Figurative Paintings

We are proud to have recently discovered, “The Sophisticate”, by American artist Alexander Rosenfeld. Rosenfeld was classically trained in fine ...

Excellent French Mid century Impressionist, on the banks for the River Seine, Paris The painter was active around the middle of the 20th century, painting landscapes, portraits, and...

A wonderful large self portrait of the artist with a Russian model by American artist Pauline Lennards Palmer (1867-1938). Born in McHenry, Illinois, Palmer studied at the Art Institute of Chicago between 1893 and 1898, including a one-month session with William Merritt Chase in 1897, and further temporary instruction with Frank Duveneck. She became one of Chicago's early twentieth-century portrait and landscape painters and one of the Midwest's most active and energetic exponents of impressionism. After her career was well established, she moved to Provincetown and studied with Charles Hawthorne...

Original Painting Steel Workers Fabric Design Industrial Deco American Modernism Antonio Petruccelli (1907 - 1994) Steel Workers Textile design 19 1/4 X ...

Joan Joseph Garí (1922) - Rambla de las flores Barcelona - Oil on burlap Oil measures 33x41 cm. Frameless. Painter born in Granollers in 1922. Trained in his hometown and at the Sch...

Léon Frédéric (1856-1940) Vallée de Nafraiture signed with the estate stamp at the lower left Oil on canvas transfered on panel 29.5 x 44.55 cm Certific...

Signed lower center, 'Bazil' and dated November, 1974. A substantial and lyrical, Post-Impressionist figural oil showing a blonde woman in an evening gown preparing a rose-arrow as ...

Mixed media on panel. Sprawling cat. Hand signed lower right. Dimensions: (Frame) H 8.25" x W 10.25" (Board) H 5" x W 7" Piero Aversa was born in Asmara, Eritrea, East Africa, educated at the Belle Arte in Rome, and lived and exhibited worldwide. He moved to the US in 1953. Piero Aversa was passionate about many facets of artistic expression. A larger than life Gay Artist, he enjoyed the company of many jet setters in New York City during his Fashion and Interior Design days. Originally from Italy he finally settled in Key West, Florida where the largest collection of his art is displayed. His talents span design in fabrics, wall covering, jewelry and films as well as the fine arts. The exhibition in Rome in 1959, of “The Most Beautiful Women of Rome”, catapulted him to international recognition. In New York, he designed celebrity mannequins for the windows of Saks Fifth Avenue. The depicted “New York's high-born, wealthy jet-setters” included Louise Savitt, Baby Jane Holzer and Wendy Vanderbilt. He is acknowledged for his sensitivity to the different lands he had been inspired by, from the primitive backdrops of Greek Mythology to the botanical lushness of Mexico, Italy, Greece and the Southern United States. He established his own line of wallpapers and fabrics, receiving praise for his interior design of suites at the historic Colony Hotel in Palm Beach, Florida. Aversa was collected by actresses Katherine Hepburn and Agnes Moorehead; diplomat and prominent New York socialite, Francis Kellogg; gallery owner, Julius Fleischmann; society songstress and millionaire industrialist, Mr. & Mrs. David Muss; and American songwriter, Jule Styne. He was also collected by various Italian nobility, Count and Countess Scribani Rossi from Rome, Principessa Niky Boncompagni, and Countess Alicia Paolozzi from Rome. The arrival of Piero in Mykonos, Greece and opening of his bar in the early 70's began a somewhat historical era for the gay community of the time. His work has a Surrealist quality that reminds me of Van Eno another Key West art...

Study for the Mural "Westward Movement" Graphite, watercolor, gouache and paint on paper, 1936 Signed in pencil lower center (see photo) A study leading up to his mural Justice of th...

The painting we are selling is a breathtaking mountain view from Hålland in Jämtland, Sweden, created by Ante Karlsson-Stig in 1932. Ante Karlsson-Stig (1885-1967) was a Swedish pain...

Highly detailed depiction of a Barong Mask dance in Bali. Several people wearing elaborate masks are taking part in a dance or ritual. People are dressed i...

Mid 20th century Impressionist, A Bridge on the Seine in Paris, Possibly Le Pony Neuf a well knoen bridge over the Seine. The painter was active around the middle of the 20th centur...

Signed by Artist Lower Right The Saturday Evening Post cover, September 18, 1937 One of the most prolific and sought-after artists of the Golden Age of Illustration, J.C. Leyendecker captivates the public with his striking, fashionable depictions of handsome men, glamorous women, and adorable children. Painted in 1937 First Long Suit not only encapsulates the high-fashion, glamorous fantasy world that Leyendecker strove to achieve over the course of his vastly successful career, it also poignantly captures a bittersweet moment that every parent experiences--watching our children grow up right before our eyes. Born in Montabaur, Germany, Leyendecker came to Chicago with his Catholic family at age eight. He apprenticed to a printer, J. Manz and Co., and then studied with John Vanderpoel at the Chicago Art Institute. In 1896, he won the Century magazine...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso canvas: 32 x 24 inches private collection, France The pai...

