Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 17

Cindy Shaoul
"Riley" Abstract Figure in Chanel Haute Couture Painting on Paper

2018

About the Item

An enchanting, whimsical and bold depiction of a woman standing gracefully in a white gown against a pink, and intense yellow background with swirls of black and gray depicted left. This piece captures the essence of fashion in Pairs. Done in a very modern and impressionistic style, with fast brush work and vivid expressions. We are drawn to the movement and embelishemnt of the figure, as the artist captures a moment which is ever fleeting and emotaional. Painted acrylic on heavyweight paper, signed and dated lower verso. Measures 17 x 14 inches Inspired by whimsey and purity of the feminine form, Cindy Shaoul is known for her impressionistic and abstract style. She is best recognized for her series ‘Brides’, ‘Dripping Dots’ and ‘Hearts’, as well as her ‘Plein-Air’ street scenes of quintessential New York locations. Shaoul’s works can be found in hundreds of private and corporate collections worldwide. Since her first group show at Parsons School of Design in 2009, her work has been showcased internationally – from Italy to South Korea – and has been shown at various art fairs nationwide including Miami, Palm Beach, Dallas, and New York. Shaoul has had numerous solo exhibitions and has garnered the attention of notable celebrities such as Emma Roberts, Lily Collins, Ashley Park, Catherine Deneuve and John Malkovich. Her love of painting began at the age of 18 when she was on Thanksgiving break from college. She painted a 9-foot colorful, abstract mural in her mother’s art studio and has been painting ever since. Shaoul later traveled to Israel and Hungary, and studied abroad for 2 years at the Budai Art Institute, which created lifelong experiences that still influence her art today. Upon her return to New York City, she continued her artistic education at the Art Students League, working under the tutelage of Joseph Peller, Gregg Kreutz, and Tom Torak, where she learned techniques from the great masters of impressionism. But it wasn’t until she met renowned street artist LA II (Angel Oritz) - who previously worked with Keith Haring - that her work would become strongly influenced by street art and graffiti, propelling her reputation and pushing her into the city’s explosive urban art scene. Shaoul and LA II worked on a collection that was an homage to New York’s streets, where Ortiz and Haring began collaborating when they first met. This style of creation heavily impacted Shaoul’s technique, expanding her voice of discovery and moving her hand, not only from impressionism, but to boundary-free expressions in the abstract world. While Shaoul honed her skill at the Art Students League, in her studio ‘Dripping Dots’ began a whole new aesthetic. This abstract style started as she would clean her brushes and leftover paint from her pallet onto a new canvas, not to waste the leftover oils, and soon, the motion of cleaning turned into dots on the canvas. She began connecting the dots with linseed oil and this is how the motif of ‘dripping’ was imprinted. For her, it would become a freeing moment while painting abstractly after going to school and learning the impressionist technique. The experience of discovery with color and emotion in the brushwork became very cathartic, and felt familiar from the times she would collaborate with LA II. Shaoul would continue to explore new themes in her work. In 2018 she began the ‘Brides’ series which balances her love for impressionism with an abstract hand. While exploring the purity of the feminine form and the drama of French haute couture, she would create a dialogue between the figurative and the abstract. ‘Brides’ would give a new meaning of expression to her practice, and allowed nuances to emerge, demonstrating a whimsical expression of femininity and formality adding a stunning display of awe-inspiring grandeur to her work. Later, in 2019 she began ‘Hearts’, an extension of her love for abstraction. In this collection, she would fuse a symbol into the abstract. First, she uses a pallet knife to slather thick and rich impasto oil paint directly onto the canvas. Creating worlds of color and rich textures, an exciting new technique that she would become fixated on, allowing the flow of oils to speak for themselves while loading up the pallet knife with several different colors at once. Uncovering how the different colors would interact with one another is what motivates Shaoul in this series. The wild and exotic forms of paint would then propel her to find the colors for the heart that layer on top with a thick brush over the mesmerizing colors. The hearts are then titled after fun themes like ‘candy’, ‘ice cream’, or more spiritual statements like ‘follow your heart’, and ‘free your heart’. The hearts would become a tribute to feelings of independence, childhood memories, and moments of love that inspire and excite. Publications (Vanity Fair, LUXE, Authority, Aspire Design & Home, among others) have written about her work. Her studio is a vibrant and exciting place that is ever-changing with art pieces, tables lined with oil paint tubes, backgrounds for hearts, and new and worked-on canvases that line the walls. In 2011 she began her journey as a singer and songwriter creating music alongside painting. She lives and works in New York. PROVENANCE: Lilac Gallery Collection. This original artwork includes a Certificate of Authenticity issued by the Gallery. The piece is signed by the artist and stamped from Lilac Gallery on its verso.
  • Creator:
    Cindy Shaoul (1987, American)
  • Creation Year:
    2018
  • Dimensions:
    Height: 17 in (43.18 cm)Width: 14 in (35.56 cm)Depth: 0.1 in (2.54 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    Seller: 0025101stDibs: LU9823619972

