Figurative Paintings

Gregory Block's (US based) "Powdered Sugar" is an original, handmade oil painting that depicts a powdered donut with a white background. Gregory was b...

James Van Fossan's "Sky 54" is an original, handmade oil painting that depicts a skyscape of grey and white clouds arching through a blue sky.

Gregory Block's (US based) "Iced Cruller" is an original, handmade oil painting that depicts a pastry filles with ridges and translucent frosting. Gregory was born in Kansas City,...

Gregory Block's (US based) "White Sprinkle" is an original, handmade oil painting that depicts a white glazed donut with rainbow sprinkles. Gregory was born in Kansas City, Missour...

Gregory Block's (US based) "Ring of Fire" is an original, handmade oil painting that depicts a chocolate donut with a red topping in the center. Gregory...

Gregory Block's (US based) "Oreo" is an original, handmade oil painting that depicts a donut topped with Oreo cookie crumbles. Gregory was born in Kansas...

Gregory Block's (US based) "Old Dirty Bastard" is an original, handmade oil painting that depicts a donut topped with chocolate and peanut butter. Gregory was born in Kansas City,...

Fine huge 17th Century Italian/French Old Master Battle Scene of the Crusades, oil on canvas. Grand scale extensive landscape view of a battle from the 1670-80 period, with cavalry f...

Gregory Block's (US based) "Iced Red Velvet" is an original, handmade oil painting that depicts a donut topped white frosting with crumbled red velvet cake. Gregory was born in Kan...

Gregory Block's (US based) "Sprinkle Stripe" is an original, handmade oil painting that depicts a chocolate donut toped with purple sprinkles and stripes. Gregory was born in Kansa...

Gregory Block's (US based) "Apple Fritter" is an original, handmade oil painting that depicts a pastry with a white background. Gregory was born in Kan...

Gregory Block's (US based) "Coconut Cream" is an original, handmade oil painting that depicts a pastry dotted with a textured topping. Gregory was born in Kansas City, Missouri, in...

Gregory Block's (US based) "Cherry Time" is an original, handmade oil painting that depicts a chocolate and red glazed donut topped with a cherry. Gregory was born in Kansas City, ...

Sheri Farabaugh's "Pure Gold" is a handmade, original oil painting that depicts the white and golden flowers of a yucca plant blossoming. Artist Stat...

Gregory Block's (US based) "B&W Old-Fashioned" is an original, handmade oil painting that depicts a donut topped with chocolate and powdered sugar. G...

Gregory Block's (US based) "Chocolate Coconut" is an original, handmade oil painting that depicts a chocolate donut covered with coconut shavings. Gregory was born in Kansas City, ...

Gregory Block's (US based) "Chocolate Peanut" is an original, handmade oil painting that depicts a Donut glazed with chocolate and covered with crushed p...

Gregory Block's (US based) "Double Decker" is an original, handmade oil painting that depicts a chocolate donut with a glazed grid topping. Gregory was...

Gregory Block's (US based) "Grape Ape" is an original, handmade oil painting that depicts a donut covered with purple glaze and shiny plum sprinkles. Gregory was born in Kansas Cit...

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Seguace di Peter Paul Rubens, Due teste di apostoli Metà del XVII secolo, Olio su tela, cm 47,5x61 Il dipinto raffigura due teste di anziani ed è collocabile in ambito fiammingo. Potrebbe trattarsi del ritratto di due sapienti dell’ antichità , e in particolare di due filosofi caratterizzati da atteggiamenti opposti: quello di sinistra con lo sguardo verso terra, potrebbe ricordare Aristotele; quello di destra, con lo sguardo rivolto verso il cielo, il suo maestro Platone. In alternativa va presa in considerazione l’ ipotesi, forse più probabile, che si tratti di uno studio su due teste di apostoli che trovano posto nella zona inferiore dell’ assunzione della Vergine. // Follower of Peter Paul Rubens, Two Heads of Apostles Mid 17th century, Oil on canvas, 47.5x61 cm The painting depicts two heads of elderly people and can be placed in the Flemish context. It could be the portrait of two scholars of antiquity, and in particular of two philosophers...

Exceptional pair of paintings by Manon Cleary (1942-1911). Paintings are oil on canvas. Dated 1980 and signed in the front lower right corner and on reverse. Manon Cleary's work is ...

Victoria Novak’s 2020 oil on canvas, "Diversity," is a beautifully composed botanical painting that exudes the vibrancy of nature’s palette. The artwork...

A painting of Sappho by Ettore Forti Italian, c.1900 Frame: Height 85cm, width 38cm, depth 2.5cm Canvas: Height 73cm, with 26.5cm, depth 2.5cm This excellent portrait painting depic...