Carl Gustaf Simon Nelson, American (1898-1988) "Nude Musicians," 30 x 35 inches, oil on canvas Signed and dated 1938 signature lower right. Provenance: Collection of Seymour Stein Bio Carl Gustaf Simon Nelson (1898 - 1988) A painter, graphic artist and teacher whose paintingfocus was color and content landscapes, Nelson at age five immigrated with his family to Sioux City, Iowa from Sweden in 1903. He studied at the Chicago Academy of Fine Arts* from 1920 to 1921, then at the Art Students League* in New York from 1923 to 1927 with Kimon Nicolaides and Kenneth Hayes Miller. He taught at the American Peoples School of New York, an adult education project; at the Cambridge School of Design from 1948 to 1952; and finally at the Boston YMCA until 1968. His work was exhibited at the Carnegie...

Over the course of his long and prolific career, Norman Rockwell executed over 300 cover illustrations for The Saturday Evening Post. In addition to these beloved commissions, Rockwe...

Tristan Fabris 1970's French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso canvas: 32 x 21 inches private collection, France The pain...

Seated 1974. Oil on canvas, 100x60 cm The central focus of the artwork is a nude woman seated in a relaxed position. The artist's portrayal captures the beauty and form of the fema...

Work on cardboard Golden wooden frame 52 x 43.5 x 3 cm

Tukums 1976, oil on board, 47,5x33,5 cm "Tukums" is an artwork created in 1976 using oil on board as the medium. The dimensions of the artwork are 47.5x33.5 cm. The painting is named after the city of Tukums, which is located in Latvia. The buildings portrayed in the painting vary in architectural style, reflecting the character and charm of Tukums. They are depicted with attention to detail, capturing the unique features of each structure. The artist has used various colors and brushstrokes to convey the textures and character of the buildings, adding depth and visual interest to the composition. Stanislavs Kreics...

woman,red, Italian painter Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to technical and expressive results do...

Vesuvius, Naples is an original painting realized in 1970ca. by Anonymous artist in the 1970s. Mixed media on paper In good conditions. The subject of this artwork is a colorful...

Excellent Mid-20th-century, School of Paris oil on board depicting a scene on the banks of the River Seine in Paris, France. The painter was active around the middle of the 20th cen...

Original Painting. New Yorker Mag Cover Proposal WPA Mid Century American Scene Antonio Petruccelli (1907 – 1994) Perplexed Gentleman New Yorker cover proposal, c. 1939 13 1/4 X 8 ...

Signed lower right, 'Cabaniss' for Larry Cabaniss (American-Italian, 1926-2007) and painted circa 1975; additionally signed, verso, 'Cabaniss'. Born in...

Koordinator is an artwork realized by Bernhard Gillesen (Düsseldorf 1952 - Trevi 2023) in 1976. Oil on Canvas cm. 120x100 cm. Hand signed, dated and titled on rear. Good condition...

Mid-20th century Impressionist scene, French landscape with cottage The painter was active around the middle of the 20th century, painting landscapes, portraits, and city scenes. ...

Tristan Fabris 1970's, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed signed and dated 75' inscribed verso canvas: 32 x 34 inches private colle...

The Vortex of Confusion is a contemporary artwork realized bin the 1970s by a german Artist. Mixed media on plywood. Includes frame: 84 x 3 x 63.5 cm

The painting (oil on canvas, 40 x 29,8 cm; with wood frame 61 x 51 cm) represents two lovers. It's signed M Maccari on the bottom right. Mino Maccari was a satirical artist and journ...

Last supper is an artwork realized in 19th Century, and depicting the Last Supper. Mixed colored oil painting. Includes frame: 26 x 29 cm Fair conditions

A rural interior scene by Austrian artist Edmund Adler. The scene is typical of Adler's paintings of Austrian culture and rural life. It is full of gemütlichkeit.

Sea. Oil on canvas, 60x65 cm,

Mendocino Stormy Autumn Day 1971 Heading back to the cabin on a Mendocino stormy Autumn day. Sandy Gravitch (B- 1927) who has been featured at Art in the Redwoods, Gualala Art Festiv...

Signed 'NORMAN/ROCKWELL' bottom right; also dedicated 'My very best wishes/to/Sir Jay Chernis/Cordially/Norman Rockwell/November 3rd/1975' verso The present work belonged to Sir Jay...

