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Dasha PogodinaContemporary Figurative Painting "I Have The Horse. Am I a knight?" by Pogodina2022
2022
About the Item
ABOUT THE ARTWORK
"I Have the Horse. Am I a Knight?" weaves a narrative of self-inquiry and identity. The central figure, a woman astride a majestic horse, is painted with warm, earthy hues of terra cotta and burnt sienna that bring forth her connection to nature and the animal. Her pose and closed eyes suggest a meditative state, contemplating her power and place in a historical tapestry often dominated by knights and warriors.
The artist's brushwork is expressive and deliberate, with bold strokes that give texture and movement to the composition. The contrast between the fluid lines of the woman's form and the horse's muscular build is highlighted by a vibrant palette of reds and oranges, symbolizing passion, energy, and strength.
- Creator:Dasha Pogodina (1992, Ukrainian)
- Creation Year:2022
- Dimensions:Height: 45.28 in (115 cm)Width: 37.41 in (95 cm)Depth: 0.79 in (2 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Zofingen, CH
- Reference Number:1stDibs: LU2203212719382
Dasha Pogodina Ukrainian artist, based in Switzerland. Paintings are in private collections in the USA, South Korea, Italy, Great Britain, Germany, and Switzerland. Exhibitions
2022 Solo Exhibition Stärke und Verletzlichkeit / Escape Vide - Thun, Switzerland
2022 Group exhibitions In Ukraine / ZRC - Ljubljana, Slovenia
2018 Group exhibitions Room of my Minds, Ukraine
2017 Group exhibitions Garden as an Art, Kyiv, Ukraine
2014 Group exhibitions Gift of Volhvs Severodonetsk, Ukraine
2013 Group exhibitions Fragment of Life, Luhansk, Ukraine
2012 Collaborate Project Light of Hearts, Luhansk Ukraine Dasha Pogodina about her art New sexuality and personal integrity - are the basic areas of search in my artistic practice.
In my practice, I problematize the ideal of the metamodern world with its total moderation and the desire to return to high ideals and values. As an artist, I concentrate on the nature of the corporeal, I perceive the body as a membrane reflecting me into this world and communicating the world to me. In search of answers, I enter into dialogue with the body-sensory lexicon of Kiki Smith and Paula Modersohn Becker and also find support in the sublime physicality of the early Gothic of the 13th century from Giotto, unencumbered by the tension of formal anatomy. My works are filled with color, and ethnic decoration and are illustrative at the same time. This turns my paintings into light, at first glance, stories, which, however, do not call the viewer to cold contemplation, but, on the contrary, open up the opportunity to safely return to their secret “I”.
I use the space of naive archetypal images, creating a safe haven from aggressive modernity, with the opportunity to dive into the psychological depths of my own worldview. I build into my paintings the mechanics of oscillation of naivety and mockery, trust and cynicism, chastity and debauchery, strength and kindness, as a manifesto of courage to be vulnerable and herbivorous in a world where food chains still exist.
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