Antonio Petruccelli

Colliding Atoms Illustration Published Life Mag Mid-Century Modern Atomic Space

1953

Medium: Gouache on Board Signature: Signed Lower Left The Saturday Evening Post cover, September 12, 1953

Uday Mondal - Tango (Beauty @Home Series) - 30 x 20 inches (unframed size) Acrylic on Paper Inclusive of shipment in roll form. Style : His paintings present details of the society ...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

The Factory Workers by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 15.75 x 19 inches provenance: artists estate, France condition: very good and s...

Lady in Interior by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed stamped verso painting : 15 x 16.75 inches provenance: artists estate, France condition: very...

"Nativity Procession" Water Colors & Pencils on Paper 19" x 12" inch by Ragheb Ayad signed & dated Water Colors & Pencils on Paper Ragheb Ayad was born i...

Mirror Reflection by Bernard Labbe (French mid 20th century), stamped verso original gouache/watercolour painting on board overall size: 11 x 8 inches condition: very good and ready ...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Sanatan Dinda - Ganesha - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authent...