Jo Cottam

Edge

2022

Wood for the trees by Rebecca Tucker [2021] original and hand signed by the artist Acrylic on wooden panel Image size: H:51 cm x W:51 cm Complete Size of Unframed Work: H:51x51 cm x...

I am keen to capture the sense of calm we all feel when we are in nature, looking up through leaves into the sunlight. My consistent focus for several years has been to explore the b...

Wood for the trees by Rebecca Tucker [2021] original and hand signed by the artist Acrylic on wooden panel Image size: H:51 cm x W:51 cm Complete Size ...

Snow in the Fields by Margaret Crutchley [2021] original and hand signed by the artist Acrylic on cradled wood panel Image size: H:25 cm x W:25 cm Complete Size of Unframed Work: H:...

Lotte Petricone's paintings blend representational and abstract imagery. The interplay of color, value, and texture creates a sense of space and movement throughout the image, while ...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens wh...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...

My painting is an inquiry. I make images as a way of responding to experiences that are important to me. Experiences that help me to understand why I’m in this world often happens when I am outside in large open spaces. Painted images act as a tool. I respond to the spaces my art suggests. That response is usually non-verbal. I am interested in the experience of non-duality that “getting lost” in big spaces can sometimes produce for me. The paintings have gone through a range of artistic treatments with the recent years seeing a focus on space, light, textures, atmosphere and distance. My landscape paintings are made from memory, not from on-site drawings or photographs. I use memory as a filtering agent to remove non-essential visual elements. When a work is successful, it must have a sense of poetry. There is nothing “new...