Figurative Paintings

Modernist painting by Vaclav Vytlacil of "City Scene with Faces". Signed and dated "Vytlacil 32" lower right. Provenance: Estate of the artist #1584; Martin Diamond Fine Art Exhibi...

Aaron Bohrod, 1907-1992 Barbecue Stand, circa 1935 Gouache on board Signed Lower left: “Aaron Bohrod” Inscribed and signed on verso Bohrod-1 Provenance: Private estate, Rhode Island...

Medium: Oil on Canvas Signature: Initialed Lower Left Cover Illustration for American Boy Magazine, May 1934. Includes copy of the magazine.

Grace Graupe-Pillard has concentrated on portraiture since her early charcoal drawings which she exhibited at The Drawing Center, NYC in 1981. Her work, which has been exhibited at notable institutions such as MOMA PS1 and galleries including Cheim & Read Gallery (NY) and Carl Hammer Gallery (Chicago), has evolved from over the years from pastels to large-scale oil paintings and installations of people who she describes as “having not been integrated into mainstream society.” Her more recent paintings, inspired by selfies and iPhone photographs, attempt to convey the vitality and diversity of 21st century contemporary culture while capturing the ineffable moments in our lives. “The sensuality and radiant beauty of youth and ethnic diversity are depicted in my choice of subjects, as well as the ravages of time which are imprinted on our being. All stages of life are filled with humanity that both elevates and dissipates the spirit.” Her work has been written about in The NY Times, Art News, The Village Voice...

Medium: Oil on Board Signature: Signed Lower Right Maclean's Magazine Cover, September 15th, 1930

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Beautifully rendered in Krolls signature academic style. Unframed - Signed lower right, unframed

Medium: Oil on Canvas Signature: Signed Twice and Dated Lower Left: Harvey / Dunn 1932 Harvey Dunn's Dawn, Dawn, Dawn is a truly exceptional illustration that captures a key moment of American History. In the present work, Dunn skillfully depicts colonial soldiers...

Date: 1932 Medium: Oil on Canvas Dimensions: 18.00" x 20.00" Signature: Signed Lower Right A New Year's themed cover painting by Leslie Thrasher for the January 9, 1932 edition of L...

Date: 1930 Medium: Oil on Canvasboard Dimensions: 27.00" x 21.00" Signature: Signed Lower Right Cover for Turf and Sport Digest, probably late 1930s

Gershon Benjamin (1899-1985) An American Modernist of portraits, landscapes, still lives, and the urban scene, Gershon Benjamin sustained an active career for over seven decades. D...

Medium: Oil on Canvas Signature: Signed Lower Right Cover Illustration for ''Motor'' Magazine, February 1931 Depicting a Duryea Automobile Driving by a Blacksmith Shop

Medium: Oil on Canvas Signature: Signed Lower Left

Signed and Dated Lower Left The Saturday Evening Post cover, May 23, 1936

Medium: Oil on Canvas Signature: Signed Lower Center August 8, 1931 Saturday Evening Post Cover

This illustration appeared in Herman Melville's novel, Moby Dick, John C Winston, 1931. Signed & Dated Lower Center

Medium: Oil on Board Dimensions: 27.00" x 21.50" Signature: Signed Lower Right Date: 1930s Probable magazine cover, 1930-1935.

Medium: Watercolor & Acrylic on Board Signature: Signed May 20, 1939 Saturday Evening Post Cover John LaGatta - Women on a Rainy Day Painting Original Art (c. 1940). LaGatta's work...

Date: 1931 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Right Liberty Magazine Cover, October 17, 1931

Signature: Signed Lower Left: Monte / Crews Cover of The Saturday Evening Post, January 11th, 1936

Date: May 31, 1934 Medium: Oil on Canvas Dimensions: 22.00" x 20.00" Signature: Signed Lower Right Cover of Rotarian Magazine, September 1934.

Medium: Oil on Canvas Study for the November 22, 1930 cover illustration of The Saturday Evening Post.

Medium: Oil and Pencil on Canvas Laid Down on Board Study for the December 23rd, 1939 issue The Saturday Evening Post.

Medium: Oil on Canvas Sight Size 12.00" x 10.00", Framed 20.00" x 18.00" Signature: Signed Lower Left June 1933 Cappers Farmer Magazine Cover.

"The Great Man Comes to Take His Oath" Life Magazine Spread, July 4th, 1960, This epic narrative depicts the celebration of George Washington's inauguration, en route to Federal Hall...

Medium: Oil on Board Signature: Unsigned Edmund F. Ward estate stamp on verso

The Flower Shop Girl by JEAN ROSE B. 1933 Oil on board, signed, 24 x 27 cm Jean Rose was one of the first women students at Corsham, Bath and worked under some of the postwa...

Lucien-Victor Guirand de Scevola (1871-1950) A Bouquet of anemones Pastel on paper Signed upper left 44.5 x 36.5 cm Framed : 53.5 x 45.5 cm Lucien Victor Guirand de Scévola was ...

Major painting by Cuban/American artist Julio Antonio (b. 1950). Painting is acrylic on canvas and titled "Devoroción". Painting is signed and dated 1992. Measures: 70" W x 78" H. ...

Two Brothers is a unique oil on canvas painting by contemporary artist Valérie de Sarrieu, dimensions are 83 cm × 116 cm (32.7 × 45.7 in). The artwork is signed, sold unframed and c...

