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Louis François Decoeur
Farming Family on a Sunday Morning, Oil on Canvas. Framed and Signed

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Portrait of a Gentleman in Three-Quarter-Length, attr. Nicolaes Maes
By Nicolaes Maes
Located in brussel, BE
The 39-year-old gentleman had himself portrayed as an aristocrat in an idyllic landscape. At the time, parks and forests were environments associated with the lands and pastimes of t...
Category

17th Century Dutch School Portrait Paintings

Materials

Canvas, Oil

Pallas Athéna with lance, shield, helmet and breastplate.Anonymus early 19th C.
Located in brussel, BE
After Athena was born fully armed from Zeus' forehead, Triton, acting as a foster parent to the goddess, raised her alongside his daughter, Pallas. The sea god taught both girls the ...
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Early 19th Century Figurative Paintings

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Oil, Panel

17th C Landscape with Noblewoman and Squire, Dutch Shool, Oil on Copper, Framed
Located in brussel, BE
This charming bucolic landscape bathes in a soft yellow light. A lady on horseback, accompanied by a boy on a donkey, stops near a shepherd. The herd looks at two fishers and quietly...
Category

17th Century Land Figurative Paintings

Materials

Oil

17th C, Baroque, Flemish School, Saint Francis in Ecstasy.Oil on oak panel.
Located in brussel, BE
During the Counter-Reformation, the traditional cult of saints was encouraged, and spiritual exercises were recommended to come closer to God. In the pai...
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17th Century Baroque Portrait Paintings

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Oil

18th C, Portrait of a Lady, Elisabeth Carter, Oil on Canvas, 92 x 71 cm, Framed.
By Joshua Reynolds
Located in brussel, BE
Sir Joshua Reynolds (16 July 1723 - 23 February 1792) was a leading 18th-century English portrait painter and President of the Royal Academy from 1769 to 1792. He was born on 16 July...
Category

18th Century English School Figurative Paintings

Materials

Canvas, Oil

16th C, Biblical, Manner of Joos van Cleve, Madonna with Child, Oil on Panel
By Joos van Cleve
Located in brussel, BE
Attentive observer, may I challenge you to find some unusual elements in this panel painting? One detail has to do with the symbolic use of color, the other with a later adjustment of the image. Indeed! The Blessed Virgin is not dressed in her usual sky blue cloak, which refers to her purity, but in a red robe. During the Late Middle Ages and early Renaissance, the Virgin often wore such a red garment to refer to the Passion of Christ. After all, the blessing Christ child with his orb would shed his blood for the redemption of mankind. The second strange element catches the eye when one looks closer at the little Jesus. It appears that he was originally depicted completely naked, but got on a transparent loincloth over time. In the past there were several times when nudity in art was subject to some form of censorship. For example, the supervision of Christian art was strongly encouraged by the Council of Trent (1545-1563). This assembly was dealing with the inner-ecclesiastical reform of the Roman Catholic Church. One of the important theologians who followed the council’s guidelines was Joannes Molanus (1533-1585). He did not consider the nakedness of the Christ Child to be edifying and pointed out that children could be endangered in this way. He may have been referring to the dangers of paedophilia. During the 19th century, puritanism emerged. A famous example of a moral preacher was Pope Pius IX...
Category

16th Century Baroque Figurative Paintings

Materials

Canvas, Oil

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