Figurative Paintings

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Genre: Modern Subject: Klezmer Musicians Medium: Oil Surface: Board, size includes artist decorated frame Country: United States The imagery of Maurice Kish (1895-1987), whether fa...

5-3522 Starry Night Acrylic on artist board Set in a silvered Frame Image size 12.25x12.25"

"Swiss Countryside II" Landscape Oil Painting 8" x 12" inch by Inji Efflatoun circa 1950 Inji Eflatoun pursued free studies in art. Since 1942, she has participated in the exhibiti...

Grigory Gluckmann Vitebsk 1898 – 1973 Los Angeles "Composition" Signed in Latin (lower right) “Gluckmann” Born in Russia in 1898, Grigory Gluckmann studied in Moscow and eventually ...

Angelic boy with a devil figure. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

5-3311 Abstract Figurative Painting Set in a hand painted wood frame Image size 12x15"

5-3181a Court jester painting on artist board set in a vintage wood frame

Oil measures 54x65 cm. Frame measures 59x70 cm. Francisco Carbonell Massabe (1928) Francisco Carbonell Massabe was a Catalan painter with an impressionist spirit. It was in La Lonj...

This original painting is hand signed by the artist "Scheiber H" in the lower left corner, and dated "1940" below the signature. Exhibited: Hugo Scheiber - Bela Kadar, Galerie Le Mi...

The Virgin of Kataphyge with Saint John the Evangelist, after a Bulgarian Byzantine icon of the 14th Century. Egg tempera and gold leaf on gesso and wood. Author: Oliver Samsinger...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: signed initials oil painting on thick paper, stuck on board unframed. Size: painting: 13 ...

The French Market by Michel Kritz (French 1925-1994) oil on canvas, unframed canvas: 24 x 32 inches provenance: private collection, France condition: very good and sound condition

Une œuvre très bien réalisée de Marcel Cosson représentant des danseuses de l'Opéra de Paris devant un piano. Les danseuses se préparent pour leur séanc...

"Madam Suburbia #2" (Woman and Child, Sue & Casey) in Oil on Canvas An auburn-haired woman sits in a chair with her young child, by American painter, Patricia Gren Hayes (b. 1932). ...

Woman in Bloom - Figurative Nude Study Oil on Canvas A nude woman, seemingly pregnant, sits reclined in a chair with her hands at the base of her belly holding a flower. This striki...

This piece is part of my private collection, it is in very good condition . Limited edition signed by the artist. It is brilliant in colors of yellows and browns.

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: oil painting on thick paper, stuck on board unframed. Size: painting: 10 x 13 inches Prov...

Natura morta verde,mele Maya KOPITZEVA (Gagra, Georgia 1924 – San Pietroburgo 2005) Maya Kuzminichna Kopitzeva nasce nel 1924 in Georgia, ma già l’anno successivo la famiglia si tra...

Jacques BOUYSSOU (1926-1997) Carrière sur Seine, 1966 Oil on original canvas, in perfect condition, original canvas. Size : 50 x 65 Signed lower left Vintage frame Provenance : - G...

The Grand Canal, Venice Alvarez ( Mid 20th Century) signed oil on canvas, framed framed: 25 x 33 inches canvas: 20 x 28 inches provenance: private collection, France condition: very ...

George Gustav Adomeit (American, 1879-1967) Coastal Scene Oil on canvas Signed lower left 19 x 23 inches 21.5 x 25.5 inches, framed A major painter of American scene subjects, Georg...

Ben Wilson Ozymandias, 1989 Oil on masonite board Boldly signed by Ben Wilson on the back 36 × 48 inches Unframed Provenance: acquired from the Estate of Ben Wilson This work is titled "Ozymandias" after the famous sonnet written by Percy Bysshe Shelley (1792-1822). Shelley's poem is one of the most poignant meditations on the fleeting nature of human power and the inevitability of decline. The poem serves as a reminder that time erodes even the most imposing empires and leaders and that the pursuit of lasting fame and control is ultimately futile. Depending on how one views Ben Wilson's Abstract Expressionist painting of "Ozymandias" -- some of the imagery might reveal the head of an angry king and a sickle. Shelley's poem Ozymandias reads: I met a traveler from an antique land...

Portrait of a Lady by Geza Somerset-Paddon (British 20th century) inscribed and dated verso (1978) oil painting on board, unframed board: 18 x 14 inches inscribed verso condition: ov...

Realistic portrait of an older rabbi visiting and blessing a child in a European marketplace. Here the artist conveys a sense of quiet grandeur th...

