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Birendra PaniRe Vision, Acrylic on Canvas by Contemporary Indian Artist "In Stock"2010
2010
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Birendra Pani - Re Vision - 66 x 42 inches (unframed size)
Acrylic on Canvas , 2010
** Will be delivered in rolled form.
Should you want the work in ready to hand condition please contact gallery for freight calculation.
In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha.
The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue.
The ten canvases on display in this exhibition, features the Gopitua dancers in different situations.
The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition.
Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times.
Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society.
“I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.”
Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world.
About the Artist and his work :
BORN : 1969, Bhadrak, Odisha, India.
FINE ARTS EDUCATION :
1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda.
1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal.
1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha.
SOLO EXHIBITION IN INDIA AND ABROAD :
2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha.
2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi.
2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack.
2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda.
2011 “Re – Vision” at Aakriti Art Gallery, Kolkata.
2010 “Re – Vision” at Gallery Sumukha, Bengalore.
2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York.
2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi.
2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara.
2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi.
2005 “Echo” at Kaleidoscope Art Gallery, Baroda.
SELECTED GROUP EXHIBITIONS IN INDIA AND ABROAD :
2020 Exhibition of Contemporary Art, at Vadodara Design Academy, Vadodara.
2019 VIDEO ART FILM FESTIVAL, Curated by Dr Rajashree Biswal at Khalikot Art Collage, Org by New Bridge India, Odisha.
2018 “Bodhgaya biennale in Bihar’’ Bihar-2018
2018 “INDIAN CONTEMPORARAY” at Jorhat, org by Vision Art Asom, Assam.
2018 “One soul many lives” at Bikaner House, org by Art Speaks India, New Delhi.
2018 Imagine Fest-Curated by Georgina Maddox, org by Gallery Sangeet Syamal, New Delhi.
2018 “Contemporary Art in Indian” Show and Ac-at Saffron Art Gallery, Mumbai.
2017 “GANDHI through the eye of Artists” at Bihar Museum, Patna, Bihar.
2017 Transforming Reality at Art Positive Gallery, New Delhi, curated by Vikash Nanda Kumar.
2017 FOURKING PATHES.Faculty gallery, MSU, Baroda.
2016 ITM-ART SHOW. gallery MSU. Baroda
2016 Poetics of Plurality - Santiniketan contemporary at SITE Art Space, Vadodara.
2016 HCG annual show, Swasti Art Gallery Bangalore.
2016 India and Korea Art Exhibition, Korean Cultural Centre, New Delhi.
2016 Harvest-2016 Annual Show, Arushi Art Gallery, New Delhi.
2015 “VAD-ART FEST-2015” Organized by faculty of fine arts MSU-Baroda.
2014 “Drawing-2014” Group show at IGNCA, Organized by gallery Espace, New Delhi.
“Convergence-2014” org by VAM Art at Lalita Kala Akademi Gallery, Trivandrum, Kerala.
2013 “BIOGRAPHY”Group show at creativity art Gallery, New Delhi.
“Nanum Project-Indo-Korean Art show at Korean cultural centre, New Delhi.
2012 “MENDING FENCES” curated by Rahul Bhattacharya and karishma Shah at Science Centre, Surat.
“Small is Big” curated by Anoop Kamath, Durbar Hall, Kochi, Kerala.
2011 “Indian’s Festival for Modern and Contemporary 1st Chennai-Art-fair” gallery Espace at Chennai.
“Angkor wat : an Indian perspective”, the Gallery Kalakriti, Hyderabad.
2009 “Husain’s 94th Birthday”org by Sahamat at M.F. Husain Gallery, Jamia Millia, New Delhi.
“Nature vs. Modernity” at India at fine art gallery, Mumbai.
2008 “Keep Drawing” at Gallery Espace, New Delhi.
“ABC Contemporary Art” Auction & Exhibition OSIAN Art Mumbai and New Delhi.
2007 “The Indian Story” Org. by Gallery Espace & Ganges Art Gallery, Cork Street, London.
