John Nost Sartorius

English horse racing scene with three horses and jockeys in mid gallop

1800

Fine huge 17th Century Italian/French Old Master Battle Scene of the Crusades, oil on canvas. Grand scale extensive landscape view of a battle from the 1670-80 period, with cavalry f...

Unknown Artist (Dutch School, late 18th century) Pastoral Scene with Goatherds, ca. 1780–1800 Oil on canvas In this lively pastoral composition, a group of figures reclines in rusti...

When Johnny left school, there were many interests which ran alongside his career at the time in the City of London as an Aviation Insurance Broker at Lloyds – writing music, playing with a band, tinkering with Vintage cars, marketing various inventions and making painting trips when possible – it wasn’t long before the Arts beckoned and at twenty six he won a place at the Fine Arts Academy in Florence where he moved in 1972. A year later, moving near Lake Trasimeno, he continued his studies at the Fine Arts Academy in Perugia. Again on the move, he travelled to Pietrasanta near Carrara with some sculptors and stayed on this coast for nearly a year before moving eventually to Grimaldi, just inside Italy – a small medieval village about three hundred yards from the Italian /French frontier close to Monte Carlo. Here he began a series of backstage paintings – at the Opera and Orchestra rehearsals, fashion shows, at the Circus, Jazz and Cabaret – exhibiting regularly along the coast in Monaco, Nice, Cannes and Antibes. In 1984, circumstances changed and it was necessary to return to England – where a chance invitation to the races triggered a whole new series ‘At the Races’ which in time produced a wider series entitled ‘The British Sporting Year’ of Polo, The Henley Regatta, Derby Day, Wimbledon, Bowls, Cricket, Golf – even Jousting at Hever Castle...

This captivating early 19th-century painting of an interior farm scene by Abraham Cooper, circa 1830, is a testament to the artist's skill in capturing ...

Two masterpieces by the Master of the Fertility of the Egg, nearly impossible to find in homogeneous pairs on the private market, both in terms of style and dimensions. They represen...

Jacob THOMPSON (1806 – 1879) Deer by the Banks of a Lake 1842 oil on canvas 18.9 x 27.6 inches; 22.5 x 31 inches Inc. frame Jacob Thompson (1806–1879) was an English landscape-pa...

James Seymour (1702–1752) Feeding Time in the Stables Oil on canvas 32 x 38 inches inc. frame Provenance: Private Collection, Lambourn James Seymour (1702–1752) was an English painter, widely recognized for his equestrian art. Seymour was born in London. His father was an amateur artist and art dealer, whose other business dealings (as a banker, goldsmith, and diamond merchant) afforded young Seymour the leisure time to study art on his own, either his father's or the art at the Virtuosi Club of St. Luke - a gentleman's club his father belonged to, specializing in art. In a short time the boy was a self-taught artist, familiar with many of the prominent artists of the period. Seymour's love of art was matched only by his love of horses. He began spending time at racetracks early on, and before long found himself absorbed in the sport - drawing, painting, owning, breeding, and racing horses. His art proved popular among the prominent sporting families of the day, eventually garnering Seymour patrons in Sir William Jolliffe and Charles Seymour, 6th Duke of Somerset...

"The Victor (A Triumphant Cockerel Crowing Over His Victory...)" After Melchior de Hondecoeter (Flemish, 1636-1695) Oil on canvas Unsigned 40 1/2 x 34 1/4 (frame) inches This much copied painting is a masterfully executed portrait of a strutting and triumphant rooster painted...