Jamini Roy

Jamini Roy "Mother and Child" Original Painting

Interpreting reality with skill and expertise is Margherita Leoni's principal value. She has been studying botany for decades and has an incredible hand that allows her to make water...

Expressive portrait of a man and a woman looking directly at the viewer as well as indicated chairs. The execution of a series of chair paintings served Wilhelm Ohm (1905 Stettin -...

Virgin of the Sign (Orans), with the Christ Child Emmanuel and Cherubim Artist: Oliver Samsinger Technique: Egg tempera on gesso and wood, with 24-karat gold leaf application. Dimens...

Lalu Prasad Shaw Babu & Bibi Tempera on Board 29 x 20 inches 73.6 x 50.8 cm ( Unframed & Delivered ) Style : Known widely for his highly stylized portraits of Bengali women and c...

This superb British 1930's modern art tempera painting is by noted interwar artist Blair Hughes-Stanton. Painted in 1936 it is part of the myth se...

Tempera mixed with gum arabic and alcohol on Renaissance Panel ( composite wood panel ) Robert Riggs was a gay man. Being gay in American during the 1940's time was something not to flaunt in public. Rigg's had to communicate his underlying feelings in more symbolic ways. Throughout Riggs' oeuvre, one sees continuous references to strong hunked out manly men and vulnerable boys. It is a core element of is iconography and is described in a powerful graphic style. In “Prospector firing Rifle,” there is a Dick Pic. Riggs is clearly making a sexual statement about the moment of climax. The long, straight rifle explodes and is captured at the moment of its peak climax. Meanwhile, the two bags of gold clearly resemble the other part of the male anatomy. Riggs was a thoughtful and meticulous visual thinker, and nothing in any of Riggs’s compositions was haphazardly placed. In tribute to the artist’s suppressed feelings, I have given this work a second title “Happiness is a Warm Gun...

An important 18th century Italian Old Master tempera on copper panel Baroque painting, "The Road to Emmaus", circa 1700. The painting represents the early resurrection biblical story...

Provenance: Achillito Chiesa, Milan Luigi Albrighi, Florence, by 1 July 1955 with Marcello and Carlo Sestieri, Rome, 1969 Private Collection, Connecticut Exhibited: Mount Holyoke College Art Museum, South Hadley, Massachusetts (on loan, 2012) Literature: Carlo Volpe, “Alcune restituzioni al Maestro dei Santi Quirico e Giulitta,” in Quaderni di Emblema 2: Miscellanea di Bonsanti, Fahy, Francisci, Gardner, Mortari, Sestieri, Volpe, Zeri, Bergamo, 1973, pp. 19-20, fig. 18, as by the Master of Saints Quiricus and Julitta (now identified as Borghese di Piero). This fine predella panel depicting the Baptism...

ANNA WARDĘGA-CZAJA Graduated from the Painting Department at the Academy of Fine Art in Cracow, Poland in 2021. She's dealing with easel painting, wall pa...

ANNA WARDĘGA-CZAJA Graduated from the Painting Department at the Academy of Fine Art in Cracow, Poland in 2021. She's dealing with easel painting, wall painting as well as drawing. F...