This is a preparatory study for King of the Beach, the cover illustration for the September 3, 1932 issue of The Saturday Evening Post.

The Nude Model French School, 1930's oil on canvas 21.5 x 15 inches double sided work provenance: private collection, Paris The painting is in sound condition, some former restoratio...

George Picken Playground, Carl Schurz Park, 1938 Signed and dated lower left Oil on canvas 28 x 36 inches Provenance: Estate of the artist A native New Yorker, George Picken was born in 1898. His father, an artist and photographer, emigrated from Scotland; his mother came from Wales. They joined other European immigrants settling in New York City’s Hell’s Kitchen. Picken enlisted in the army during World War I and saw action at Verdun. After the war, he stayed in France and like many Americans returning from the vibrant Paris art scene, was inspired by the radical movement known as Impressionism. Upon his return Picken decided to follow in his father’s footsteps and become an artist. George began his studies in 1919 at the Art Students League during Robert Henri, Max Weber, and John Sloan’s tenure. There he took classes in studio art, illustration, and etching through 1923 studying extensively with George Bridgman. The writings of French philosopher Henri Bergson were widely circulated among the artistic community and looking at Picken’s early paintings one cannot help but wonder if as a young artist he was influenced by Bergson’s ideas. Bergson said, "[There are] two profoundly different ways of knowing a thing. The first implies that we move round the object; the second that we enter into it. The first depends on the point of view at which we are placed and on the symbols by which we express ourselves. The second neither depends on a point of view nor relies on any symbol. The first kind of knowledge may be said to stop at the relative; the second, in those cases where it is possible, to attain the absolute.” Picken’s recognition came early with showings of his work while he was a student. His drawings were published in the New Masses, a significant left-wing publication. The New York Public Library honored him with one-man shows in 1924 and 1928 and his work was included in group exhibitions at the Louis Comfort Tiffany Foundation, the Whitney Studio Club, Montross Gallery, and the Art Students League. During this time Picken married Viola Carton, one of Reginald Marsh’s models, and they lived in Westchester. Later they moved to Yorkville in Manhattan between 82nd street and East End Avenue where they began their family. Picken’s grandson Niles Jaeger recalled that, “Grandpa’s home and studio were in a five-story walk-up apartment, heated only by a coal stove. But there were wonderful views of the East River and the Queensborough Bridge...

Study for the Cover illustration for The Saturday Evening Post, June 30th, 1934 LITERATURE: C.D.B. Bryan, Mort Walker and the Art of Illustration, Architectural Digest, July 1988, ...

GLORIA STUART (1910 – 2010) WATTS TOWERS, 1971 Oil on canvas, signed lower right, 24” x 50 ½”. Gloria Stuart, an Academy Award nominated actress was also a painter, illustrator and printmaker. She most recently portrayed Rose in the blockbuster film “Titanic”. She was a Santa Monica native. In 2013 The Los Angeles Museum of Art, LACMA exhibited a nearly identical painting looking from the south, the same size and frame. Last 5 photos show the example at LACMA. One shows theirs in a distant room with a major Thomas Hart Benton painting in the foreground A VERY IMPORTANT MULTI-LEVELED DOCUMENT OF LOS ANGELES AND HOLLYWOOD CULTURAL HSTORYi The following is from her obituary in the Los Angeles Times upon her death in September 2010 at the age of 100 Gloria Stuart, a 1930s Hollywood leading lady who earned an Academy Award nomination for her first significant role in nearly 60 years — as Old Rose, the centenarian survivor of the Titanic in James Cameron’s 1997 Oscar-winning film — has died. She was 100. .......She devoted much of her time to designing and printing artists’ books (handmade, letter-press printed books in limited editions, with her own artwork and writing). Her work is in the J. Paul Getty Museum in Los Angeles, the Metropolitan Museum of Art in New York City, the Victoria and Albert Museum in London and other museums. Stuart, a founding member of the Screen Actors Guild who later became an accomplished painter and fine printer, died Sunday night at her West Los Angeles home, said her daughter, writer Sylvia Thompson. Stuart had been diagnosed with lung cancer five years ago. “She also was a breast cancer survivor,” Thompson said, “but she just paid no attention to illness. She was a very strong woman and had other fish to fry.” In July the actress was honored at an “Academy Centennial Celebration With Gloria Stuart” at the Samuel Goldwyn Theater in Beverly Hills. “She was a charming and beautiful leading lady in the ‘30s, and I never understood why her career didn’t go further at that time,” film historian and critic Leonard Maltin, who interviewed Stuart on stage at the event, told The Times on Monday. As for Stuart’s high-profile comeback in “Titanic”: “She was thrilled by the attention that that performance brought her and really wanted to win that Oscar. I thought she hit just the right notes in that performance. She was wry and engaging.” As a glamorous blond actress under contract to Universal Studios and 20th Century Fox in the 1930s, Stuart appeared opposite Claude Rains in James Whale’s “The Invisible Man” and with Warner Baxter in John Ford’s “The Prisoner of Shark Island.” She also appeared with Eddie Cantor in “Roman Scandals,” with Dick Powell in Busby Berkeley’s “Gold Diggers of 1935” and with James Cagney in “Here Comes the Navy.” And she played romantic leads in two Shirley Temple movies, “Poor Little Rich Girl” and “Rebecca of Sunnybrook Farm.” But mostly she played what Stuart later dismissed as “stupid parts with nothing to do” — “girl reporter, girl detective, girl nurse” — and “it became increasingly evident to me I wasn’t going to get to be a big star like Katharine Hepburn and Loretta Young.” After making 42 feature films between 1932 and 1939, Stuart’s latest studio contract, with 20th Century Fox, was not renewed. She appeared in only four films in the 1940s and retired from the screen in 1946. By 1974, “the blond lovely of the talkies” had become an entry in one of Richard Lamparski’s “Whatever Happened to” books. Writer-director Cameron’s $200-million “Titanic” changed that. Stuart played Rose Calvert, the 100-year-old Titanic survivor who shows up after modern-day treasure hunters searching through the wreckage of the sunken ship find a charcoal drawing of her wearing a priceless blue diamond necklace. Stuart’s performance as Old Rose frames the 1997 romantic- drama that starred Leonardo DiCaprio as lower-class artist Jack Dawson...

