Acrylic Figurative Paintings

Original acrylic on heavy archival paper by the well known French artist, Andre Francois. Signed top left “Francois”. Condition is excellent. Circa 1965. Young, wide eyed girl hol...

Up for sale is an original 1965 oil painting by Leroy Neiman (1921-2012) famous American Sport Artist Painting Depicts the famous Joe Namath playing the Jets Neiman was famous for...

3895 Three farm girls acrylic on board in a gilt frame

Painting by Noche Crist (1909 - 2004). Work is untitled and signed. Measures 22" x 12". Painting is casein paint and plaster on board. Catalogue of an exhibition in 2008 at the...

Hong Kong Junks Mid-Century Impressionist in the Style of Charles Bertie Hall TPeter Wong (Chinese/American, 20th C.) From Taiwan, Province of China....

3944 Vintage acrylic on artist board Set in a period frame Image size 19.5x15.5" Signed

Artist: Peter Keil Title: Couple Size: 21 1/2 × 25 1/2 Inches (Framed: 24 1/2 × 28 1/2 Inches) Medium: Acrylic on Board Edition: Original Year: 1969 Notes: Hand Signed and Da...

View of the Towers of Chartres Cathedral in Acrylic on Artist's Board Colorful, idealistic representation of Chartres Cathedral and the surrounding area by Ben Venezky (American, 18...

5-3424 Figural painting Mixed media on artist board Image size 12x10" Displayed in a black wood frame Signed Vanzina

Abstract Figural and Pediments - Two Sided Art Mid century figural and architectural painting on paper. Heavy layers of paint with a dog on an abutment and two Japanese wrestlers...

Clarence Holbrook Carter (American, 1904-2000) Mandala No. 15, 1969 Acrylic on paper Signed and dated verso 27.5 x 22 inches Clarence Holbrook Carter achieved a level of national ar...

4067 Surreal multi figural Star Star painting unframed

Clarence Holbrook Carter (American, 1904-2000) Double Ovoids with Blue and Black, 1960s Acrylic on scintilla 15.25 x 12.25 inches A surrealist mid-century figural abstract painting....

Mid Century Modern Mother and Baby Playing Figurative - Nude Wonderful small scale ink and acrylic paint of a mother and baby by Dorothea Stevenson Casady (American, 1910 - 2006). Signed lower left corner. Presented in gilt-toned and velvet filet mid-century frame. Image size: 6"H x 8.25"W Frame: 9.5"H x 11.25"W x 2.25"D (velvet liner has age toning) Casady was a painter and muralist and served as Chairman, Oklahoma City University Art Department, 1939-1943; an Art instructor, Classen High School; Education: University of Oklahoma, B.F.A., 1931; M.F.A., Norman, OK; studied with Emil Bisttram, Taos School of Art and Nan Sheets; Foundation des Etats Unis, Paris, Fance, 1935-1936; New York School of Industrial Arts; studied fresco and egg tempera under Professor Leugi Arcangeti, Florence, Italy, 1937; Oklahoma City University; Julian Academy Paris, France, 1936 Memberships: Oklahoma State Artists Association; Kappa Pi, art fraternity; Delta Delta Delta...

In this painting, Nussbaum portrays a Rabbi walking towards the synagogue in a sketch-like manner without focusing on any specific details. The vibrant colors used in this painting s...

Dramatic cityscape of a crowded street in the rain by an unknown artist (20th Century). A crowd of people navigate the streets in the rain, some holding umbrellas. The rain is depict...

Richard Andres (American, 1927-2013) Panama Garden, c. 1964 acrylic on canvas signed lower right, signed and titled verso 46 x 38 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Brilliant American Illustrator Bob Peak captures the fury and power of a punch to the face with rapid broad strokes of the brush. Combined with a somber color scheme and gestural bru...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 3, 1967 Acrylic on paper Signed and dated lower right 13 x 9 inches 21 x 17 inches A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 1, 1967 Acrylic on paper Signed and dated upper right 15 x10 inches 24 x 20 inches, framed A mid-century figural abstract painting. Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Dramatic depiction of a flood by an unknown artist (20th Century). Flood waters have risen and are rushing through a town, with rain still falling. One house is still standing, but another red one is completely upended and being caried away. Power lines...