“The DIFC- Golf Art Show” Org. by Gallery Espace, Hold in, Dubai.
“20th Century Indian Art” Org. by Art Curial, Paris.
2006 “The Indian Contemporary Art” org by Arushi Arts at Nehru Center, London. 2004 “Singular Identity” curated by Alka Pande, Habitat Centre, New Delhi.
“Jugalbandi” group exhibition, Gallery One Twenty Eight org by Paper Wasp Studio, New York.
2001 The Nude Study” Guild Art Gallery, Mumbai.
“Kitsch Kitsch Hota Hai” Curated by Madhu Jain at Gallery Espace New Delhi.
2000 “4th Egyptian Print Triennale in Egypt.
1999 “3rd Egyptian Print Triennale in Egypt.
“Made in India” Exhibition of Print, Gallery Gauche, Paris.
1998 “Exhibition of Prints, Tasmiya Art House, Sahabad, Gulbarga, Karnataka.
“2nd Egyptian Print Triennale”, Egypt.
1997 “50 Years of Independence “Gallery” Faculy of Fine Arts MSU, Baroda.
“International Print Triennial” Japan.
1995 “Kala Bhawan Annual Exhibition” Gallery Nandan, Viswa Bharati, Santiniketan.
1994 “Annual Lalita Kala Akademy Show” LKA Bhubaneshwar, Odisha.
1993 “Kala Bhawan Annual Exhibition” Gallery Birla Academy, Kolkata.
1992 “WAA” Summer Group Show, Lalit Kala Akademi, Bhubaneswar, Odisha
1991 “Nanda Mela Group Exhibition”, Viswa Bharati, Santiniketan.
1990 “Narayan Chandra Kala Mandira” NCKM-Annual Art Exhibition” at Kantapada, Bhadrak, Odisha.
AWARDS AND SCHOLARSHIPS :
2017/19 SRF - Senior Fellowship, Ministry of Human Resource Development, Government of India.
2013 National Award org by Odisha Lalita kala Akademi, Bhubaneswar, Odisha
2001 JRF - Junior Fellowship, Ministry of Human Resource Development, Government of India.
2001 “Odisha State Lalita Kala Akademi Award”, Bhubaneswar, Odisha.
1997 11th All India Art Contest & Exhibition South Zone Cultural Centre,
(First prize of Professional Category; Award on Graphics Art) Nagpur, Maharastra.
1997 50 years Post Indian Independence Art Award at Bhubaneshwar, Odisha
1994 Odisha State Lalita Kala Akademi, Bhubaneswar, Odisha.
1992 “WAA” Summer Show Award ,Bhubaneshwar, LKA, Odisha.
1991-95 Viswa Bharati University merit Scholarship, Santiniketan.
- Creator:Birendra Pani (1969, Indian)
- Creation Year:2010
- Dimensions:Height: 66 in (167.64 cm)Width: 42 in (106.68 cm)Depth: 1 in (2.54 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Kolkata, IN
- Reference Number:1stDibs: LU60435891862
Birendra Pani
Born in 1969 in Orissa, Birendra Pani is a painter living and working in Mumbai. He graduated in printmaking with a Bachelor's degree from Kalabhavan at the Visva Bharati University, Santiniketan, in West Bengal and received his Master's degree in graphics from the faculty of fine arts of the M.S. University, Baroda, India.
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View AllRe Vision, Acrylic on Canvas by Contemporary Indian Artist "In Stock"
By Birendra Pani
Located in Kolkata, West Bengal
Birendra Pani - Re Vision - 66 x 42 inches (unframed size)
Acrylic on Canvas , 2008
** Will be delivered in rolled form.
Should you want the work in ready to hand condition please contact gallery for freight calculation.
In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha.
The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue.
The ten canvases on display in this exhibition, features the Gopitua dancers in different situations.
The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition.
Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times.
Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society.
“I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.”
Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world.
About the Artist and his work :
BORN : 1969, Bhadrak, Odisha, India.