5-2581 Oil on board Displayed in a faux bamboo wood frame Image size 15.5x19.5"

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed double sided condition: very good and sound; the edges have a few curls and scuf...

Ignasi Mundó Marcet (1918-2012) - woman in white - Oil on canvas Canvas measures 73x60 cm. Frame size 76x63 cm. MUNDO Ignasi Ignasi Mundó trained at the School of La Lonja, with Joa...

The Art Class by Helen Greenfield (British 20th century) oil painting on board, framed framed: 19.5 x 26 inches board: 17 x 24 inches condition: overall very good, original frame is quite scruffy provenance: all the paintings we have by this artist have come from their studio sale in England Helen was a member of the Leicester Sketch Club, Treasurer of Leicester Society of Artists and a founder member of The Friday Group who were an all-female group...

Three Poses - Nude Figure Study by Patricia Gren Hayes Three nude women serving as models in an art class, showing different expressions by American painter, Patricia Gren Hayes (Ca...

An original work by Noche Crist (1909- 2004). Titled "Femme Fatale" and signed on reverse. Wonderful work made with cut wood, paint and plaster. Catalogue of an exhibition in 2008 ...

Brightly colored expressionist nude figurative painting of a reclining nude female with bold yellow, blue, and magenta accents by Linda Goodman (American...

Attributed to Luigi Lucioni Untitled (Still Life), c. 1900 Oil on canvas 30 x 26 in. Framed: 34.5 x 30 in. Born in Malnate, Italy, in 1900, Luigi Lucioni became one of America's well-known landscape painters, whose work has been noted for its heightened realism and photographic attention to detail. Lucioni immigrated to the United States with his family in 1911. In 1915 he won a competition which allowed him to attend Cooper Union, and he began studying there with William Starkweather. In 1920, he studied with William Auerbach Levy...

Emilio Trad (Argentinian, b. 1953) Untitled (Church), 1978 Oil on board 18 1/4 x 14 in. Framed: 25 3/4 x 22 1/4 in. Signed lower left: Trad Signed and date...

"The Mate" (Cornish fisherman) by David W. Haddon (British, early 20th century) signed and dated 1914 oil on board, framed framed: 18 x 14 inches board: 16 x 12 inches provenance: pr...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

City landscape is an artwork realized by Lello Barresi in 1980s. Oil on Canvas 67 x 47 cm ; 100 x 80 cm. Good conditions

Signed figures in landscape oil on canvas circa 1920 by French post impressionist painter Lucien Adrion. The painting depicts people going about their daily lives on the streets of P...

Reg B. Strange Untitled (Harriet Beecher Stowe Ship in Tokyo Bay near Yokohama), 1946 Oil on canvas Framed: 13 5/8 x 17 1/8 x 1 1/8 in. Signed and inscribed lower right One of the f...

Artist/ School: Leon Hatot (French 1883-1953) Title: Impressionist oil painting Medium: oil painting on thick paper, stuck on board unframed. Size: painting: 13 x 20 inches. Pr...

The Sea is an original painting realized by an anonymous artist in the mid-20th Century. Oil panting on panel. Unreadable sign on lower margin. The state of ...

Landscape is an artwork realized by Raul Viviani (1883-1965). Oil on Board, mid-20th Century. 28 x 32 cm ; 50 x 54 cm with frame. Handsigned in the lower left margin. Good condi...

3770 Art Deco gouache figurative figurative painting of a woman and a tulip Set in a hand made wood frame Image size 8.5x11.5"

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Jeffrey Morgan (British, b.1942) Laurel and Hardy Poster paint and pencil 22.3/4 x 15.3/4 in. (57.8 x 40 cm.) An original pop art design for a tin print...

Born in Savannah, Georgia in 1912, abstract expressionist painter Morris Shulman studied at the National Academy of Design, Art Students League and Hans Hofmann School of Art in New ...

Oil on canvas 65 x 54 cm (25.6 x 21.3 in) Unique artwork Golden wooden frame (82 x 71 cm) - (32.3 x 28 in) Signed by the artist Certificate of authenticity

ALFRED MCNAMARA "INTERIOR " OIL ON PANEL, SIGNED TITLED AMERICAN, DATED 1978 30 X 36 INCHES Alfred McNamara (1911 - 1994) Alfred McNamara was born in Tompkinsville, Staten Island and lived most of his life in Staten Island. He was heavily influenced by John Sloane...

