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KAKTINS-GORSLINE, KRISJANISUntitled2008
2008
$15,000
£11,370.39
€13,276.07
CA$21,010.73
A$23,651.26
CHF 12,514.25
MX$293,364.83
NOK 154,604.11
SEK 147,865.17
DKK 99,046.08
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About the Item
A painting by Krisjanis Kaktins-Gorsline. “Untitled” is a contemporary figurative painting, oil on canvas by Canadian Conceptual artist Krisjanis Kaktins-Gorsline. The artwork is signed on the verso, "Kaktins 2008”.
Born in Winnipeg, Manitoba in Canada, Kaktins-Gorsline received his BFA from the University of Manitoba, with a double major in painting and video, and is currently working towards his MFA at Columbia University. He has been featured in solo and group exhibitions as well as numerous international art fairs. The artist’s work stems from a variety of media and disciplines, including paintings that synthesize the grotesque and the beautiful to create truly evocative imagery.
Kaktins-Gorsline describes his work as an attempt to “short circuit traditional appeal towards transcendence and create images that anticipate their own annihilation.” The artist often uses oil paints on wooden panels to present his process of “ingestion, gestation and expulsion of imagery,” and bring together somewhat disparate information. Kaktins-Gorsline’s paintings seek to create “an ambivalent space in which the personal meets spectacle,” rather than “a space of escapism.” Often borrowing from his native Manitoban landscape, the artist delivers figurative paintings that are direct extensions of his process of “intuitive exploration.”
Provenance:
Private Collection, Winnipeg
Heather James Fine Art, Palm Desert
- Creator:KAKTINS-GORSLINE, KRISJANIS
- Creation Year:2008
- Dimensions:Height: 60 in (152.4 cm)Width: 48 in (121.92 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Palm Desert, CA
- Reference Number:Seller: 29161stDibs: LU939602032
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"Untitled" is a painting by artist David Smith. The work is signed and dated in the upper left "David Smith (symbol) 1936".
When David Smith set up a workshop on the Brooklyn Navy Pier in 1933 to learn direct-metal techniques, he shared the space not with artists, but with professional welders. Yet as he stated in 1964, ‘…all my early friends were painters…I never conceived of myself as anything other than a painter because my work came straight through the raised surface.’
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Those processes are reflected in this work by David Smith; three fanciful totemic assemblages set within a landscape perspective of ground, mountains, and sky and whose presence is surreal enough to cast shadows under a presumed solar presence. Untitled, 1936 embraces surrealism, yet also serves to demonstrate the extent to which his thought processes are inextricably linked to sculpture and related to scale, spatial orientation, and three-dimensionality. With that in mind, it is not surprising to know that Smith saw no demarcation between sculpture and painting, or that a painting such as Untitled (1936) can exist outside of planning or design for future three-dimensional work.
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