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Leslie Thrasher
"Crashing the Gate, " Liberty Magazine Cover, 1928

1928

$13,500
£10,179.06
€11,729.95
CA$18,728.15
A$20,984.79
CHF 10,923.38
MX$256,716.64
NOK 138,652.13
SEK 130,955.27
DKK 87,566.46
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About the Item

“Crashing the Gate: Sandy Paves the Way to His Big Business Scoop,” original cover for Liberty magazine, published March 10, 1928 Sandy confidently struts down the street, dapperly dressed in pressed trousers, a derby hat, new shoes, and a waxed mustache, as he contemplates an important business meeting in Chicago with the millionaire leather king John Henry next week, which he hopes will “seal his financial destiny.” With contract ready and sales pitch rehearsed, Sandy enters the great office building, where he greets the brunette receptionist who is instantly smitten with Sandy. Upon seeing photos of the attractive Lil folded around Sandy’s business paperwork, the receptionist is disappointed to learn that the handsome young man is already married. (Liberty magazine, March 10, 1928, p. 77) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine covers have been disconnected pictures.” To help readers follow the plot from week to week, a short story summary was printed in each issue. (Liberty magazine, June 19, 1926, pp. 69-70). “For the Love o’ Lil” centers around the lives of Lil Morse and Sandy Jenkins and includes recurring characters from their extended family and social circles. The serial follows the couples’ adventures through courtship, the ups and downs of married life, the antics of their offspring with the neighborhood children, and the complex dynamics of relationships with in-laws. The goal was to show a typical modern American family whose eccentricities and foibles would attract readers each week. Thrasher used himself as the model for Lil’s father, Robert E. Lee Morse. Liberty further engaged readers by running contests for best titles, and later, for suggested storylines. The model proved successful and “For the Love o’ Lil” became a popular hallmark of the publication for many years, resulting in a 1930 film adaptation starring the flapper Sally Starr. Leslie Thrasher Leslie Thrasher first began contributing covers to Liberty in 1924, and in 1926 he was offered a contract to create a cover per week at the rate of $1,000 per week. Going against the advice of his friend Norman Rockwell, Thrasher accepted the contract, agreeing to complete a weekly cover for six years - an immensely challenging endeavor requiring that both new ideas and new artwork be produced at an extremely rapid pace. The continuing storyline of the cover serial “For the Love o’ Lil” helped Thrasher keep up with the constant demand for new images. Due to declining circulation, Liberty terminated Thrasher’s contract in 1932. A few years later in 1936, Thrasher died from pneumonia caused by smoke inhalation from a fire in his home, which also destroyed much of his original artwork. An incredibly prolific artist, Thrasher had created more than 360 covers in his lifetime for various publications, including 23 covers for The Saturday Evening Post. Leslie Thrasher was born in Piedmont, West Virginia. He studied art at the Philadelphia Academy and at the age of 16, won a scholarship that allowed him to study in Paris. Upon his return to the United States, Thrasher studied with Howard Pyle in Wilmington, Delaware and briefly worked as a portrait painter before moving to New York City to begin his commercial career producing illustration for magazines and advertising agencies. Thrasher also served in World War I, where he was assigned work as a camouflage painter.
  • Creator:
    Leslie Thrasher (1889 - 1936, American)
  • Creation Year:
    1928
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Fort Washington, PA
  • Reference Number:
    Seller: 31601stDibs: LU38432007743

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"I'd Love To, " Liberty Magazine Cover, 1929
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Original cover for Liberty magazine, published November 2, 1929. Sandy hides behind the newspaper at the breakfast table as Lil suddenly asks “Who is Marianthe? You talked about her...
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W-w-whats Zat, Liberty Magazine Cover, 1929
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Original cover for Liberty magazine, published December 14, 1929. As Sandy and Lil retire to the sofa after dinner, Lil comments on how quiet Sandy has been after returning from hi...
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20th Century Figurative Paintings

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The Bad News, Liberty Magazine Cover, Oct. 2, 1926
By Leslie Thrasher
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Original cover for Liberty magazine, published October 2, 1926 Sandy glowers as he sits at the table watching his rival Babe Dolan, the athletic lifeguard, flirt with Lil. Lil is entranced as Babe promises to make her a champion swimmer and the two are oblivious to the arrival of the waiter with the check, which Sandy reluctantly pays with nearly all of the remaining money in his wallet. (Liberty magazine, October 2, 1926, p. 54) This cover illustration was produced right after Liberty ceased their title contest for readers. “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...
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'None but the Brave, ' Liberty Magazine Cover, 1928
By Leslie Thrasher
Located in Fort Washington, PA
“None but the Brave: A 3 A.M. Melodrama,” original cover for Liberty magazine, published March 31, 1928 Lil awakens at two o’clock in the morning to a ruckus of a cat fight outside ...
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1920s Figurative Paintings

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Two is Company, Liberty Magazine Cover, November 6, 1926
By Leslie Thrasher
Located in Fort Washington, PA
Date: 1926 Medium: Oil on Canvas Dimensions: 20.00" x 16.00" Signature: Signed Lower Left Liberty magazine cover, November 6, 1926
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1920s Figurative Paintings

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At The End of A Perfect Play, Liberty Magazine Cover, August 7, 1926
By Leslie Thrasher
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Original cover for Liberty magazine, published August 7, 1926 Robert (Pop) Morse returns home from his work at the real estate office after the successful sale of a corner lot on Ma...
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1920s Figurative Paintings

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