Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Leslie Thrasher
A Tight Squeeze, Liberty Magazine Cover

1931

$11,500
£8,730.60
€9,985.95
CA$16,067.17
A$17,870.20
CHF 9,331.26
MX$217,461.30
NOK 119,174.45
SEK 111,764.61
DKK 74,528.96
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Original cover for Liberty magazine, published August 29, 1931. Lil and Sandy have been enjoying their summer weekends together as they begin to search for a new vacation home. However, Sandy is upset this Saturday when he learns that the couple is committed to attending the formal wedding of their friends Rita Hall and Reggie Lonsberry. Though Sandy tries to get out of it, Lil is convinced the affair will be the event of the season and is excited to wear her new satin gown and fur-trimmed jacket. Sandy reluctantly puts on his dress suit, which he hasn’t worn for three years, and is surprised to learn that it no longer fits. As Sandy holds his breath to squeeze into his vest, vowing not to eat anything all night, Lil sighs, “women may be crazy extravagant, but they always know enough to have something fresh for an occasion. Hand them that much.” (Liberty magazine, August 29, 1931, p. 61) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine covers have been disconnected pictures.” To help readers follow the plot from week to week, a short story summary was printed in each issue. (Liberty magazine, June 19, 1926, pp. 69-70). “For the Love o’ Lil” centers around the lives of Lil Morse and Sandy Jenkins and includes recurring characters from their extended family and social circles. The serial follows the couples’ adventures through courtship, the ups and downs of married life, the antics of their offspring with the neighborhood children, and the complex dynamics of relationships with in-laws. The goal was to show a typical modern American family whose eccentricities and foibles would attract readers each week. Thrasher used himself as the model for Lil’s father, Robert E. Lee Morse. Liberty further engaged readers by running contests for best titles, and later, for suggested storylines. The model proved successful and “For the Love o’ Lil” became a popular hallmark of the publication for many years, resulting in a 1930 film adaptation starring the flapper Sally Starr. Leslie Thrasher Leslie Thrasher first began contributing covers to Liberty in 1924, and in 1926 he was offered a contract to create a cover per week at the rate of $1,000 per week. Going against the advice of his friend Norman Rockwell, Thrasher accepted the contract, agreeing to complete a weekly cover for six years - an immensely challenging endeavor requiring that both new ideas and new artwork be produced at an extremely rapid pace. The continuing storyline of the cover serial “For the Love o’ Lil” helped Thrasher keep up with the constant demand for new images. Due to declining circulation, Liberty terminated Thrasher’s contract in 1932. A few years later in 1936, Thrasher died from pneumonia caused by smoke inhalation from a fire in his home, which also destroyed much of his original artwork. An incredibly prolific artist, Thrasher had created more than 360 covers in his lifetime for various publications, including 23 covers for The Saturday Evening Post. Leslie Thrasher was born in Piedmont, West Virginia. He studied art at the Philadelphia Academy and at the age of 16, won a scholarship that allowed him to study in Paris. Upon his return to the United States, Thrasher studied with Howard Pyle in Wilmington, Delaware and briefly worked as a portrait painter before moving to New York City to begin his commercial career producing illustration for magazines and advertising agencies. Thrasher also served in World War I, where he was assigned work as a camouflage painter. Medium: Oil on Canvas Signature: Signed Lower Left Sight Size 17.50" x 16.00;" Framed 19.00" x 18.00"
  • Creator:
    Leslie Thrasher (1889 - 1936, American)
  • Creation Year:
    1931
  • Dimensions:
    Height: 17.5 in (44.45 cm)Width: 16 in (40.64 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Fort Washington, PA
  • Reference Number:
    Seller: 38851stDibs: LU38435993932

More From This Seller

View All
You Go There Yourself!, Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
“For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a s...
Category