John Steuart Curry "Sketching Wisconsin," 1946 oil on canvas 31.13 x 28 inches, canvas 39.75 x 36.75 x 2.5 inches, frame Signed and dated lower right Overall excellent condition Presented in a 24-karat gold leaf hand-carved wood frame John Steuart Curry (1897-1946) was an American regionalist painter active during the Great Depression and into World War II. He was born in Kansas on his family’s farm but went on to study art in Chicago, Paris and New York as young man. In Paris, he was exposed to the work of masters such as Peter Paul Rubens, Eugène Delacroix and Jacques-Louis David. As he matured, his work showed the influence of these masters, especially in his compositional decisions. Like the two other Midwestern regionalist artists that are most often grouped with him, Grant Wood (American, 1891-1942) and Thomas Hart Benton (American, 1889-1975), Curry was interested in representational works containing distinctly American subject matter. This was contrary to the popular art at the time, which was moving closer and closer to abstraction and individual expression. Sketching Wisconsin is an oil painting completed in 1946, the last year of John Steuart Curry’s life, during which time he was the artist-in-residence at the University of Wisconsin in Madison. The painting is significant in Curry’s body of work both as a very revealing self-portrait, and as a landscape that clearly and sensitively depicts the scenery of southern Wisconsin near Madison. It is also a portrait of the artist’s second wife, Kathleen Gould Curry, and is unique in that it contains a ‘picture within a picture,’ a compositional element that many early painting masters used to draw the eye of the viewer. This particular artwork adds a new twist to this theme: Curry’s wife is creating essentially the same painting the viewer is looking at when viewing Sketching Wisconsin. The triangular composition of the figures in the foreground immediately brings focus to a younger Curry, whose head penetrates the horizon line and whose gaze looks out towards the viewer. The eye then moves down to Mrs. Curry, who, seated on a folding stool and with her hand raised to paint the canvas on the easel before her, anchors the triangular composition. The shape is repeated in the legs of the stool and the easel. Behind the two figures, stripes of furrowed fields fall away gently down the hillside to a farmstead and small lake below. Beyond the lake, patches of field and forest rise and fall into the distance, and eventually give way to blue hills. Here, Curry has subverted the traditional artist’s self-portrait by portraying himself as a farmer first and an artist second. He rejects what he sees as an elitist art world of the East Coast and Europe. In this self-portrait he depicts himself without any pretense or the instruments of his profession and with a red tractor standing in the field behind him as if he was taking a break from the field work. Here, Curry’s wife symbolizes John Steuart Curry’s identity as an artist. Compared with a self-portrait of the artist completed a decade earlier, this work shows a marked departure from how the artist previously presented and viewed himself. In the earlier portrait, Curry depicted himself in the studio with brushes in hand, and with some of his more recognizable and successful canvases behind him. But in Sketching Wisconsin, Curry has taken himself out of the studio and into the field, indicating a shift in the artist’s self-conception. Sketching Wisconsin’s rural subject also expresses Curry’s populist ideals, that art could be relevant to anyone. This followed the broad educational objectives of UW’s artist-in-residence program. Curry was appointed to his position at the University of Wisconsin in 1937 and was the first person to hold any such position in the country, the purpose of which was to serve as an educational resource to the people of the state. He embraced his role at the University with zeal and not only opened the doors of his campus studio in the School of Agriculture to the community, but also spent a great deal of time traveling around the state of Wisconsin to visit rural artists who could benefit from his expertise. It was during his ten years in the program that Curry was able to put into practice his belief that art should be meaningful to the rural populace. However, during this time he also struggled with public criticism, as the dominant forces of the art market were moving away from representation. Perhaps it was Curry’s desire for public acceptance during the latter part of his career that caused him to portray himself as an Everyman in Sketching Wisconsin. Beyond its importance as a portrait of the artist, Sketching Wisconsin is also a detailed and sensitive landscape that shows us Curry’s deep personal connection to his environment. The landscape here can be compared to Wisconsin Landscape of 1938-39 (the Metropolitan Museum of Art), which presents a similar tableau of rolling hills with a patchwork of fields. Like Wisconsin Landscape, this is an incredibly detailed and expressive depiction of a place close to the artist’s heart. This expressive landscape is certainly the result of many hours spent sketching people, animals, weather conditions and topography of Wisconsin as Curry traveled around the state. The backdrop of undulating hills and the sweeping horizon, and the emotions evoked by it, are emphatically recognizable as the ‘driftless’ area of south-central Wisconsin. But while the Metropolitan’s Wisconsin Landscape conveys a sense of uncertainty or foreboding with its dramatic spring cloudscape and alternating bands of light and dark, Sketching Wisconsin has a warm and reflective mood. The colors of the foliage indicate that it is late summer and Curry seems to look out at the viewer approvingly, as if satisfied with the fertile ground surrounding him. The landscape in Sketching Wisconsin is also revealing of what became one of Curry’s passions while artist-in-residence at UW’s School of Agriculture – soil conservation. When Curry was a child in Kansas, he saw his father almost lose his farm and its soil to the erosion of The Dust Bowl. Therefore, he was very enthusiastic about ideas from UW’s School of Agriculture on soil conservation methods being used on Wisconsin farms. In Sketching Wisconsin, we see evidence of crop rotation methods in the terraced stripes of fields leading down the hillside away from the Curry’s and in how they alternate between cultivated and fallow fields. Overall, Sketching Wisconsin has a warm, reflective, and comfortably pastoral atmosphere, and the perceived shift in Curry’s self-image that is evident in the portrait is a positive one. After his rise to favor in the art world in the 1930’s, and then rejection from it due to the strong beliefs presented in his art, Curry is satisfied and proud to be farmer in this self-portrait. Curry suffered from high blood...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1978. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Institute and the University of California at Berkeley. She later earned a bachelor's degree at Dominican College in San Rafael and, in 1971, a graduate degree in at California State University in San Francisco. From Inverness, California, north of San Francisco and working from a studio in Point Reyes, Inez Storer creates mixed-media narrative paintings, collages and assemblages in naive-sophisticated style, which she describes as Magic Realism: "I am a visual raconteur. I use paint to tell stories." Most of these stories are explorations of the human condition with characters who seem allegorically to be walking tightropes. She gets many ideas from her studio collection of old postcards, toys, photos and other random items that she often incorporates into her work. Inez Storer is also known for her prints and drawings. Storer was born in Los Angeles to German parents who left that country in 1933 to avoid Hitler. Her father got a job in Hollywood with Billy Wilder as an art director, and her mother was an actress and dancer. Inez spent much time as a child on movie sets. She was raised a Catholic as her parents wanted no one to know her mother was Jewish and uses Catholic imagery in her work. In 1974, she met Andrew Romanoff, a Russian artist who became her second husband. In this marriage, she became a part of Russian royalty because Andrew was the grand nephew of the Czar Nicholas II, Russia's last emperor...

