Bartolomeo Guidobono

17th century oil on canvas painting 'Ectasy of Saint Cecilia'

17th century

Still life painting of a vase with flowers (dahlias) on a silver plate

Unique painting of a man hiding behind a wall and bird. Especially the bright yellow stands out and gives this painting a warm vibe.

This oil on canvas art work by Jan De Laura was inspired by a passage from Dostoyevsky's Crime and Punishment: …[Where was that, Raskolnikov thought, as he walked along, where did I...

Oil on canvas portrait of the artist himself, his wife and his baby son. Signed on the back and authenticated by the artist's son, Carl.

Aeneas and Dido Attributed to Pseudo-Caroselli (Rome, active c. 1630/1650) Oil on canvas 148 × 93 cm. framed 162 × 107 cm. The episode depicted in the superb canvas illustra...

17th century Roman school, Santa Cecilia with angels in concert, oil painting on canvas The valuable painting, in excellent condition, depicts Sa...

Jean Francois DUCQ ( LEDEGEM 1762 - BRUGES 1829) (Attributed to) Oil on canvas depicting Saint Cecilia playing lyre, end of XVIII th, beginning of XIX t...

Pieter de Witte, also known as Peter Candid (Bruges, 1548 - Munich, 1628) - Workshop/School The Annunciation oil on canvas (cm): 79 x 110 - framed 92 x 127 We are delighted to present a fascinating work, dating back to the beginning of the 17th century, inspired by the prototype of the Annunciation created around 1586-1595 by Pieter de Witte, also known as Peter Candid (Bruges, 1540/1548 - Munich, 1628), which has been lost but made famous thanks to an engraving made and published by Jan Sadeler I (1550-1600). A painter of Flemish origin with strong affinities to 16th century Italianising culture, De Witte tackles the theme of the Annunciation numerous times, revealing knowledge of both Roman and Florentine Mannerism, inherited from his Italian sojourn. Some of these works are now housed in various international museums, in addition to autograph or workshop works that can be found in numerous public or private collections; in this regard, we may mention the following: - National Museum in Prague [1] - Carrara Academy of Bergamo, Angelo Annunziante and Vergine Annunziata [2]. - Finnish National Museum, Helsinki  - Private property, religious institution Bergamo (Bergamo area) Observing the composition, we can admire the rather well-established iconographic scheme, with the two figures immersed in an almost dreamlike atmosphere: the Archangel Gabriel on the left, of an ethereal beauty, appears imperious as he delivers the supreme annunciation to the Virgin Mary, who greets him with lowered eyes, composed in her amazement; surprised in the act of reading a book, she receives the white lilies...