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MajioSmall Wooden Pieces I: Tango Dolly Dingle Series: Dolly with Three Dots2017
2017
$450
£344.87
€396.37
CA$632.05
A$707.38
CHF 370.29
MX$8,593.35
NOK 4,701.70
SEK 4,436.86
DKK 2,957.60
About the Item
Although Majio makes no conscious effort to make Japanese art her apprenticeships in ceramics, papermaking and the cultural arts show up unbidden. Gold is often the empty space that suggests and/or conceals. The juxtaposition of incongruent things invites in story and poetry rather than contractions. The spirit of Majio’s aikido practice was alive much later in dancing Argentine tango, which is present in the small gold icon pieces of tango paper dolls.
In Dolly with Three Dots, gold metallic paint on wood surrounds the embrace of Argentine street tango dancers witnessed by an innocent girl-child from the 1920s. It highlights a gap in time and culture. In one country this dance is common, while in another perplexing. The figures have paper doll tabs to suggests their enigmatic juxtaposition is in the context of social practicing like many children's toys and yet the innuendo of an adult dance is beyond the child's world. The Dolly Dingles doll highly distributed during the 1920s became an icon like the Barbie doll of today igniting dreams and stereotypes defining the feminine. The freshness of a child witnessing the adult world throws light on the incongruency of the message given to children and the later contradictions in life
Majio has training in the United State, several years in Europe with a Master’s degree from the Buddhist University of Naropa in Creation Spirituality. Her most influential training however was in Japan over a twelve year period. Her initial trip to Japan was to study Buddhist Art, but it quickly narrowed to the traditional arts of Zen and masters if that orientation in other cultural arts. It was not so much what was learned in a papermaking village, kimono dyeing studio or the making, filling and firing woodburning kilns but how to learn or, better said, how to practice. There are many words in Japanese for practice, the one here is the polishing of being. In painting, Majio has always flowed back and forth between figurative and abstract expression. The aesthetics and Cultural Arts--- like calligraphy and tea ceremony---- garnered during her apprenticeships in Japan, along with Zen practices and concepts weave many textures into her work. Majio’s pieces are created with the overarching concept that art is not a polarity between object and subject but rather, complementary, where each part works to define each other. Working from a collaborative process-with materials, with subject and with times, Majio releases herself as sole agent, even when hers are the only hands that touch the piece. This carries out to the viewer, opening a sense of participation, evoking involvement and discussion. Inviting a realization of recognizing and choosing to acknowledge a reality beyond what we have inherited provides a platform for evoking possibilities, innate joy and new vision.
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