Alberto Gallerati

A Beautiful Day in the Center of Rome - Paint by Alberto Gallerati - 1970s

1970s

Landscape is an artwork realized by Giorgio Zanini in 1973. Mixed colored oil on canvas. Hand signed and dated on the lower margin. Mint conditions (...

The Church is a mixed colored oil painting on canvas realized by Nazareno Gattamelata in 1993. Hand signed and daed by the artist on the back of the artwork. Dedication on the back...

Italian Landscape with Signals (Original Title: Paesaggio all’italiana con segnali) is an original Contemporary artwork realized in 1984 by the italian artist Leo Guida (1992 - 2017)...

This painting is 80x100, mixed media on a raw canvas, it represents the pure sound of violins from “Danse Macabre” in G minor for violin – Camille Saint-Saëns. The Artist: "Synesthe...

Landscape Oil Paint on Canvas 30x42 cm 2023 Original Art Ready to Hang Marilina Marchica, born in 1984, was born in Agrigento, where she lives and works. She graduated in Painting...

Uptown Frenzy, 2019 Oil on canvas (Signed on reverse) 35.43 H x 23.62 W in. 90 H x 60 W cm In his paintings, Radu Rodideal speaks about the concept of loneliness. Everybody is born ...

Two Days Later, 2019 Oil on canvas (Signed on reverse) 47 1/4 H x 31 1/2 W in. 120 H x 80 W cm In his paintings, Radu Rodideal speaks about the concept...

"Sur la Terrace” Oil Painting 25.5" x 25.5" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan Gallery, Cairo: Annual exhibitions from 1999 to 2018 Galerie la Sirène, Le Mans 2010 Galerie Ghislaine Eonnet-Dupuy, St Briac 2008 2009 Green art gallery Dubai 2009 Galerie La Medina, Tunis 2001 Italian Cultural Institute, Cairo 1999 Gallery Lézard d'Ailleurs 1998 Influence Gallery 1997 Bruno Delarue Gallery Etretat 1997 Jolymont workshops in Brussels 1996 Gallery Lézard d'Ailleurs St Rémy de Provence 1995 Etienne Causans Gallery 1995 Gallery Art 50 1994 Gallery Art 50 1993 Anne Vignial Gallery 1992 Galerie Escalier Rouge, Ouagadougou 2002 City of Arts, Florence Foundation 1992 Galerie Peinture Fraiche...