Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Henry Ernst Schnakenberg
Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism

1940s

About the Item

Boys Swimming Industrial Landscape WPA Mid 20th Century Social Realism Modernism Henry Schnakenberg (1982 - 1970) Boys Swimming Industrial Landscape 11 1/2 x 15 1/2 sight Oil on Canvas Signed lower left 14 1/2 x 18 1/2 inches, Framed Bio In many cases, American artists visited the Armory Show in New York in 1913, and returned to their studios to react to or against what they saw. However, for Henry Ernest Schnakenberg it was much more life altering. Prior to visiting this important exhibition of American and European modernist art, he had been working as an insurance sales representative for his father's firm. After seeing the Armory Show, he was inspired to go to art school. He enrolled at the Art Students League where he had the good fortune to have both John Sloan and Kenneth Hayes Miller as teachers. His fellow students at that time were Yasuo Kuniyoshi, Peggy Bacon, Alexander Brook and Niles Spencer. (1) After serving in the army, he returned to New York and began to paint independently, and in 1921, he had his first show at the Whitney Studio Club along with Joseph Stella. He taught at the Art Students League from 1923 to 1925. Schnakenberg's esteem and standing at the School were fully affirmed when he was elected president in 1932, and he was to remain a life long member. He was later awarded an honorary degree from the University of Vermont. Throughout his career, Schamberg wrote critical essays and reviews for art magazines, primarily The Arts. (2) Not surprising, as a young painter, Schnakenberg tried many directions with his art: landscapes, still lifes, portraits and genre paintings all with superb attention to detail and depth of feeling for his subject. His teachers at the Art Students League probably played the most influential role in shaping his career with their emphasis on the urban scene and realism with more or less gritty details related to Everyday City life. Early on, he caught the attention of Lloyd Goodrich, then director of the Whitney Museum of American Art. Goodrich observed of Schnakenberg's art, "Schnakenberg is a patient, steady builder rather than a brilliant improviser. His pictures are the result of careful thought and planning. Nothing is slurred over or left vague; every detail is precise." (3) During the 1920s, Schnakenberg traveled widely but spent some of most summers in Manchester, Vermont, and usually winters in New York. He was a founder of the Southern Vermont Artists Association, and later he founded an art gallery in the local library for local artists to have exhibition space when he moved to Newtown, Connecticut. He was an avid collector of pre-Columbian and Oriental sculpture, and he acquired the work of his contemporaries, such as Winslow Homer, Sloan, George Luks, William Glackens and Theodore Stamos. (4) Lloyd Goodrich, in his important text, American Art of Our Century (1961), summed up Schnakenberg's career and devoted an entire paragraph to him. He declared him to be an individualist from the first with a goal to build images of reality that are "satisfying for both their associations and forms," rather than attempt to express subjective emotion. (5) Schnakenberg won numerous awards and exhibited nationally. His work may also be found at the Whitney Museum of Modern Art, Metropolitan Museum of Art, Wadsworth Atheneum, Brooklyn Museum, Pennsylvania Academy of Fine Arts, Yale University Art Museum and the Art Institute of Chicago.
  • Creator:
    Henry Ernst Schnakenberg (1892 - 1970, American)
  • Creation Year:
    1940s
  • Dimensions:
    Height: 15 in (38.1 cm)Width: 19 in (48.26 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU1156213941572

More From This Seller

View All
"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism
By Dale Nichols
Located in New York, NY
"Winter" American Modernism WPA Regionalism Landscape Mid-Century Magic Realism. 30 x 40 inches. Oil on canvas, c. 1960s, Signed lower right. As we list the painting now, the work is currently being cleaned, restored and a hand carved frame is being built. Additional photos will be uploaded as soon as possible. Our gallery, Helicline Fine Art, just launched our new digital exhibition: American Art: The WPA and Beyond. Three dozen paintings, works on paper and sculptures which are available here on 1stDibs. In person viewings can be arranged by appointment at our midtown Manhattan gallery. Provenance: "Winter" was originally purchased by Stanley Byer. Mr. Byer owned homes in Key West, New York City, and Washington, D.C. He purchased the painting from Dunning Auction in 1984 in Elgin, Illinois. Mr. Byer was related to Abraham Weiss from Florida. Saul Babbin, now deceased was a cousin of Mr. Weiss. I purchased the painting from Joy Babbin, Mr. Babbin's wife, now living in from New Mexico. Dale Nichols (1905 – 1995) Artist, printmaker, illustrator, watercolorist, designer, writer and lecturer, Nichols did paintings that reflected his rural background of Nebraska where he was born in David City, a small town. Although he did much sketching outdoors, most of his paintings were completed in his studio and often included "numerology, magic squares...
Category

1960s American Modern Landscape Paintings

Materials

Canvas, Oil

"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil
By Georgina Klitgaard
Located in New York, NY
"War Brides, Wash Sq NYC" American Scene WWII Modernism WPA Mid-Century Oil. 30 x 40 inches. Oil on canvas, c. 1942. Signed lower right. Titled on the stretcher. Housed in a sensational Heydenryk frame. Our gallery, Helicline Fine Art...
Category

1940s American Modern Landscape Paintings

Materials

Canvas, Oil

"Cruise Ship Rolls In" Mid 20th Century American Contemporary Modern Realism
Located in New York, NY
"Cruise Ship Rolls In" Mid 20th Century American Contemporary Modern Realism This is one sensational painting. And we can even identify the artist, but can't find anything about the...
Category

