ERTE Original Gouache Painting Hand Signed Authentic Art Deco Costume Design SBO
View Similar Items
ErtéERTE Original Gouache Painting Hand Signed Authentic Art Deco Costume Design SBO
About the Item
- Creator:Erté (1892 - 1990, Russian)
- Dimensions:Height: 11 in (27.94 cm)Width: 9 in (22.86 cm)
- More Editions & Sizes:19 x 17 FramedPrice: $3,495
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Bloomington, MN
- Reference Number:1stDibs: LU123016405372
Erté
Born Romain de Tirtoff (1892–1990) in St. Petersburg, Russia, to an aristocratic family, the artist known as Erté — a pseudonym derived from the French pronunciation of his initials — was a Renaissance man of the art and design world. He worked in graphic arts, interior design, fashion, jewelry and set design for the stage and silver screen, becoming a leader of the Art Deco style.
Moving to Paris in 1912, Erté worked as a fashion designer under couturier Paul Poiret before securing a job with Harper’s Bazaar as a cover artist. Over 22 years, Erté created more than 240 magazine covers alongside his ongoing work in fashion design. Extending his prolific career into theater sets, costumes, prints and lithographs, he became one of the most famous artists of the era. Erté’s style — a combination of the nature-inspired flourishes of Art Nouveau and bold, geometric linework — directly contributed to the birth of Art Deco, earning him the nickname “the Father of Art Deco.”
After a lull of creative production in the 1940s and 1950s, Erté reentered the public eye in the 1960s, when a renewed interest in Art Deco had taken shape. Creating colorful lithographs, bold serigraphs (silk-screen prints) and bronze sculptures, he contributed to a resurgence of the style in France and beyond. This late-life acclaim for his art led to exhibitions in museums and galleries all over the world as well as his first published monograph in 1970. That same year he was awarded the title of Chevalier du Mérite Artistique et Cultural and in 1976 was named Officier des Arts et Lettres by the French government. Today, Erté’s works are in the collections of the Metropolitan Museum of Art and the Cooper Hewitt, Smithsonian Design Museum, in New York, the Victoria and Albert Museum in London and LACMA in Los Angeles..
On 1stDibs, browse a collection of Erté art, including fine-art prints, paintings and other works.
- Mayan, Large 20th Century Watercolor, Viktor SchreckengostBy Viktor SchreckengostLocated in Beachwood, OHViktor Schreckengost (American, 1906-2008) Mayan Watercolor heightened with gouache over pencil on paper Signed lower right 39 x 29 inches 45.5 x 35.5 inches, framed Registered with The Viktor Schreckengost foundation, stock no. 6891 The son of a commercial potter in Sebring, Ohio, Viktor Schreckengost learned the craft of sculpting in clay from his father. In the mid-1920s, he enrolled at the Cleveland School of Art (now the Cleveland Institute of Art, or CIA) to study cartoon making, but after seeing an exhibition at the Cleveland Museum of Art he changed his focus to ceramics. Upon graduation in 1929, he studied ceramics in Vienna, Austria, where he began to build a reputation, not only for his art, but also as a jazz saxophonist. A year later, at the age of 25, he became the youngest faculty member at the CIA. In 1931, Schreckengost won the first of several awards for excellence in ceramics at the Cleveland Museum of Art, and his works were shown at the Metropolitan Museum of Art, the Art Institute of Chicago, the Panama-Pacific Exposition in San Francisco, and elsewhere. By the mid-1930s, Schreckengost had begun to pursue his interest in industrial design. For American Limoges...Category
20th Century Art Deco Figurative Drawings and Watercolors
MaterialsWatercolor, Gouache
- Art Deco Spanish Woman Fashion IllustrationLocated in Wilton Manors, FLElegant and glamorous fashion illustration from the 1920's, Original signed gouache painting on paper. Monogrammed V.S. lower right. Site: 10"x 7.75" Frame: 19.25"x 17"Category
1920s Art Deco Figurative Paintings
MaterialsPaper, Gouache
- Life Magazine Art Deco Showgirls CartoonLocated in Wilton Manors, FLBarbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed. Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ. For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony. In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques. He found that talent in Barbara Shermund. For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice. Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence. “Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League. In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.” “While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund. And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...Category
1930s Art Deco Figurative Paintings
MaterialsInk, Gouache
$4,000 Sale Price20% Off - Art Deco Cherry DancerBy Marcel VertèsLocated in Miami, FLCherry Dancer Marcel Vertes French, 1895-1961 Beautiful girl juggling cherries is a beautiful and charming idea that is deftly rendered in a quick and loose style. Work is round De...Category
1930s Art Deco Figurative Drawings and Watercolors
MaterialsGouache
- Futurist Vision - Mid-Century New York Skyline - Industrial ProgressLocated in Miami, FLRarely do you come across a work of art that is vastly different than just about anything you see. This work is undeniably brilliant and a sheer pleasure to behold. Alexander Leydenfrost...Category
1950s Art Deco Landscape Paintings
MaterialsGouache, Charcoal, Graphite, Board
- Art Deco Glamorous woman in Purple Evening Dress - Golden Age of HollywoodBy Jaro FabryLocated in Miami, FLFramed Size 28.5 x 21 Jaro Fabry was a brilliant illustrator with a defined style of his own. There is not a brushstroke out of place in his works that appear loosely rendered. He is best known for his depiction of Golden Age of Hollywood...Category
1940s Art Deco Figurative Drawings and Watercolors
MaterialsWatercolor, Gouache, Pencil