Charles Dye

Happy Hunter, Outdoor Life Magazine Cover

1951

Beer Belongs advertisement. The illustrations of Douglas Crockwell were often simply signed “Douglass” to avoid confusion with the signature of Norman Rockwell, particularly since their work was being published on the covers of The Saturday Evening Post during the same period. Necessary too, because Crockwell also worked very realistically, and like Rockwell, was particularly good with children. Their backgrounds, however, were entirely different. Crockwell was born in Chicago, Ohio, and took his degree in Science at Washington University, followed by study at the Academy of Fine Arts in Chicago and the St. Louis School of Fine Arts. He received his first commission for a cover for The Saturday Evening Post in 1933, and this was followed by many more, as well as work for other periodicals and a long list of national advertisers. During the ‘thirties, he also completed Post Office murals in Vermont, New York State and Mississippi, and began to work on experimental animated films. The films, and inventing a “pan-stereo” viewing...

Outdoor Life Magazine Cover, December 1955 Signed Lower Right

"Abstract Composition 3" Abstract Oil Painting 24" x 18" inch by Youssef Sida Signed and dated 1990 Youssef Sida 1922-1994 Born in 1922 in Damietta, and in 1945 he got his degree from the Higher Institute of Educational Art. In 1947, he participated in establishing the influential Group of Modern Art. In 1949 he participated in the Egyptian exhibition in Paris. In 1950, he received the Full Bright award for studying art at Minnesota University. He then studied at Colombia University in NY and began exhibiting his work in NY and Minnesota from 1951-1952. He participated in 1953 in the Biennale of Sao Paulo in Brazil. Upon returning to Egypt in 1954, he became active in local and international exhibitions. In 1961, he was sent by the Egyptian government to receive his Ph.D. from Columbus University, Ohio. After, he started exhibiting his work in Columbus and Washington DC. Y.Sida’s work at the start was mainly dealing with popular Egyptian themes. We can distinguish Sida’s work through his power of using primary colors in its purest form directly in the tubes without being mixed with other colors. Also, we can notice in his work a tendency towards the qualities and techniques of children’s art. In his later years, Sida began experimenting with Arabic Calligraphy by concentrating on the forms and shapes that are dominant in the popular Egyptian motives and décor. We can witness the dynamism in his Arabic calligraphy work. Sida is also known for his huge murals...

Reference number F356 Framed with an ebony color wood floated frame. 61 x 44 cm frame included (41 x 24 cm without frame) This work is painted with oil on a board and placed in a mad...