Hermann Armin Kern

19th Century genre oil painting of a blacksmith at a forge

1898

Heywood Hardy British, (1842-1933) A Visit to the Blacksmith’s Oil on canvas, signed & dated 1902 Image size: 26.75 inches x 22 inches Size including frame: 34.5 inches x 29.75 inches Provenance: Willow Gallery, Duke Street, London A wonderful painting of a lady and gentleman in 18th century costume visiting a blacksmith's by Heywood Hardy. To the left, a woman is shown sitting side saddle upon a bay horse, facing towards a blacksmith's forge. To her right, a man wearing a red coat and black hat watches on as a farrier shoes a grey horse. Meanwhile, a foxhound stands in the middle of the group, with its attention caught by the woman and her horse. Heywood Hardy was born into an artistic family in Chichester, Sussex on the 25 November, 1842 to the portrait and genre painter James Hardy Snr (1801-1879) and his wife Elizabeth. His cousins Frederick Daniel Hardy...

John Arthur Lomax British, (1857-1923) Preparing his Tackle Oil on panel, signed Image size: 11.75 inches x 9.75 inches Size including frame: 21 inches x 19 inches A fabulous genr...

Alfred Provis British, (1818-1890) By the Fireside Oil on canvas, signed & dated 1869 Image size: 10.5 inches x 15.5 inches Size including frame: 21.5 inches x 26.5 inches This charming cottage scene by Alfred Provis features a woman preparing supper by a fire with her young daughter. As the mother peels the turnips and places them in the pot, the girl’s attention is drawn to the kitten feeding from a saucer. The dress and hat of the woman bears a similarity to those found Provis’s other scenes of Welsh cottage interiors. The artist was known to have visited North Wales around the time this painting was produced. In 1869, he exhibited a work entitled ‘Interior of a Welsh Farmhouse’ at the Royal Society of British Artists. Given the level of detail in the painting and the fact that it is in such an impressive original frame, it is possible this is the same painting as the one exhibited. Alfred Provis was a genre painter born on 18 February, 1818 in Chippenham, Wiltshire. He was the son of John Provis, a timber merchant and his second wife Ann Banks. He spent time in London being tutored by the historical and portrait artist John Wood (1801-1870) before returning to Chippenham. He began exhibiting at the Royal Society of British Artists in 1843, continuing to exhibit there regularly until 1886. He made his debut at the Royal Academy in 1846 with a work entitled ‘A Cottage Door...

Ernest Crofts British, (1847-1911) On Guard Oil on panel, signed & dated (18)79 Image size: 9.25 inches x 6.75 inches Size including frame: 19.5 inches x 17 inches A wonderful historical painting of a roundhead soldier standing outside a fortress by Ernest Crofts. The soldier is depicted wearing a back and breast plate over a red and yellow sleeved jacket tied with a sash around his waist. On his head, he wears a felt hat with red and white feathers and holds a sword in his hand. He is shown standing at the moated entrance of a fortified stone building with a portcullis. Beyond the raised portcullis, a group of soldiers can be seen in the shadows. The soldier’s uniform is typical of Cromwell’s famous ‘Ironside’ cavalry and indicates he is an officer, who, in Cromwell’s time would have earned his place based on merit rather than social status. The English Civil...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original 1882 dated Frederick George Cotman oil painting of a blacksmith A well good looking and well made high Victorian painting, this really offers a window into another time and place Frederick George Cotman (14 August 1850 Ipswich–1920) was an English painter of landscapes, portraits and interiors and a member of the Norwich School of painters Frederick was born into the Cotman family of artists. His parents were Henry Edmund Cotman (1802–1871), formerly a Norwich silk merchant and his wife Maria Taylor (1813–1895). His elder brothers, Henry Edmund Cotman (1844–1914), and Thomas Cotman (1847–1925) were born in London before the family moved to Ipswich. Frederick was born at 186 Wykes Bishop Street, Ipswich in 1850 and was the youngest child of the family. He was the nephew of John Sell Cotman and the cousin of John Joseph Cotman and Miles Edmund Cotman. He was a private pupil of William Thomson...

Work on canvas Golden wooden frame 75 x 88.5 x 4 cm

Albert Léon LEBARQUE Quatre-Champs (Ardennes), 1853 – Paris, 1939 The blacksmith's workshop Oil on panel24 x 18 cm (34.5 x 28 cm with frame) Signed and dated lower left “A. Lebarque ...

Atmospheric Blacksmith Forge Interior by Edvard Petersen signed by monogram This magnificent late 19th-century painting of an atmospheric blacksmith forge interior is by the renowned realist Danish painter Edvard Petersen. Depicting a richly detailed industrial workshop scene, it is a remarkable example of Danish realism. As an authentic Edvard Petersen painting, it showcases the artist’s dedication to portraying the lives of craftsmen and workers in the late 1800s. If you are an art collector or enthusiast seeking to purchase an original blacksmith interior artwork, this vintage realism painting not only holds artistic value but also represents an essential piece of Danish heritage art. Below, we explore the painting’s intricate details, its historical context, and Edvard Petersen's life. 1. Artwork Overview: A Glimpse into the Industrial Past This vintage painting of a blacksmith’s forge reflects the hardworking spirit of the late 19th century. The atmospheric industrial art is meticulously rendered with a keen eye for lighting, texture, and realism. Key aspects of this Danish blacksmith workshop artwork include: Industrial Setting: The painting captures the interior of a blacksmith workshop, filled with well-used tools and the dim glow of the forge. Lighting Mastery: The late 19th-century atmospheric blacksmith interior is defined by its masterful use of light and shadow. The forge fire creates a vivid, warm glow, contrasting with the cooler daylight filtering through a window. Human Element: The blacksmith figures appear in dynamic postures, emphasising the laborious nature of their craft. The workers’ silhouettes against the glow of the fire add depth and dimension. Textural Details: The texture of worn wood, metal tools, and stone flooring is painstakingly realistic, typical of Edvard Petersen’s style. 2. Artistic Style and Techniques A. Realism and Atmosphere As a prominent Danish realist painting, this work exemplifies the realist tradition for which Petersen is known. His choice of subdued, earthy tones highlights the authentic industrial atmosphere. The blend of warm, fiery hues with darker, shadowy tones creates a dramatic and contemplative mood. B. Composition and Structure The composition follows a well-organised structure, with: Foreground Elements: Anvil, tools, and a large wooden barrel. Middle Ground: Figures working at the forge and a workbench. Background: The illuminated workshop window and hanging tools. Colour Palette: Predominantly browns, greys, and ochres with contrasting fiery highlights. Lighting Effect: The combination of natural and artificial lighting enhances the sense of depth and space. 3. Significance of the Painting A. Cultural Context This late 19th-century blacksmith painting...