This unique artwork by Richard Proctor is part of a series of 3 (see last pictures and other listings). It is a self-portrait repeated 3 times in diffe...

This unique artwork by Richard Proctor is part of a series of 3 (see last pictures and 2 other listings) It has been created through interweaving strip...

Clarence Holbrook Carter (American, 1904-2000) Chromatic, 1965 Acrylic and collage on scintilla Signed and dated upper right 30 x 22 inches A surrealist mid-century figural abstrac...

Clarence Holbrook Carter (American, 1904-2000) Over and Above: Kangaroo, c. 1960s Acrylic on paper, mounted on matte board Signed lower right 14 x 5 inches Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Clarence Holbrook Carter (American, 1904-2000) Pinnacle, c. 1960s Acrylic and collage on scintilla 22 x 8 inches 23.25 x 9 inches, framed A surrealist mid-century figural abstract p...

Clarence Holbrook Carter (American, 1904-2000) Terror of History No. 1, 1962 Acrylic and sand on scintilla Signed and dated upper left 23 x 30 inches Clarence Holbrook Carter achieved a level of national artistic success that was nearly unprecedented among Cleveland School artists of his day, with representation by major New York dealers...

Clarence Holbrook Carter (American, 1904-2000) Seeing Egg, c. 1960s Acrylic on textured paper 30 x 22 inches 38.5 x 30.5 inches, framed A surrealist mid-century figural abstract pai...

Clarence Holbrook Carter (American, 1904-2000) Vetriculus Egg, 1965 Acrylic and collage on textured paper Signed and dated lower right 30 x 22 inches A surrealist mid-century figura...

Clarence Holbrook Carter (American, 1904-2000) Seeing Egg No. 2, 1965 Acrylic and collage on scintilla Signed and dated upper right 30 x 22 inches 34 x 29 inches, framed A surrealis...

Gloria Vanderbilt Mother and child, ca. 1968 Gouache on paper painting Hand signed by Gloria Vanderbilt lower right recto Unique Frame included Measurements: Framed 37 Vertical by 31 inches. Painting 27 Vertical by 21.5 inches This unique, poignant poignant portrait was done by the legendary Gloria Vanderbilt. It is signed on the front. As this work was done in the mid 1960s, it is believed to be a self portrait depicting the artist, and likely her son, Anderson Cooper. Held loosely in the original damaged vintage Heydenryk frame used by Hammer Galleries...

Acrylic painting by Robert Carroll, realized in 1969 ca. Very good condition. Robert Carroll is an american artist born in 1934 in Painesville, Ohio. He did study Arts at the Cleveland Institute of Arts where he graduated in 1957. Since the end of 1950s he has been associating with some of the most important writers and intellectuals of the beat generation...

Karl Zerbe (1903 - 1972) Boy from Mansos, 1963 Collage and acrylic on canvas 35 x 23 inches Signed lower right Provenance: Lee Nordness Galleries, New York Karl Zerbe was born on September 16, 1903 in Berlin, Germany. The family lived in Paris, France from 1904–1914, where his father was an executive in an electrical supply concern. In 1914 they moved to Frankfurt, Germany where they lived until 1920. Karl Zerbe studied chemistry in 1920 at the Technische Hochschule in Friedberg, Germany. From 1921 until 1923 he lived in Munich, where he studied painting at the Debschitz School, mainly under Josef Eberz. From 1924 until 1926 Karl Zerbe worked and traveled in Italy on a fellowship from the City of Munich. In 1932 his oil painting titled, ‘’Herbstgarten’’ (autumnal garden), of 1929, was acquired by the National-Galerie, Berlin; in 1937, the painting was destroyed by the Nazis as "Degenerate art...

Illustration legend Bob Peak depicts a boxer that has fallen to the matt and is being given the 10-count by the referee. Peak captures that peak moment of drama and then exaggerates...

Clarence Holbrook Carter (American, 1904-2000) Mandala No. 5, 1968 Acrylic on scintilla Signed on verso 29.5 x 22 inches Clarence Holbrook Carter achieved a level of national artist...

