Atelier Dagher after Jean-Baptiste Greuze (1725-1805)

The Dead Bird, Large Oil Painting on Canvas by Louvre Copyist

c. 2000

Lady Emma Hamilton British School, late 20th century signed oil on canvas, framed framed: 16.5 x 12.5 inches canvas: 14 x 10 inches provenance: private collection condition: very goo...

The Penitent Magdalene French School, 18th century oil on canvas, unframed canvas : 33 x 21.5 inches provenance: private collection, France condition: very good and sound condition, ...

Still Life with Dead Birds 18th Century Italian School oil painting on canvas, framed framed: 17 x 21 inches canvas: 14 x 18 inches provenance: private collec...

Still Life with Dead Birds 18th Century Italian School oil painting on canvas, framed framed: 16 x 20 inches canvas: 13 x 17 inches provenance: privat...

French painter of the late 18th-early 19th century Leda and the Swan (Literary source: Metamorphoses by Ovid, Book VI) Oil on canvas 95 x 126 cm Framed 109 x 142 cm This c...

French Romantic school of the 19th Century The artist's inspiration Oil on canvas transferred on wood It is in good condition, but the material has irregularities due to the canvas...

JEAN-BAPTISTE GREUZE (Tournus 1725 - 1805 Paris) The Death of Coresus, circa 1750 Pen and brown ink, black ink tips, gray wash on black chalk, 455 x 385 cm Bears on the reverse in ...

Attr. Jacobus or Iacomo Victors (Amsterdam c. 1640 - 1705) Still life with birds Oil on canvas, 112 x 133 cm The still life examined here is a rare example of the simultaneous presence of live and dead animals in a single composition. On two rocky levels different ornithological species are neatly arranged, reproduced with the utmost fidelity and adherence to life. Mallards, doves, sparrows and a partridge placed on their backs can be recognized. The soft mantles with different chromatic tones, with the characteristic streaks and spots of color, together with the precise investigation of the various ornithological typologies, denote an observation of the real datum typical of the seventeenth-century Flemish tradition. Another mallard, this time alive, seems to have just settled on the rock, as if to observe the rich composition moving its neck. Its characteristic colors, the bright green of the head and the upper part of the neck, the yellow of the beak and the orange of the legs characterize the painting and capture the viewer's attention. The flight of the dove in the foreground is splendid, seen from above, the virtuosic pose and the brightness of its feathers, in an elegant modulation of grays tending to white, denote the stylistic quality of this work. It was probably created by a Flemish artist working in Italy in the second half of the seventeenth century: close analogies can be found with the game of Jacobus Victor...