Maurice Asselin (1882-1947) Le Masque blanc (The White Mask) Signed lower right, Oil on canvas 35 x 27 cm In good condition In its vintage frame : 51 x 43.5 cm The white mask is ...

The Houses is a painting realized by Claude Decamps in the 1970s Oil painting on cardboard canvas. Hand-signed on the lower. Good conditions. The a...

Original Painting. Colliers Cover Published American Scene Christmas Modern Antonio Petruccelli (1907 - 1994) Man with Ribbon Colliers published,...

Bricklayers House Beautiful Cover Proposal American Scene Modern WPA 1930s Industrial Workers Antonio Petruccelli (1907 - 1994) Brick Layers House Beautiful cover proposal, c. 1939 ...

An oil painting by artist Benjamin Benno depicting the main characters from the novel “Don Quixote” in a cubist style. Don Quixote and Sancho Panza...

Gloria Lynn Untitled (Caribbean Women), c. 1970 Oil on canvas 35 3/4 x 27 3/4 in. Framed: 36 1/2 x 28 1/2 in. Signed lower right: GLORIA This intimate yet vibrant subject shows two ...

Hector Garrido is an American book cover illustrator. He illustrated numerous science fiction, horror and adventure book covers, including all the covers for the Baroness series of pulp novels, and covers for the Destroyer series. He also illustrated romance and gothic novels, and Nancy Drew and Hardy...

Saggin Veccio Cortile, 1978 Oil on canvas Signed lower right: Saggin Inscribed verso: Vecchio Cortile, Nov 1978

Cadets Football New Yorker Mag Cover Proposal American Scene Modern Illustration Antonio Petruccelli (1907 – 1994) Cadets Football Game New Yorker cover proposal, c. 1939 14 1/4 X 1...

Miguel RIVERA BAGUR. 1919-1993 Baleares artist. Spain. Chief Representative of the art Naif in Spain. His work is characterized by the precision of his portraits, especially in gest...

Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...

A modern Chinese watercolor painting depicting birds soaring under a red sun.

Soldiers and Rabbits from the Waiting with Walls series John Hardy, American (1923–2014) Date: 1971 Oil on Canvas, signed lower left Size: 59 x 60 in. (149...

Sign by Artist in Lower Right The present work was published as an illustration for Elizabeth Goudge's short story "A Crock of Gold" in the August 1938 issue of Woman's Home Companion. The story follows a family of five children on their summer vacation in Scotland. The kids set...

Original Painting New Yorker Cover Proposal American Scene Modern Santa's Feet Antonio Petruccelli (1907 - 1994) Santas Feet At Midnight New Yorker c...

Semi-Abstract figurative oil on burlap painting titled 'Sybil (The Prophetess)' by Edward Marecak (1919-1993) painted in 1976. Signed and dated by the artist in the lower right corne...

Original Painting. Vanity Fair Illustration Proposal. Art Deco Modern 1930s Antonio Petruccelli (1907 - 1994) Vanity Fair Illustration proposal, c 1930’s 18 X 13 3/4 inches (sight) ...

Work on wood Wooden frame with red velvet 39 x 53 x 2 cm