Mid-20th Century American Modern Figurative Paintings

Materials

Canvas, Oil

"Glassblowers" American Scene Social Realism Mid-20th Century New York City WPA
By Ernest Fiene
Located in New York, NY
"Glassblowers" American Scene Social Realism Mid-20th Century New York City WPA Ernest Fiene (1894-1965) Glass Blowers 28 x 23 inches Oil on canvas board Signed and dated 1944 lower...
Category

1940s American Modern Figurative Paintings

Materials

Oil, Canvas

Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA
By Richard Whorf
Located in New York, NY
Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA TILL THE COULDS ROLL BY (Film Set), oil on canvas, 20 x 24 inches signed “Richard Whorf” lower right and signed and dated on the verso “R. Whorf/ Dec. 21, 1945. Frame by Hendenryk. ABOUT THE PAINTING This painting is from the collection of Barbara and Frank Sinatra, dated December 21, 1945 (just nine days after Frank Sinatra’s 30th birthday), and depicts the Metro-Goldwyn-Mayer Culver City backlot during the filming of Till the Clouds Roll By, the direction of the film having been taking over by Richard Whorf in December 1945. It is not presently clear if Whorf gave the Sinatras this painting as a gift, as the presence of the Dalzell Hatfield Galleries label on the verso indicates the painting may have been sourced there. Frank and Nancy Sinatra acquired a number of works from Dalzell Hatfield Galleries during the 1940’s, or perhaps they framed it for the couple. Sinatra performed “Old Man River’ in the film. Sinatra and June Allyson are depicted in the center of the painting. PROVENANCE From the Estate of Mrs. Nancy Sinatra; Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles. An image of the Dalzell Hatfield label and the back of the original frame (which we replaced with a stunning Heydenrk frame) are attached. Nancy Sinatra was Fran's first wife. Nancy Rose Barbato was 17 years old when she met Frank Sinatra, an 18-year-old singer from Hoboken, on the Jersey Shore in the summer of 1934. They married in 1939 at Our Lady of Sorrows Church in Jersey City where Frank gave Nancy a recording of a song dedicated to her titled "Our Love" as a wedding present. The young newlyweds lived and worked in New Jersey, where Frank worked as an unknown singing waiter and master of ceremonies at the Rustic Cabin while Nancy worked as a secretary at the American Type Founders. His musical career took off after singing with big band leaders Harry James and Tommy Dorsey...
Category

1940s American Modern Landscape Paintings

Materials

Canvas, Oil

"Concert" Early 20th Century WPA Modernism American City Landscape Scene Ashcan
By Michael Loew
Located in New York, NY
"Concert" Early 20th Century WPA Modernism American City Landscape Scene Ashcan The size of the canvas 28 3/4 x 43 1/4 inches. The painting comes directly from the artist's estate. It is signed lower right as well as signed, titled and dated verso. We have available more than two dozen paintings and works on paper from the 1930s - 80s that come directly from the Loew estate. BIO Michael Loew (1907 – 1985) was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker, and from 1926-1929, he studied at the Art Students League. In 1929, he traveled to Paris, North Africa, Germany, and Italy with a group of artists. When he returned to New York City in 1931, the Great Depression hit Loew unexpectedly, and for the next two years he paid his apartment rent with his paintings. In 1935, he found work with the WPA where he painted murals and partnered up with longtime friend Willem de Kooning in 1939 on a mural for the Hall of Pharmacy at the New York World’s Fair. Their friendship lasted for the rest of their lives. In the mid-30’s he painted in Mexico and the Yucatán documenting the construction of a U.S. Naval airbase on Tinian Island. It was from this airbase that the Enola...
Category

1920s American Modern Figurative Paintings

Materials

Canvas, Oil

You May Also Like

"Glasco Landscape" Albert Heckman, circa 1940 New York Modernist Landscape
By Albert Heckman
Located in New York, NY
Albert Heckman Glasco Landscape, circa 1940 Signed lower right Oil on canvas 25 1/4 x 39 1/2 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...
Category

1940s American Modern Figurative Paintings

Materials

Canvas, Oil

Six O'Clock
Located in Los Angeles, CA
Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...
Category

1940s American Modern Landscape Paintings

Materials

Canvas, Oil

"Little House Lambertville, Public Sale"
By Joseph Barrett
Located in Lambertville, NJ
Jim’s of Lambertville is proud to offer this artwork. Signed lower middle. Artist designed frame. Joseph Barrett (b. 1936) Joseph Barrett was born in Midland, North Carolina, in ...
Category

20th Century American Modern Landscape Paintings

Materials

Oil, Canvas

Morning Sunrise, Mid Century Laguna Hills Figurative Landscape
Located in Soquel, CA
Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...
Category

1950s American Modern Landscape Paintings

Materials

Canvas, Oil, Cardboard

Vintage Sunrise Landscape - Sandpipers on the Shore in Oil on Canvas
Located in Soquel, CA
Vintage Sunrise Landscape - Sandpipers on the Shore in Oil on Canvas Gorgeous landscape of a coastline in warm sunrise colors by San Diego artist Richard Keith (American, 1937-2003)...
Category

1970s American Modern Landscape Paintings

Materials

Canvas, Oil

Day at the Park - Surreal Figurative
Located in Soquel, CA
Bold figurative work by Richard Cronin (American, b. 1952). Two figures are at the edge of the sea, one of which is seated and holding two beach balls. ...
Category

1970s American Modern Figurative Paintings

Materials

Canvas, Oil

Recently Viewed

View All