Park" Oil Painting 20" x 28" inch (1970) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sist...

"Steel Factory" Oil Painting 39" x 28" inch (1967) by Zohra Efflatoun signed & dated Zohra Efflatoun came from an artistic family. Her half-sister In...

Theo Tobiasse's Expressionist painting of several Jewish men in traditional clothing features the artist's signature use of bold colors and emotive forms. Artist: Theo Tobiasse Tit...

The Masquerade, oil painting signed lower right JANSEM. The painting size is 38"x51" with framed (original frame) size 47"x60". Excellent in condition. From 1934 – 1936 he attended ...

Title: Still Life with Chess Materials : Oil on Canvas Date : 1960's Dimensions : 42 1/2 x 31 in. In the late 1960's, Daniel Brennan had a day job loading boxcars for Railway Express. During nights, he would go to a coffee house (Lawrence Gallery and Coffee House, at 43rd and Main St., KCMO), to sit and draw before heading home to paint. The gallery owners, Anne and Sidney Lawrence...

Bernard Aptekar's For the Megaliths to the Megalopolis is a figurative painting measuring 49.5" x 65". Aptekar's paintings are often a political and social commentary of the contradi...

Aptekar's paintings are often a political and social commentary of the contradictions inherent to the human mankind. The surrealistic and expressionistic language used to covey the m...

Expressionist painting of two abstract skulls in flowers on a field of red. Framed in a white frame with a white matte. Painting was newly framed. Dime...

Jean Carzou, L'etang, 21.5x26 inches, oil on canvas, 1991 LIST OF MUSEUMS WITH WORKS BY JEAN CARZOU Musée National d’Art Moderne, Centre Georges Pompidou, Paris Musée d’Art Moder...

Noted German Expressionist artist Fritz Schwaderer(1901-1974), , was classically schooled in fine art in Germany in the early-mid 1920as. ...

We are proud to premier for the first time in more than twenty years, the paintings of Austrian/American artist Gustav Rehberger (1910–1995). ...

We are proud to premier for the first time in more than twenty years, the paintings of Austrian/American artist Gustav Rehberger (1910–1995). ...

We are proud to premier for the first time in more than twenty years, the paintings of Austrian/American artist Gustav Rehberger (1910–1995). ...

An original oil on canvas by American artist Darren LeGallo. “Devotion and Love”, was exhibited in our recent premiere solo exhibition of American artist Darren LeGallo, “Darren LeGa...

Presenting an original mixed media watercolor by Hungarian artist Bela Kadar. Bela Kadar was a historically important artist, is work was included as part of the degenerate art movement of Nazi Germany. His works appeared illustrated in the famous German arts magazine Der Sturm...

An exceptional original watercolor by American artist Byron Randall. "The Accordionist", is an original watercolor on heavy paper, signed, c.1945, ...

Presenting a rare oil on panel by German artist Otto Tugel. Otto Tugel worked in Germany before settling in New York. This is an early oil on panel, signed in monogram, dated 1925.