FINE ARTS EDUCATION :
1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda.
1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal.
1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha.
SOLO EXHIBITION IN INDIA AND ABROAD :
2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha.
2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi.
2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack.
2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda.
2011 “Re – Vision” at Aakriti Art Gallery, Kolkata.
2010 “Re – Vision” at Gallery Sumukha, Bengalore.
2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York.
2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi.
2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara.
2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi.
2005 “Echo” at Kaleidoscope Art...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Acrylic
Untitled, Acrylic on Canvas by Contemporary Indian Artist "In Stock"
By Birendra Pani
Located in Kolkata, West Bengal
Birendra Pani - Untitled - 66 x 42 inches (unframed size)
Acrylic on Canvas
** Will be delivered in rolled form.
Should you want the work in ready to hand condition please contact gallery for extra freight calculation.
In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha.
The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue.
The ten canvases on display in this exhibition, features the Gopitua Dancers in different situations.
The canvases are a hyper-real portrait, far & close shots of a Gopitua Dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition.
Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times.
Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society.
“I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.”
Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world.
About the Artist and his work :
BORN : 1969, Bhadrak, Odisha, India.
FINE ARTS EDUCATION :
1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda.
1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal.
1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha.
SOLO EXHIBITION IN INDIA AND ABROAD :
2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha.
2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi.
2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack.
2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda.
2011 “Re – Vision” at Aakriti Art Gallery, Kolkata.
2010 “Re – Vision” at Gallery Sumukha, Bengalore.
2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York.
2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi.
2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara.
2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi.
2005 “Echo” at Kaleidoscope Art...
Category
Early 2000s Contemporary Figurative Paintings
Materials
Canvas, Acrylic
Risk The Time, Acrylic on Canvas by Contemporary Indian Artist "In Stock"
By Birendra Pani
Located in Kolkata, West Bengal
Birendra Pani - Risk The Time - 66 x 42 inches (unframed size)
Acrylic on Canvas , 2009
** Will be delivered in rolled form.
Should you want the work in ready to hand condition please contact gallery for freight calculation.
In this series of works - “Boy - Dancer”, Gallery Kolkata revisits the artists very popular and well lauded ‘Boy Dancer’ suite of paintings on the plight of traditional Gopitua dancers from his native land, Odisha.
The boy dancers who perform a devotional dance ritual are quickly declining in today’s cosmopolitan world. Pani entwines his empathy for the dying art with an opinion on our post-Modern era. In that respect, Pani does not try to create nostalgia for the decline in the taste for the dancers, instead he problematizes the issue by bringing in a dispassionate view of the issue.
The ten canvases on display in this exhibition, features the Gopitua dancers in different situations.
The canvases are a hyper-real portrait, far & close shots of a Gopitua dancers with liquid innocent eyes and a small smile playing upon his lips as he confronts the viewer. The blade is a recurring motif in Pani’s work and it has multiple functions and meanings. In this instance its meaning is rather clear — one where modernity eclipses tradition.
Style : His fresh, perspective and contemporary canvases have loud and vivid images and use colors like green and shocking pink unashamedly. Pani says his works are preoccupied with exploring contemporary materials, culture and current lives of people, the negligence of local places, their culture, history, memory and their identity in present times.
Further he feels the consumerist attitude has penetrated deep into the human psyche. Human beings are being consumed by the commodity rather than them consuming it. In his works, Pani explore the struggles, contradictions, dichotomies and critical reflections of the embodied selves with changes in value, knowledge and culture in our present society.
“I have extensively used body parts like brain, heart and other organs, and everyday objects like capsule, syringe, blade etc to create a new visual language. Deriving from life experiences, my idea is to create a new vision by the juxtaposition of the above experience with the rich legacy, diverse visual culture and sensibility of the vast tradition of Odisha’s miniatures and Pata paintings, stone carvings, monumental visuals of temples and dance forms like Gopitua dance and Chhau-dance in Odisha.”
Pani, thus attempts to create a new phenomenology and the reinvention of ‘self’ in a globalized and yet very localized world.
