Daniel Hilpert

Porsche 3

2024

Oil painting on canvas. Child's toy block car. A glimpse into a child's world, one we all have experienced. Tone is engaging, fun with universal appeal. About the artist: Mo...

Oil painting of car on a curve. Sunglasses hang from the steering wheel. Tone is engaging, fun with universal appeal. About the artist: Molloy...

Oil painting of lego blocks and a half eaten peanut butter & jelly sandwich. The implied narrative adds to the piece. Maybe a big brother just knocked the creation down and the ch...

Porsche sports car painting with oil and layered style on canvas. About the artist: Daniel Hilpert is the living testament that a career in finance need not be a borrower’s tale....

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the seated model leans against an antiquated iMac. Upon closer examination, the preparatory sketch lines are visible on the model's feet and her forearm. Unfinished works were first seen during the Renaissance with Masters such as Leonardo da Vinci, Michelangelo and Donatello. It became fashionable to leave works incomplete, so much so, that it became an aesthetic term 'non-finito'. Andrew S. Conklin Kelsey Seated, Arm with iMac oil on panel 12h x 17w in 30.48h x 43.18w cm ACK011 Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

Shit happens sometimes. In this piece, the artist wanted to create an unsettling and claustrophobic space where people feel most private and vulnerable. Inspired by artist Tala Madani, she created a cartoon figure to act as the voyeur, a bright and unwelcome disturbance that cannot be ignored. Samantha Van Heest...

Ellipses plays with the nature of awkward interaction and subtle facial expressions. Is it all internal, or can awkwardness feel like a palpable and personified presence? Samantha Van Heest...

This painting was inspired by the artists very first toy, a small blue giraffe, given to her as a day-old baby. It is something that has been around her whole life, and even though it is inanimate, there is a feeling of personification through the years of wear. Her brother as a baby would call giraffes “fa,” which is always a sweet memory she associate with this toy. Samantha Van Heest...