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Aaron Fink
Large Modernist Oil Painting Card Poker Player Aaron Fink Pop Art Americana

1986

$12,500List Price

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BOUQUET
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Original painting on canvas. Hand signed and dated on front; Signed, titled and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included...
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BOUQUET
$21,000 Sale Price
30% Off
H 88.75 in W 82.5 in

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Large Modernist Oil Painting Card Poker Player Aaron Fink Pop Art Americana
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Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" serie...
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Large French Expressionist Oil Painting, Girl, Poupèe, the Doll, Ecole de Paris
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Signed on recto and signed verso, titled, and inscribed Montmartre by the artist. This is a large colorful expressionist painting of a girl doll with long blonde or ginger redhead pigtails. It is titled Poupee 1925 and depicts an Art Deco era flapper girl in a beret. Roger Crusat (French Expressionist artist, poet and lithographer) is known for ballet troupe set design and theatre backdrop painting and architectural motifs. Roger Crusat was born in 1917 in Roussillon, Provence, France. Crusat's early works depict the colorful countryside of Provence in the South of France, As a young man Crusat performed many jobs in the troupe, designing costumes, and even dancing. But, most important, he painted the scenery for the troupe's performances. It was while working in this capacity that he learned the essentials of scenery painting that remain evident in his mature work. Crusat was a student of Andre Fons-Godail at Beaux-Arts in Perpignan when he was called to serve in World War II. After being wounded in 1940, he returned to study under Rene Jaudon at Beaux-Arts in Paris. Crusat was known by his contemporaries as "the Catalan painter of Montmartre" where he lived with his wife until his death in 1994. Cracked and peeling walls framed by rusting water pipes are a common sight in Montmartre. What others considered unnecessary, Crusat included. Water pipes were his cherished motif. Supposed by some to be a symbol of decay and monotony, Crusat's Impressionist water pipes like arteries in the body, convey life. Crusat won the prestigious Prix Populiste for his "Descente d'Eau" (Water Pipes) in 1956. Crusat's mature work retains the essentials of good scenery painting. Intricate detail will not be found, but broad, solid abstract shapes abound. His subtle colors, dense in texture, are meant to compliment his subjects, not distract from them. The critics considered him a lyric expressionist and a "painter of Man" in his portrayal of the anguish of daily life and the regrets of the past. Crusat exhibited at many of the same Salons as the post-impressionists and expressionists. Salon des Independants was co-founded by Georges Seurat. Degas had only one exhibition during his lifetime, and it was at the Galerie Durand Ruel in Paris. Gauguin had also exhibited his Tahitian paintings. Crusat's works were exhibited there in 1955. SELECT AWARDS 1954 Le Prix de la Jeune Peintre 1955 Prix des Amateurs d'Art & des Collectionneurs, Galerie Gazette des Beaux Arts, 140 rue Faubourg St. Honore, Paris Les Jardins des Abbesses purchased by the Republic of France, Prix de la Ville de Marseilles, Prix Othon Friesz 1956 Prix Populiste, Prix de Amedeo Modigliani 1957 Grand Prix International de Vichy, Prix de la Fondation Greenshields 1959 IVeme Grand Prix de Peinture du Festival de Vichy 1967 Le Prix des Amis de Brantôme, Perigord, France 1970 Prix de la Critique Academy de Vernet a Vichy,"La Nuit, Premiere Etude" Roger Crusat, Half-closed shutters , poems enriched with four original lithographs (175 numbered copies) drawn on Henri Deprest's presses on February 13, 1975 , Éditions Matignon 34, 1975. Personal exhibitions Durand-Ruel Gallery, Paris, 1955 [ 1 ] . Galerie Rivière, Paris, november 1958 [ 4 ] . Le Roux and Mathias, auctioneers in Paris, Sale of the Roger Crusat workshop , Hôtel Drouot , Paris, Thursday October 27, 1994 [ 5 ] . Jack's American Bistro, Glens Falls , September- october 2004 [ 6 ] . Collective exhibitions Galerie Roger, Lyon , October 1946 [ 7 ] . Salon des Indépendants , Paris, from 1952 [ 8 ] . Exhibition Discover , Galerie Charpentier , Paris, 1955. Populist Salon, Paris, 1956. Salon des Amis de Brantôme, 1957. Hundred painters and oil - Exhibition on the occasion of the centenary of the first oil drilling , Musée Galliera , october 1958 [ 9 ] . “An artist from Roussillon whose invoice calls for a flattering comparison with that of a Soutine or a Rebeyrolle . Indeed, following their example, he focuses on familiar scenes: Girls on the balcony or in the basket , Laundresses weighing heavily on the iron, draft horses or plucked turkeys, who stand next to a magnificent portrait of a man in a red dressing gown . Hasn't the Prix Populiste already crowned its merits? " - Jean Jacquinot SELECT EXHIBITIONS Galerie La Gentilhommiere, Paris La Salle Arago, Perpignan, Salon des Indépendants, Salon d'Automne Biennale de Menton, Menton Galerie des Jacobins, Lyon Galerie Durand-Ruel, Paris Salon de la Nationale Galerie Bassano, Paris Salon Populiste Salon de Romans Galerie Motte, Geneva, Switzerland Exposition à Quiberville sur Mer - Normandie Galerie Charpentier Salon Confrontation: Bernard Buffet, Roger Crusat, Jean Jansem, Franck Innocent...
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Urbain Huchet (French, 1930-2014) Title: Jeune Fille de Dos aux Cheveux Rouges (Young Girl From The Back With Red Hair) Date: c. 1998 Dimensions: 61.5"L x 2"W x 49.5"H canvas is 36.5 x 48.5 by Urbain Huchet is a striking impressionist oil on canvas depicting a seated young woman, perhaps a ballet dancer, viewed from behind, her red hair and relaxed posture rendered in fluid, expressive brushstrokes that evoke both intimacy and abstraction. The artist's palette of warm ochres, blush tones, and earthy greens, paired with his gestural application, creates a contemplative atmosphere, characteristic of Huchet's post-impressionist style. This work is an homage to Edgar Degas, Pierre-Auguste Renoir and Henri de Toulouse-Lautrec. Masters of an earlier generation who painted this theme. The painting is elegantly housed in a richly detailed custom frame featuring a gilded inner trim and a unique design of gilded nude figures, intertwined and enmeshed into one another, an artistic embellishment that deepens the sensual undertone of the composition. Urbain Huchet, known for his romantic portrayals of figures, landscapes, and coastal scenes, was a widely exhibited French painter who trained in both economics and art, traveling extensively and drawing inspiration from locales such as Brittany, Venice, Istanbul, and South America. His works were frequently shown at the Salon de la Société Nationale des Beaux-Arts in Paris and are held in numerous private and public collections across Europe, the United States, and Japan. Signature and title on verso. Urbain Emmanuel Huchet was born in Rennes, France on April 28, 1930. Known for his modernist marine, cityscape, figure and genre painting. After studying law and owning a textile factory for four years, he decided in 1960 to devote himself entirely to painting. Mr. Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Paul Gauguin, and Symbolist, Emile Bernard, both of whom influenced him a great deal. In 1963, he moved to Paris, catching the travel bug. He journeyed throughout Europe and the Middle East, spending time in Indian markets, visiting Peru, Mexico, Egypt, and every beautiful country he could, finding inspiration in each place. He painted the scenery of each locale, culminating in a book to document his experiences. His works are typified by a fluid and free, gestural approach to both form and color, and they are immediately recognizable. He is adept at both painting oil on canvas and watercolor, and is an accomplished lithograph artist. His subjects are diverse, but are primarily a reflection of the landscape of the Brittany region as he has a profound love for the coast. His wonderful depictions of circus performers, vineyard workers having lunch, farmers, cabaret musicians and everyday people were strongly influenced by his adventures and sojourns in foreign lands. Urbain Huchet has been an exhibiting artist since 1960. He has had exhibitions in New York, London, New Orleans, Egypt, and Paris. He has exhibited at Park West Galleries along with Yaacov Agam, Alvar, Fauvist artist Emile Bellet, Romero Britto, Slava Brodinsky, Pierre Eugene Cambier, Claude Cambour...