"Rosemary" Berkeley Figurative School by Patricia Gren Hayes 1980 A large scale portrait of a blond woman by Patricia Gren Hayes (b. 1932). The model is in front of a window, with h...

My life as an artist started in 1976 when I left Kishinev (Bessarabia) for Israel. In my youth I did not have the opportunity to study an regularly, although I learned painting during some two years at the Belle-Arts Academy in Kishinev and one year in Bucarest. My youth was spent during world war 2 when Bessarabia was annexed by the Soviet Union, years of hunger and the need to work very hard to be able to survive. I worked as a retoucher of photographs in a studio. When I arrived in Israeli went to live in Jerusalem and took up painting as my only ocupation, not as in Russia where it was one of my occupations which I had to do sometimes in hiding, stealong time from my everyday jobs. Israel, its colourings, impressed me much: the blue of the sky, the turquoise of the sea, the palette of desert colours. The stones of Israel looked alive and I wished I could paint them all. In 19761 started to expose my work. Since then I participated in a number of exhibitions in groups and alone. Since 1984 I am a member of the Israeli Union of Painters and Sculptors. The last exhibition where I took part was at the Salon des Beaux-Arts in Paris together in a group of Jerusalem artists. Israel has had a Vibrant Folk Art, Naive art scene for a long time now artists like Yisrael Paldi, Nahum Guttman...

3982 Children riding a giraffe oil on board set in a painted oak frame Image size 15.5x19.5"

Raoul Raymond was born in Bucharest, Romania in 1948 and he immigrated to Israel two years later. In Israel, Mr. Raymond grew fond of the artist's palette, and at an early age, was...

This artwork titled "San Jacinto Peak" c.1970, is an oil painting on canvas by noted Palm Spring artist Darwin Taylor, 1921-1975. It is signed at the lower right corner by the artist...

Jordi Freixas Cortés (1917-1984) - Landscape - Oil on board Oil measures 23x36 cm. Frame measures 31x43 cm. Jordi Freixas Cortés (1917-1984) Jordi Freixas Cortés is a Catalan paint...

Painted by "Modern British" artist Augustus Lunn this oil/tempera on board depicts Christ Expelling the Money Changers. He exhibited widely at The Cooling Galleries and The New Engl...

WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...