About the Artist and his work :
BORN : 1969, Bhadrak, Odisha, India.
FINE ARTS EDUCATION :
1997-1999 MFA – (First class with Distinction) Faculty of Fine Arts, M.S. University, Baroda.
1991-1997 BFA - Kala Bhavan, Viswa Bharati University, Shantiniketan, West Bengal.
1987-1990 2nd world “Studio for Fine Arts”, Bhadrak, Odisha.
SOLO EXHIBITION IN INDIA AND ABROAD :
2017 Towards a new Viewership / Audience & Reproduction Aesthetics, Curated by Dr. Rajashree Biswal, organized by New Bridge India and North Odisha University, Baripada, Odisha.
2016 “Mahanadi”- A Journey through History, Memory and Culture curated by Maurice O Riordan of Australia at Lalit Kala Akademi, Rabindra Bhavan, New Delhi.
2015 Re-Vision / Relationship- a visual literary engagement of Birendra Pani and poet Jayanta Mahapatra, curated by Dr. Rajashree Biswal, and organized by New Bridge India, Forum on Contemporary Theory, Vadodara, Sarat Chandra Library, Baripada and Revenshaw University, Cuttack, Odisha at Revenshaw University, Cuttack.
2012 “Soft- Subversion” at Red Earth Art Gallery, Baroda.
2011 “Re – Vision” at Aakriti Art Gallery, Kolkata.
2010 “Re – Vision” at Gallery Sumukha, Bengalore.
2009 “Re – Vision” at Gallery Espace New Delhi and R.L.Fine arts, New York.
2007 “Boy Dancer’’-The convergence and continuum, at Gallery Espace, New Delhi.
2007 “Boy Dancer’’-The convergence and continuum, at Faculty Gallery, M.S.U., Vadodara.
2006 “Risk’’-The Double Edge of Society, at Gallery Espace, New Delhi.
2005 “Echo” at Kaleidoscope Art...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Acrylic
Untitled, Acrylic & Oil on Canvas by Contemporary Indian Artist-In Stock
By Sangeeta Singh
Located in Kolkata, West Bengal
Sangeeta Singh - Untitled - 24 x 36 inches (Unframed Size)
Acrylic & Oil on Canvas, 2019
Born : 16TH OCTOBER 1982, W.B.
Art Education
B.F.A. PRINT MAKING 2008,
M.F.A. PRINT MAKING 2010,
KALABHAVANA,VISVA-BHARATI UNIVERSITY,SANTINIKETAN, INDIA,
Exhibitions.
2020- GROUP SHOW AT NIV ART CENTRE, NEW DEW
2019- 100 years celebration of Kala Bhavana at shridharani art gallery.
2019- Invited show at LOAFT, organized by ShivikaGoenka, Kolkata,
2018- Invited show at Art Chill, Jaipur,
2018-Group show at Gallery Time & Space, Bangalore,
2017- SOLO SHOW AT ARTCHILL GALLERY, JAIPUR AMBER FORT
2017-GROUP SHOW AT LDFT QUEST, SHIVIKA GOENKA, KOLKATA
2017- ARTCAMP AT STATE ART GALLERY, HYDERABAD
2016- GROUP SHOW AT GALLERY ARTCHILL, AMER FORT, JAIPUR
2016- GROUP SHOW AT TAO ART GALLERY, MUMBAI,
2016- GROUP SHOW AT AT TIME & SPACE GALLERY, BANGALORE
2015 -‘ART WALK’ BY JUNEJA ART GALLERY, JAIPUR
2015- JAIPUR ART SUMMIT
SHOW AT GALLERY “Alliance Française” NEW DELHI,
ONGOING SHOW AT GALLERY “INCH”, SWITZERLAND,
2014- SHOW ATGWANG JUINTERNATIONAL ART FAIR, KOREA,
SHOW AT GALLERY SPACE, HYDERABAD,
PARTICIPATED AT BUSAN INTERNATIONAL ART FAIR, KOREA,
INDIAN ART FAIR ORGANIZED BY CREATIVITY ARTGALLERY, INDIA
2013- GROUP SHOW AT CREATIVITY ART GALLERY, NEW DELHI,
PARTICIPATED ATUNITED ART FAIR
SELECTED GROUP SHOW AT HABITAT CENTRE, NEW DELHI
SELECTED GROUP SHOWAT NIV ART CENTRE, DELHI,
GROUP EXHIBITION AT FORUM ART GALLERY, CHENNAIORGANIZED BYENGENTED GALLERY
GROUP EXHIBITION AT GALLERY BEYOND, MUMBAI,ORGANIZED BY ENGENTED GALLERY.