1920s Figurative Paintings

Materials

Canvas, Oil

'You Moron', Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published May 23, 1931. Lil and Sandy have their friends Mr. and Mrs. Saunders Shanks over to their house for a game of cards. After settling do...
Category

1930s Figurative Paintings

Materials

Canvas, Oil

The Eyes have "It" - Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published February 16, 1929. Having just inherited a large sum of money from Uncle Ulysses, Lil and Sandy are on their winter vacation in Florid...
Category

1920s Figurative Paintings

Materials

Canvas, Oil

Fare Thee Well! Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published August 4, 1928. Having left her husband Sandy, Lil returns to the Morse family home with her two-month-old baby. Ma Morse worries abou...
Category

1920s Figurative Paintings

Materials

Canvas, Oil

Relativity, Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published October 17, 1931. As Lil’s Aunt Ruby, a “social gadabout” and “blithe widow of many years’ standing” arrives at the Jenkins family home for a visit, Sandy tries to hide his irritation once he sees the massive amount of luggage she had in tow. Aunt Ruby shows off an enormous new diamond ring and coyly announces she is to be married that fall and that her new fiance would be arriving shortly. As Lil scrambles up some hors d’oeuvres and cocktails, Sandy hears a car pull up to the house and is shocked to discover that Aunt Ruby’s future husband is none other than Sandy’s boss! (Liberty magazine, October 17, 1931, p. 37) “For the Love o’ Lil: The Picture Story of an American Family” In 1926, under his long-term contract to produce a cover per week for Liberty magazine, Leslie Thrasher introduced a signature cast of characters that appeared each week, telling a serialized story through his illustrations. Liberty touted its new cover serial as “something no magazine has ever done before…Heretofore, all magazine cover...
Category

1930s Figurative Paintings

Materials

Canvas, Oil

Heavy Going, Liberty Magazine Cover
By Leslie Thrasher
Located in Fort Washington, PA
Original cover for Liberty magazine, published January 19, 1930. Ma Morse tries to convince Lil to accompany her to the church fair, but Lil doesn’t want to venture out into the sto...
Category

1930s Figurative Paintings

Materials

Canvas, Oil

You May Also Like

Love Story, Illustration for the Saturday Evening Post
By Bruce Bomberger
Located in Miami, FL
An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...
Category

1950s American Realist Figurative Paintings

Materials

Gouache

Love Story, Illustration for the Saturday Evening Post
By Bruce Bomberger
Located in Miami, FL
An illustrator for Time, Life, Look, True, True West, Saturday Evening Post, Good Housekeeping, Readers Digest, and others, he also painted for adverti...
Category

1950s American Realist Figurative Paintings

Materials

Gouache

The Complete Detective Cover, Pulp Magazine
By Harry Lemon Parkhurst
Located in Miami, FL
Harry Lemon Parkhurst American, 1876–1962 was a pulp illustrator for crime and detective stories. The works depicts an art thief caught at a pe...
Category

1930s American Realist Figurative Paintings

Materials

Oil

Film Noir. Pulp Mystery That police officer knows you. Saturday Evening Post
By Paul Rabut
Located in Miami, FL
Film noir crime drama painted in a single frame. In narrative art, telling a story in a single image is harder than doing it in episodes. "'That police officer...
Category

1950s American Realist Figurative Paintings

Materials

Mixed Media

Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA
By Antonio Petruccelli
Located in New York, NY
Original Painting. New Yorker Magazine Published 1935 American Scene Modern WPA Antonio Petruccelli (1907 - 1994) Movers New Yorker published, September 20, 1935 18 X 11 1/2 inches...
Category

1930s American Realist Figurative Paintings

Materials

Gouache, Board

Art Institute
By Catherine Koenig
Located in Buffalo, NY
An original 1942 oil on board painting by American female artist Catherine Koenig depicting the interior of the Buffalo Art Institute which was home to the legendary Charles Burchfie...
Category

1940s American Modern Figurative Paintings

Materials

Oil Crayon