Football plays cloaked in oversized Browns jackets are seen from behind running off the field. Always the graphic innovator, legendary illustrator Bob Peak creates a radical composition by leaving the bottom two-thirds of the picture plane empty of detail. To convey a sense of motion, Peak uses broad strokes of paint similar to the action painters Franz Kline and Willem de Kooning, who were the dominant force in the fine art world in the 1960s. Clearly, one can see a cross-over influence from Fine Art to commercial illustration as Peak strikes a balance between abstract versus figurative art. This work was done on an assignment for Sports Illustrated...

Clarence Holbrook Carter (American, 1904-2000) Green and Red Mandala, 1969 Acrylic on scintilla Signed and dated lower right 24.75 x 18 inches Clarence Holbrook Carter achieved a l...

Clarence Holbrook Carter (American, 1904-2000) Icon Mandala, 1967 Acrylic on paper Signed and dated lower right 30 x 22 inches Clarence Holbrook Carter achieved a level of national ...

This strobe-like dynamic composition with bright and bold colors reflects the energetic taste of the 7 Up brand. It lies somewhere between abstraction and figuration. Peaks' use of b...

This highly innovated Bob Peak Race Track painting is a perfect synthesis of art and commerce. Designed with a radical composition where two-thirds of the picture plane is an alm...

Clarence Holbrook Carter (American, 1904-2000) In and Out, 1963 Acrylic on paper Signed and dated lower right 22 x 30 inches Figural abstract vibrant yellow geometric painting. Cl...

Clarence Holbrook Carter (American, 1904-2000) Torso No. 5, 1967 Acrylic on paper Signed and dated upper right 25 x 20 inches A mid-century figural abstract painting. Clarence Hol...

Clarence Holbrook Carter (American, 1904-2000) Cicada, c. 1960s Watercolor on scintilla 30 x 20 inches Clarence Holbrook Carter achieved a level of national artistic success that wa...

4001 Acrylic on board of a bay and his dog fishing

Wonderful two-sided mid century pulp art figurative painting of a woman at party in black evening gown and formal gloves, and on verso couple dancing by unkno...

An idyllic painting of the bustling Seine river in Paris, by French artist Charles Cobelle. Cobelle was an accomplished French artist who studied under Marc Chagall and Raoul Dufy. U...

Acrylic on canvas painting by Washington DC artist Joe Shannon (b.1933). The painting is titled "In Bad Spirits" and is dated 1969. The painting was exhi...

Health Club, 1960s (Bank Street Series) 23 x 29 inches, acrylic on Hammer paper, signed lower middle and inscribed: “Besser an die wand alsin die hand” (“B...

3895 Three farm girls acrylic on board in a gilt frame

Figures on Black, 1960s, pastel on black acrylic ground on paper, signed lower middle.

This graphic and flatwork was an Interior illustration for the Saturday Evening Post. George Giusti( Italian - American 1908-1990)- ''The Last Snapshot''- ink and acrylic on illust...

Acrylic on Hammer cotton paper, Signed upper left BERTSCHMANN.

Penthouse, 1960's (Bank Street Series), acrylic on arches paper, signed lower right Bertschmann.

Signed lower left, 'Freda L. Hansen' (American, 20th century) and painted circa 1965; bearing, verso, Alameda Art Association label with artist information and titled, 'Ladies in a G...

A vibrant landscape by French artist Charles Cobelle. Signed lower right Rainy Parisian Day Charles Cobelle, French (1902–1994) Date: Circa 1960 Acrylic on Canvas, signed l.r. Size:...

Artist: Ian Hornak (1944-2002) Title: Sorcerer Series: Beast Head, Spiderweb Year: February 1969 Medium: Acrylic on Canvas Size: 72 x 48 inches Condition: Excellent Inscription: Sign...

Mid century pulp art portrait of a somber clown with a yellow shirt, red hair and a red nose, holding a scepter in a dramatized space with a candle and green ...

This dynamic painting is of a match between the world famous boxers Ingemar Johansson and Floyd Patterson. Having fought for the World Heavyweight Championship in 1959 with Johansson...