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Diana TremaineThe Alchemy of Belief2016-2020
2016-2020
$8,000
£6,092.87
€7,022.92
CA$11,191.95
A$12,579.01
CHF 6,550.82
MX$152,991.84
NOK 83,825.71
SEK 79,491.47
DKK 52,414.45
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About the Item
Diana Tremaine’s large-scale, dynamic, figurative oil paintings reflect a search for truth and meaning in the human experience. She develops brushstrokes and marks by adding and then obliterating some of the story in a free-association editorial process of discovering what is most important and lasting. The melancholy images echo her experiences in an autobiographical fashion, but they are also universal and touch upon and evoke our collective memories like ghosts of what was. Created with a limited palette, there is visual poetry in her surfaces, including the tension that exists when simultaneously holding on and letting go.
The bicoastal New York City-born artist studied and taught in both Northern and Southern California. She later moved to Montana—in a search for spiritual space and room to breathe—where she works and lives with her family and horses.
Presented by the Andra Norris Gallery in Burlingame, CA.
- Creator:Diana Tremaine (American)
- Creation Year:2016-2020
- Dimensions:Height: 48 in (121.92 cm)Width: 36 in (91.44 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Burlingame, CA
- Reference Number:Seller: TRED1stDibs: LU375312147642
Diana Tremaine
Diana Tremaine is a bicoastal New York City-born artist who studied and taught in both Northern and Southern California. She later moved to Montana in search of spiritual space and room to breathe, where she now works and lives with her family. She uses swans as a metaphor for beauty and resilience rising above chaos during difficult times. Tremaine's dynamic, representational and nature-centric oil paintings reflect a search for truth and meaning. Tremaine develops brushstrokes and marks by adding and then obliterating some of the stories in a free-association editorial process of discovering what is most important and lasting. The melancholy images echo her experiences in an autobiographical fashion, but they are also universal and touch upon and evoke our collective memories like ghosts of what was. Created with a limited palette, there is visual poetry in her surfaces, including the tension that exists when simultaneously holding on and letting go. Tremaine has exhibited widely and with success.
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