Gocha Kakabadze Mamuka Shengelia

The Neitivity- Adoration by the Mag

2009

Born in 1964, Nebojsa Bezanic was predominantly influenced by the 1980s. The generation of artists that grew up in, and took inspiration from, the nineteen eighties was influenced by a period of quickly growing global capitalism, political upheaval, significant wealth discrepancy, global mass media and distinctive music and fashion, including electronic pop music and hip hop. The 1980s was the era of African famine, the height of the Cold War, and also the end of it, as marked by the fall of the Berlin Wall. significant art movements of the era include Neo Geo, The Pictures Generation and the global trend of Neo-Expressionism which manifested in Germany, the USA and Italy (where it was known as Transavanguardia). The decade was exemplified by artists like Anselm Kiefer, Jörg Immendorf...

Born in 1964, Nebojsa Bezanic was predominantly influenced by the 1980s. The generation of artists that grew up in, and took inspiration from, the nineteen eighties was influenced by a period of quickly growing global capitalism, political upheaval, significant wealth discrepancy, global mass media and distinctive music and fashion, including electronic pop music and hip hop. The 1980s was the era of African famine, the height of the Cold War, and also the end of it, as marked by the fall of the Berlin Wall. significant art movements of the era include Neo Geo, The Pictures Generation and the global trend of Neo-Expressionism which manifested in Germany, the USA and Italy (where it was known as Transavanguardia). The decade was exemplified by artists like Anselm Kiefer, Jörg Immendorf...

“Making sculpture is a very complex matter. A word added to a form, ultimately helping to better define it. And ultimately helping to understand the whole.” Ugo Riva is probably the...

Artist

Oil on canvas Giorgi Kukhalashvili is a Georgian artist born in 1982 who lives and works in Tbilisi, Georgia. He's founder of the organization “Language of Art". In 2002, he finished Iakob Nikoladze Art College in Tbilisi. In 1998, in the period of his study at Art College, Giorgi Kukhalashvili created his work titled “Entering Jerusalem"which outlined his artistic aspirations and interest in the religious topics. Later in 2000, he finished his painting “Christmas Mystery"which up to the present day occupies special place in his creative work. In 2005, in parallel of his study at Tbilisi State Academy of Arts Giorgi Kukhalashvili opened his studio in old Tbilisi...

Annibale Gatti (Forlì 1827 - Florence 1909), attr. Allegorical Scene Oil on paper applied to board, 25 x 30 cm - with frame 36 x 42 The allegorical work, by analysis and stylistic...

Measurements with frame: 87 x 69 cm In this tempera dated between the second and third decade of the 19th century we find an iconographic design with a sacred character by neoclassic...

Walter Helbig (1878 Falkenstein - 1968 Ascona), Adoration of the Magi, 1918. Hand-colored linocut, 30 cm x 22.5 cm (depiction), 50 cm x 35 cm (sheet size), signed “W.[alter] Helbig” in pencil lower right, inscribed “Adoration of the Magi” lower left and dated “1918”. Below this a handwritten dedication “with heartfelt Christmas greetings”. - Paper somewhat darkened and with slight creases, thumbtack holes in the corners - The Rider of the Sun - The 'apocalypse' of World War I brought about a return to sacred art. Walter Helbig belonged to the circle of the 'Brücke' and the 'Blauer Reiter'. With his reinterpretation of religious themes in an expressionist formal language, Helbig shaped an avant-garde neo-sacred art. This is symbolically expressed in the silhouette of the rider against the sun-like yellow background. It refers to the awakening initiated by the Blue Riding, which is now linked back to the sacred. The rider and horse "look" at Mary and the Christ Child, who occupy the entire field. Opposite them are the three kings, the eldest of whom kneels before Christ and offers him a gold-filled casket. The expressionist lines give rise to a tower that rises into the "sun", so that the gift has become a Gothic church, expressing the hope that the fallen world will be resurrected in the name of Christ. This dimension of meaning is emphasized by the magical effect of the color scheme. About the artist In 1895, Walter Helbig began studying at the Dresden Academy of Art, where he became friends with the future Brücke artist Otto Müller, with whom he lived in Dresden from 1903 to 1905. While studying in Italy from 1897 to 1899, he met Arnold Böcklin and Adolf von Hildebrand. After completing his studies, he first worked for Otto Gussmann, painting churches. From 1905 to 1909 he worked as a freelance painter in Hamburg. In 1909, through the mediation of Otto Müller, Helbig made the acquaintance of artists from the 'Brücke'. In 1910 he exhibited at the founding exhibition of the Berlin 'Neue Sezession'. In the same year, he moved to Switzerland, where, together with Hans Arp and Oscar Lüthy, he founded the 'Moderne Bund' in Weggis, to which Cuno Amiet and Giovanni Giacometti also belonged. At the second exhibition of the 'Moderne Bund' in Zurich in 1911, Henri Matisse and Robert Delaunay were represented alongside artists from the 'Blauer Reiter'. In 1913, Helbig traveled to Paris with Arp and Lüthy. After the dissolution of the 'Moderne Bund', Helbig was represented at the first Dada exhibition in Zurich in 1914. In 1919, he joined the Berlin 'Novembergruppe'. After the devastation of World War I, Helbig turned increasingly to religious themes in his work. In 1924, like many other artists of his time, he moved to Ascona for financial reasons, where he became a naturalized citizen in 1938. There he founded the artists' association "The Great Bear", to which Marianne von Werefkin...