More From This Seller

View All
"Sketch No.35/6: The Knotted Castle" Abstract Representational Painting on Paper
By Wolfgang Leidhold
Located in New York, NY
This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Paper, Ink, Oil, Acrylic, Watercolor

"Parisian Iridescence" Abstract Figure Gown Haute Couture Oil Painting on Paper
By Cindy Shaoul
Located in New York, NY
Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...
Category

2010s Abstract Figurative Paintings

Materials

Paper, Oil, Acrylic

"Goldie" Gold Abstract Figure in Chanel Gown Haute Couture Oil Painting on Paper
By Cindy Shaoul
Located in New York, NY
Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...
Category

2010s Abstract Figurative Paintings

Materials

Paper, Oil, Acrylic

"Kinetic Knot No. 2/2" Abstract Representational Knot Painting Work on Paper
By Wolfgang Leidhold
Located in New York, NY
This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Paper, Acrylic, Pen, Black and White

"Kinetic Knot No. 2/3" Abstract Representational Knot Painting Work on Paper
By Wolfgang Leidhold
Located in New York, NY
This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Paper, Acrylic, Pen, Black and White

"Kinetic Knot No. 11" Geometric Abstract Representational Painting Work on Paper
By Wolfgang Leidhold
Located in New York, NY
This piece represents a part of the artist's "Kinetic Knots" series which symbolizes shapes of the knots that are not planned. It is like the “Dao” grabbing the artist and the power ...
Category

2010s Abstract Geometric Abstract Paintings

Materials

Ink, Oil, Acrylic, Archival Paper, Pencil

You May Also Like

"FEEL THE LOVE" Painting 37" x 53" inch by Masha Iv
Located in Culver City, CA
"FEEL THE LOVE" Painting 37" x 53" inch by Masha Iv ABOUT: Masha Iv is a Russian artist, performer and fashion designer who works in various techniqu...
Category

21st Century and Contemporary Abstract Figurative Paintings

Materials

Ceramic, Canvas, Paper, Acrylic

"Waiting II" Figurative Painting (FRAMED) 19" x 11" in by Ibrahim Abd Elmalak
Located in Culver City, CA
"Waiting II" Figurative Painting (FRAMED) 19" x 11" in by Ibrahim Abd Elmalak Ink & Acrylic on Paper. Signed Signed The selection of Abd Elmalak...
Category

20th Century Abstract Expressionist Abstract Paintings

Materials

Paper, Ink, Acrylic

"TRAVELLER" Abstract Mixed Media Painting 27.5" x 35.5" inch by Masha Iv
Located in Culver City, CA
"TRAVELLER" Abstract Mixed Media Painting 27.5" x 35.5" inch by Masha Iv Medium: Mixed Media. Canvas, acrylic, ceramic paint, paper. ABOUT: Masha Iv is a Russian artist, perform...
Category

21st Century and Contemporary Abstract Figurative Paintings

Materials

Ceramic, Canvas, Paper, Acrylic

"Time to Dream" Abstract Mixed Media Painting D39" inch by Masha Iv
Located in Culver City, CA
"Time to Dream" Abstract Mixed Media Painting D39" inch by Masha Iv Medium: Mixed Media. Acrylic on canvas ABOUT: Masha Iv is a Russian artist, performer...
Category

21st Century and Contemporary Abstract Figurative Paintings

Materials

Ceramic, Canvas, Paper, Acrylic

"Waiting I" Figurative Painting 27" x 21" inch by Ibrahim Abd Elmalak
Located in Culver City, CA
"Waiting I" Figurative Painting 27" x 21" inch by Ibrahim Abd Elmalak Ink & Acrylic on Paper. Signed & dated The selection of Abd Elmalak’s drawings is reflective of a compositional method that is based on free-flowing and distinct lines and contours that he uses to amalgamate caricature-Esque female figures with monuments and landmarks from his travels, script, animals, and natural elements into interconnected and unified tapestries. His selected paintings explore themes of entrapment, companionship, oppression, emancipation, and faith, which he explores and animate through his demure and virtuous women subjects...
Category

20th Century Abstract Expressionist Abstract Paintings

Materials

Paper, Ink, Acrylic

"Emancipation" Figurative Painting 25" x 20" inch (1997) by Ibrahim Abd Elmalak
Located in Culver City, CA
"Emancipation" Figurative Painting 25" x 20" inch (1997) by Ibrahim Abd Elmalak Emancipation, 1997 Ink & Acrylic on Paper. Signed & dated The selection of Abd Elmalak’s drawings i...
Category

20th Century Abstract Expressionist Abstract Paintings

Materials

Paper, Ink, Acrylic

Recently Viewed

View All