Carl Sprinchorn

ON THE BOARDWALK

Kaus, Max. BADENDE MANNER: (THREE MALE BATHERS AT THE SHORE). Lithograph, c. 1924. Signed, lower left, in pencil, and numbered 6-10, further inscribed, lo...

Sprinchorn, Carl (American, 1887-1971) UNTITLED. Drawing, pastel and ink wash on paper, not dated. Signed, lower right. 8 x 5 inches, framed to 16 x 12 inches. Provenance, Tom Veille...

Gorsline, Douglas (American, 1913-1985). ON LEAVE. Engraving, 1944. 10 7/8 x 8 1/8 inches (plate), 12 1/2 x 10 inches (sheet). Signed, titled and dated in pencil. Edition size not k...

Gorsline, Douglas (American, 1913-1985). IRT INTERLUDE. Engraving, 1940. 7 7/8 x 5 1/8 inches (plate), 9 1/2 x 8 5/8 inches (sheet). Signed, titled and dated in pencil. Edition size ...

"My work principally consists of deeply abstracted figure compositions--intuitive constructions that begin with random marks establishing larger masses of torsos, heads, and limbs in an undefined setting. The emphasis is almost purely on intuition. The figures are born of their surrounding environment, emerging only partially and fugitively from the layers of pigment. A narrative is evident but never overt. A crown, a shield, a boat, a wheel. Though the subject has recently coalesced around my reading of Dante and Shakespeare, the settings remain extremely vague- a beach, an interior, a woodland. The paintings are, in the end, meditations on the relationship between the protagonists in a wordless drama. In my paintings, I use a cold wax medium combined with dry pigments, oil paint, and embedded fragments of burlap. The surfaces eventually build up into a dense, rugged terrain." --Thaddeus Radell

This abstract figurative painting features the artist in a nude form from the back and front in vibrant reds and pinks, outlined in expressive green lines. It balances sketch-like and voluminous areas against a muted beige background, conveying intimacy and energy, while blending elements of expressionism and fauvism. Returning to his Joshua Tree studio after Grandma’s funeral, artist Aaron Sheppard resolved to paint a portrait of them together. But he heard her voice urging, “Paint something that brings you joy, Aaron. Don’t paint a dull portrait of us together right now. You need a break. Enjoy this time. Be free!” Inspired, he stripped down, donned small women’s panties...

Margery Gosnell-Qua received an MFA in Painting and an MS in Art History from Pratt Institute in 1996, where she traveled to Italy to study Painting in Tuscany and Art History in Ven...

Depicts Carole Garland reveling in a hot summer day at the Venice Beach. Colorful beach umbrellas shield the timid from the burning sun while sunbathers bask in the searing heat. Yellow and blue ribbons floating on the wind celebrate Venice’s chaos and its whimsy. To focus the figure of a preteen who stands sentinel, Garland fades out the foreground sunbather on right and obfuscates the crouching man on left. The artist leads us to the groups of mysterious standing and sitting figures in the shadows and beyond. Garland’s collection of figurative work speaks to a contemporary sensibility in her approach to painting, while expressing a curiosity about the human form and an irrepressible concern for the human spirit. Carole Garland graduated from Knox College, Galesburg, Ill., studied at the Chicago Art Institute and the University of the Americas in Mexico City. She has worked privately with artists Keith Finch and Ron Pekar, taken numerous workshops and was mentored by David Gallup...