An original late 20th Century realist interior scene by Italian artist Andrea Vizzini. This important work was exhibited at The Anderson Gallery an...

Born in Antwerp, Artus Wolffordt received his training in Dordrecht where he became a master in 1603 at the age of twenty-two. He returned to his native city in 1615 and initially worked as an assistant to Otto van Veen...

Artist/ School: French School, 20th century Title: Mythological Scene with Figures in Classical Landscape Medium: oil painting on board, unframed Size: board: 19.75 x 27 inches ...

Diego Glazer's "Marooned" is an original, handmade oil painting that depicts a person sitting on the shade of a tree in a tropical setting. About the Artist: For as long as I can r...

The Thorny Roses, 2022 Oil on canvas 23 5/8 H x 19 11/16 W in. 60 H x 50 W cm The painting imagines a city in a continuous present in which elements of the past intertwine with elem...

"Cherubs" (A) Pen and Ink drawing of Putto Italian School Late 17th early 18th century. Pen and ink on paper 6 ½ x 17 ½ (22 ½ x 11 ½) inches Antique scenes of putto and a faun cele...

Memory Of Revolutions, 2021 Oil on canvas 23 5/8 H x 19 11/16 W in. 60 H x 50 W cm The painting imagines a city in a continuous present in which elements of the past intertwine with...

Lindsey Kustusch’s (US based) "The White Witch Moth" is an original, handmade oil painting that depicts a moth on a grey background. Artist Statement: I am an oil painter based ou...

Pegah Samaie's (CA based) "Cool and Calm" is an original, handmade oil painting that depicts a woman holding a pink ice-cream cone with a pink background....

Giulio Benso (Genoa, 1592 - 1668) Nineteenth-century shaped and gilded wooden frame The marvellous canvas, a masterpiece by Giulio Benso, a 17th-century Genoese painter, depicts the...

Antonio Mercurio Amorosi (Comunanza 1660 - 1738) Portrait of a little girl with cat Oil on canvas, cm. 42 x 31.5 – with frame cm. 56 x 44 Shaped, carved and gilded wooden cassetta fr...

French 18th century old master portrait of a majestic and elegant lady. The aristocratic lady gazes at the viewer with a kind and enigmatic smile and twinkling eyes. In comparison w...

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

19th Century Continental School A study of a saint Medium ; oil on panel Size: 26" x 12" inches

Artodyssey "Julita Malinowska's paintings belong to those, which once seen - are never forgotten. The open spaces, sometimes cool and bright, at other times heavily saturated with co...

Studio of Sir Anthony Van Dyck (1599-1641, Flemish) Study of a Head of Man Circa 1627-32, Van Dyck’s second Antwerp period Oil on paper, laid down on canvas Dimensions 15 x 14 inches...

Matteo Bonechi (Florence 1669 - Florence 1756) Presentation of Jesus Oil on canvas, cm. 75 x 49 – with frame cm. 89,5 x 65 Shaped, carved and gilded wooden box frame Expertise: Sandro Bellesi Publications: Bozzetti, modelletti, sketches: dalla collezione di Giorgio Baratti (From the Giorgio Baratti Collection) curated by Anna Orlando, Agnese Marengo and Annalisa Scarpa, Genova, 2022, pp. 20, 21. The present painting is a very interesting testimony of the creative process of Matteo Bonechi, one of the leading artists on the Tuscan art scene in the early 18th century. The canvas in question is in fact the last preparatory model made by Bonechi before he executed an altarpiece for the church of San Filippo Neri in Cortona in 1716. The scene presented here is that of the Presentation of Jesus, when, forty days after his birth, the child is ransomed through an offering in the temple and placed in the hands of Simeon, who prophesies his future: the coming of the Messiah...

‘Crossing the Ford’ by William Mulready (1786-1863) Oil Sketch. Size: 28cm x 23cm framed. Image size: 17cm x 13cm William Mulready was born in Ennis, County Clare...

This painting was created by American artist Lowell Blair Nesbitt. His most well-known series, and perhaps his most beautiful and poetic, are the more than four hundred works he crea...

Mannerism, derived from the Italian term "maneria," which simply means "style," was an artistic movement that emerged in the later years of the Italian High Renaissance, around 1520, and extended into the early 17th century. It is often referred to as the "stylish style" due to its emphasis on self-conscious artifice rather than realistic depiction. Historians debate whether Mannerism should be classified as a style, a movement, or a period. In contrast to the harmonious ideals embraced by renowned artists such as Raphael, Michelangelo, and Leonardo da Vinci, Mannerist painters took a step further and created compositions that were almost bizarre. They introduced fresh color schemes, elongated proportions, and exaggerated anatomy of figures, portraying them in convoluted and serpentine poses. These artists skillfully exhibited their techniques and abilities, aiming to evoke a sense of sophisticated elegance. Among the notable Mannerist painters are Jacopo da Pontormo, Bronzino, Lavinia Fontana...