'Nude at the Window Overlooking Sacré-Coeur', oil on paper mounted on canvas, by Louis Latapie (circa 1930s). Although later in Latapie's career he embraced cubism and abstraction, t...

Lilac, garden, flowers, violet,Ukraine Very important work Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born in Dneprodzerzinsk, Ucraina. 1949-56: he began artistic studies in Dneprodzerzinsk and later he attended the School of Fine Arts in Kiev. 1956-62: he attended the Academy of Fine Art of Saint Petersburg. 1960: he began his activity taking part in many exhibitions in Russia and abroad. 1973: member of the Union of the Artists. 1980: exhibitions in Austria, Hungary, Japan...

Lilac,Spring,Flowers,Violet,Pink,Russia,impressionist Published in a monographic catalogue Georgij MOROZ (Dneprodzerzinsk, Ucraina, 1937 - St. Petersburg, 2015) 1937: he was born ...

Acrylic on paper laid board. Frameless.

This original painting is a beautifully depicted nude figure study in a cozy interior space with southwest elements by San Jose, California artist David D....

Plump or fleshy and voluptuous nude... you can describe it as you see it. Signed, titled and dated lower left: John Steuart Curry / 1934 "Hilda Nellis", John Steuart Curry is best ...

FRANCISCO BORES Spanish, 1898 - 1972 JOURNÉE CLAIRE signed and dated "Borès 34" (lower left) oil on canvas 18 x 15 inches (46 x 38 cm.) framed: 26 x 23 inches (66 x 58 cm.) BIBLIOGR...

Oil on wood, 1930. Signed lower right. Framed. Height 31.10 in ( 79 cm ), Width 25.19 in ( 64 cm ) The Hungarian artist Hugó Scheiber lived 1922-1934 in Berlin, that's where he pain...

Pierre-Albert BÉGAUD (Bordeaux 1901 – 1956) End of game Oil on canvas H. 27 cm; L. 46.5 cm Signed lower right Pierre-Albert Bégaud is a French portrait and landscape painter born in...

Blind Heads, mixed media painting Tabo Toral, Panamanian (1950 - ) Born Boquete, Chiriquí. Panamanian painter. Studied plastic arts in the United States between 1969-1970 at The Ma...

Early work was impressionistic and hard abstract. Carola later developed a more mature way of working in a colourful exploration of the subject. Colour was her main interest and she...

Prokash Karmakar Untitled Acrylic on Paper 28 x 20 inches 71.1 x 50.8 cm 1990 ( Framed & Delivered ) Karmakar is best known for his landscapes and nudes, which are generally pain...

Prokash Karmakar Untitled ( Mother & Child ) Acrylic on Paper 28 x 20 inches 71.1 x 50.8 cm 1990 ( Framed & Delivered ) Karmakar is best known for his landscapes and nudes, which...

Jacques Martin-Ferrières (French, 1893-1972) Le marché de Raguse en Yougoslavie, avec la fontaine, circa 1938 Oil on canvas Measures: 22-3/4 x 29-1/4 inches (57.8 x 74.3 cm) Framed: ...

Oil on canvas. Signed Aress. Oil mesures 33x24 cm. Frame mesures 48x39 cm.

Bolero Mallorquin original expressionist watercolor painting. virtual frame Spanish painter maximum representative of the art of Mallorca at the end of the 20th century. Costumbrista...

Marie RÉOL (Massiac 1880 – Douarnenez 1963) Seaside in Douarnenez ? Oil on canvas H. 54 cm; L. 65 cm Signed lower left Provenance : Private collection, Périgord Born in the heart o...

Jozef Popczyk, Cubist Art Deco Painting Female Forms of Geometric Shapes. Joseph Popczyk is a Polish artist known for his vivid palette and love of Cubism. In this case, the chevrons...

F.N. Souza Untitled Mixed Media on Paper 10.2 x 7.5 inches 25.9 x 19 cm 1991 (Unframed Delivered) Francis Newton Souza was born in 1924 in Saligao, Goa. After losing his father ...

Ann Brockman (1895–1943) was an American artist who achieved success as a figurative painter following a successful career as an illustrator. Born in California, she spent her childh...

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

Figurative 1930's illustration of a just married couple in a classic car by Charles Kinghan (American, 1895-1984). Signed "Kinghan" in the lower left c...

Jean-Marcel POUSSARD (1891-1972) Portrait of a woman in hunting attire in front of a vine H. 80 cm; L. 53 cm Oil on canvas Signed and dated lower right - 1932 Painter of portraits a...

Red Grooms (American, b. 1937). Lithograph in colors on wove paper, 1993 "East of Canal Street, Corner of Canal." Published by the Brooklyn Museum (Reference: Red Grooms: The Grap...

Signed oil on board landscape circa 1930 by Russian impressionist painter Georges Lapchin. The work depicts a view of the quai at Martigues in the South of France. To the left of the...

Caesar on his way to Pompeii. 1999, canvas, oil, 40x50 cm

Country yard in spring. Oil on canvas, 74x96 cm Oto Pladers (1897.8.III – 1970.2.V) Oto Pladers learned in Riga city school of art (1913 – 15). He was called into the army in 1916 a...

Date: 1938 Medium: Oil on Canvas Signature: Signed Lower Left Dimensions: 27.00" x 25.00" Calendar Illustration