SUMMER SHOW AT PALETTE ART GALLERY, NEW DELHI,
ART CAMP AT GANGOTRI ORGANIZED BY GALLERY 1000A,NEW DELHI.
SHOW AT PALLETE ART GALLERY, NEW DELHI
GROUP ART EXHIBITION AT AMERICAN CENTER, NEW DELHI
ORGANISED BY ‘ENGENDARD ART GALLERY, NEW DELHI,
WOMENS WORLD DAY WITH SENIOR PAINTERS.
2012– SOLO ARTEXHIBITION ATTIME&SPACEGALLERY, BANGALORE
A GROUP EXHIBITION AT LALITKALA ACADEMY NEW DELHI,
EXHIBITION AT GALLERY RAGINI, NEW DELHI
2011–2010
ANNUALEXHIBITION, BIRLA ACADEMY & OF ART & CULTURE,KOLKATA
GROUP EXHIBITION SREE ART GALLERY, KOLKATA
SOLO EXHIBITION AT EMAMI CHISEL ART WALK,KOLKATA,
2010-2009-
GROUP SHOW AT ACADEMY OF FINE ARTS, KOLKATA
2008-2007-
NANDAN ART GALLERY, SHANTINIKETAN&
SAGA ART GALLERY, JAPAN.
NANDAN MELA...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Mixed Media, Oil, Acrylic
Untitled, Acrylic on canvas by Modern Artist Prokash Karmakar "In Stock"
By Prokash Karmakar
Located in Kolkata, West Bengal
Prakash Karmakar – Untitled
60 x 48 inches (unframed size)
Acrylic on Canvas
2012
( Rolled & Delivered )
In this dynamic composition, Prokash blends acrylic on paper, crea...
Category
Early 2000s Modern Figurative Paintings
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Evening Ragas, Acrylic on Canvas, Red, Blue, Green, Yellow from India "In Stock"
By Birendra Pani
Located in Kolkata, West Bengal
Birendra Pani - Evening Ragas - 66 x 42 inches (unframed size)
Acrylic on Canvas
** Free shipping
** Will be delivered in rolled form
Should you want the work in ready to hand con...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Acrylic
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By Sumit Mehndiratta
Located in Paris, IDF
Acrylic on canvas - artwork can be shipped in a tube or framed in a crate
Category
2010s Abstract Abstract Paintings
Materials
Canvas, Acrylic
$2,400 Sale Price
20% Off
La Baiadera by Anna Pennati 2010 acrylic painting 60x50cm
Located in Milano, MI
"Danza e Passione" - Exhibition that was displayed in Wilhelmshaven (Germany) , in 2011.
Subsequently, the artwork was included in the exhibition "I Miti e la Danza" displayed in M...
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Acrylic
Lipa's awakening Contemporary Figurative Painting on canvas by Natalie Shiporina
Located in Zofingen, AG
The paintings are painted with acrylic paints on canvas. My heroine is a woman in a red dress.
The paintings in this series are fascinating to collectors and found a home in many countries.
Pop art paintings are loved by many. I also really like to remember funny comic book characters. They all meet with my heroine Lipochka.
Pop art paintings are a great opportunity to invest in painting successfully.
Original painting by Natalie Shiporina.
Category
2010s Contemporary Figurative Paintings
Materials
Canvas, Acrylic