Lindsey Kustusch’s (US based) "The Ocean's Lions" is an original, handmade oil painting that depicts a group of striped Lionfish in an underwater setting. Artist Statement: I am a...

19th century oil Devon coastal scene William Shayer Snr (Circle of) A very attractive oil on canvas of cockle gatherers on the Devon coast The painting depicts a busy scene with people gathering their cockles with horses/donkeys laden with baskets ready to take to market. The painting Bears signature, also inscribed and dated 1833 (lower right) The size overall is 95 x 130cm whilst the image is 64 x 104cm (25 x 40¾ in.) Housed in the original heavy gilt frame Provenance: The property of a lady and gentleman , removed from a Cheshire country house William Shayer (1787–1879) was an English landscape painter and figure painter who became prominent during the Victorian era. A self-taught artist, who began by painting decorations on rush-bottom chairs. He moved on to painting carriages in the town of Guildford, after which he started doing heraldic painting...

Victoria Novak’s "Flame," crafted in 2018, is an original oil on canvas that bursts with the energy of tropical blooms. This framed work, measuring 50.2...

History Of Men, 2021 Oil on canvas 23 5/8 H x 19 11/16 W in. 60 H x 50 W cm The painting imagines a city in a continuous present in which elements of the past intertwine with elemen...

Country scene - Oil on canvas cm.80x120, Giovanni Santaniello, Italy 2002 Gold gilded wooden frame available on request The painting by Giovanni Santaniello depicts a scene of return...

Arie Azene, Israeli painter, born in Germany, 1934 Arie (Eisman) Azene was born in Hamburg, Germany. He immigrated to the Land of Israel with his parents soon after birth. In 1958, after studying art in Paris, he settled on Kibbutz Tzova in the Judean Hills...

Original artwork by Katerina Hatzi, ready to hang. Signed by the artist at the bottom right corner. Certificate of authenticity provided by the gallery.

Righting A Wrong, 2021 Oil on canvas 23 5/8 H x 19 11/16 W in. 60 H x 50 W cm The painting imagines a city in a continuous present in which elements of the past intertwine with elem...

Circle of Giovanni Francesco Barbieri, called Guercino (Italian, 1591 – 1666) An annunciation Oil on canvas 30 x 45 in. (76.2 x 114.4 cm.)

James Van Fossan's "Sky 59" is an original, handmade oil painting that depicts a skyscape of grey and white clouds arching through a blue sky.

Artist/ School: 17th Century Dutch School Title: Ladies Collecting Flowers Medium: oil painting on panel, framed Oval : 6.75 x 9.25 inches, frame...

Charles Wildbank (American, b. 1948) Photorealist Still Life Painting "Candy Sticks", Acrylic on canvas Signed in bottom right corner recto Charles Bourke Wildbank, native New Yor...

This fresh sanguine sheet presents various studies placed next to each other in no apparent order. Two of the feet studies are preparatory to the first major commission received by the young Baldassare Franceschini, shortly after his installation in Florence, the frescoes for the Medici Fastes. This cycle was executed between 1636 and 1646 for the Villa La Petraia, a Medici villa on the outskirts of Florence, which allows us to date this sheet to the artist's youth. 1. The Medici Fastes, the first major commission for a young artist Born in Volterra in 1611, the town from which he took his nickname, Baldassare Franceschini apprenticed with his father, a sculptor of alabaster, one of his home town's specialities, and studied with Cosimo Daddi (1540-1630), a local artist. The Marquis Inghirami, who spotted his talent, sent him to the workshop of Matteo Rosselli (1578 - 1650) in Florence, which was also attended by Francesco Furini (1603 - 1646). In 1636, Lorenzo de' Medici, the youngest son of Ferdinand Ier and Christine of Lorraine, chose the 25-year-old artist, again on the advice of the Marquis Inghirami, to decorate with frescoes the loggias of the inner courtyard of the Villa La Petraia, which he had just inherited on the death of his mother. The project lasted about ten years and included ten scenes placed symmetrically in two loggias on either side of the courtyard: four main scenes and six placed above the doors, each to the glory of a member of the Medici family. This decoration was his major secular project, but Volterrano also executed several religious frescoes and a few easel paintings, often with less success. Among the religious commissions, we can cite the dome of the Colloredo chapel dedicated to Saint Lucy...

Giuseppe Bonito (Castellammare di Stabia, 1707 - Naples 1789) The Painter's Studio or Allegory of Painting Oil on canvas, cm.40,5 x 64 - with frame cm....