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ARIEH ALLWEIL (ARIE ALWEIL) 1901-1967 Galicia 1901-1967 Safed, Israel (Ukrainian/Polish/Israeli) Arieh Allweil, born 1901, Galicia. Immigrated to Palestine in 1920. Studies: 1921-25...
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Large Modern Dutch Expressionist Oil Painting Vibrant Cafe Scene Jan Rylaarsdam
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Jan Rijlaarsdam, Dutch 1911 - 2007 Hand signed lower right Sight size: 23.5"h x 31.5"w Overall: 33"h x 40.25"w Jan Reylaarsdam was a Dutch Postwar & Contemporary painter who was born in Holland in 1911. He is known for Architectural Townscape, factory, industrial site and figure painting. A student of Albertus Gerhard Hulshoff Pol (1883-1957), a well-known painter and art teacher. The painter and draftsman was born in Nieuwkoop, but moved with his parents to Hilversum in 1924, where they opened a dairy. Jan delivered orders by bicycle and, during his travels, stumbled upon Dekker, a frame shop, where he met local painters and their work. There, he learned the framer's trade and, in his spare time, drew buildings and industrial complexes in Amsterdam. A painter of towns, figures, factories and industrial sites at the border of the cities and Parisian cafe scenes. Rijlaarsdam received a Royal allowance. He painted in a figurative expressionist style. Influenced by George Hendrik Breitner, a leading figure of Amsterdam Impressionism, as well as Willem Witsen, Eduard Karsen and Willem de Zwart. He was among the group of painters who depicted daily life in Amsterdam. In 1928, he cycled to Bruges and Antwerp, Belgium to further develop his drawing skills. He returned there regularly. He gradually gained recognition, and in 1932, he received a Royal Grant, which allowed him to pay for lessons. He joined various painting associations in Hilversum, Amsterdam (Sint Lucas), and the Gooi region. His work has a distinctive style. It wasn't until the 1950s that he finally visited Paris, France. An informal member of the "École de Paris" School of Paris. This became his favorite destination; the vibrant Parisian city life drew him in. Later, Rijlaarsdam also spent a lot of time in Spain, especially Barcelona where he was exposed to the works of Pablo Picasso and Salvador Dali. Jan Rijlaarsdam left behind an impressive and highly versatile oeuvre, encompassing styles, materials, and techniques. Ranging from realistic to impressionist and expressionism, with even forays into abstraction and abstract expressionism. Rijlaarsdam consistently managed to surprise. Jan Rijlaarsdam's favorite subjects were gathering homeless people and prostitutes in cafés. In the tradition of Isaac Israëls and Henri de Toulouse-Lautrec, he was a true interpreter of city life. He was a member of St. Lucas, an art society in Amsterdam, The Gooise Art Society and the Society of Figurative Art in Hilversum (Vereniging van Beeldende Kunst). Works by Rijlaarsdam are in possession of the Singer Museum in Laren. The artist died February 16, 2007 in Baarn, Netherlands. He showed and has been exhibited with Jan Knikker, Jean Lucebert, Henk Bos, Aris Knikker, Gustavo Novoa, Juan Bayon Salado, Marie Henrie MacKenzie, David Schulman, Michel Henry, Dirk Herman Willem Filarski, Karel Appel, Willem Van Den Berg, Jan Wittenberg, Freek Van Den Berg, Cornelis Noltee, Arnout Colnot, Matthieu Wiegman, Harm Henrick Kamerlingh Onnes, Jan Sierhuis...
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