Cardboard Figurative Paintings

Contemporary floral still life figurative gouache on cardboard painting by Polish artist Bozena Lesiak. BOŻENA LESIAK (born in 1952) Studied at the faculty of painting at the Acade...

This vivid mid-20th-century landscape by professional British artist John Edwards (1914–2009) captures a stunning Cornish view with a rushing river beneath an old stone bridge. Paint...

Danny Brown is a first-generation American urban artist born in Los Angeles. His parents relocated their family from Oaxaca, Mexico in search of opportunit...

"The Joy Series: A Journey to Inner Happiness." In this series of artworks, I delve into the theme of happiness and joy in unusual times when it seems that the whole world is in a st...

Capture the whimsical charm of the holiday season with this delightful original painting! Santa’s classic red suit, along with cozy Christmas pajamas and striped socks, hang on a lau...

Figurative 1930's illustration of a just married couple in a classic car by Charles Kinghan (American, 1895-1984). Signed "Kinghan" in the lower left c...

MAGDALENA SPASOWICZ Studied painting under prof. Jan Cybis and graphic arts with prof. Tadeusz Kulisiewicz at the Academy of Fine Arts in Warsaw. She receive...

Three sisters. 1972, cardboard, oil, 17x9 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time of t...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in painting at the studio of prof. Janusz Matuszewski. Selected achievements: 2019 - Award of the Rector of the University of Rzeszów 2019 - Scholarship of the Rector of the Academy of Fine Arts in Krakow 2020 - Finalist of the Polish National Painting Competition Leon Wyczółkowski...

Joan Joseph Garí (1922) - landscape with bell tower - Oil on cardboard Oil measures 33x45 cm. Frame siza 46x59 cm. Painter born in Granollers in 1922. Trained in his hometown and at...

Attributed by Wilhelm von Gegerfelt (1844—1920). The disheveled crowns of the trees indicate to us the raging wind, and the evening sky in the background...

Family genre scene late 19th early 20th century. The boy, tired of posing for a portrait painter, decided to play by spinning a coin on the table, this game greatly impressed his you...

Wonderfully vivid mid century abstract expressionist painting by San Francisco artist Jerry W Ward (American, b. 1968), circa 2000. Titled "Erotic Clown Diva" and signed verso. Condi...

Oil, charcoal & ink on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relati...

Contemporary figurative mixed media on cardboard painting by Polish artist Dominika Stawarz-Burska. Artwork has characteristical glossy finish to it which resembles surface of cerami...

Mom, birth, baby, green, motherhood, Mother's Day KLARA VLASOVA (Moscow, 1926-2022) MUSEUMS St. Petersburg, State Russian Museum Moscow, Pushkin Museum Moscow, Museum of History ...

Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist Jon Blanchette (American, 1908-1987). Aptos is just south of Santa Cruz,...

Figural abstract inspired by Chinese art and calligraphy featuring a large totem-like form in textured earth tones with black Chinese characters in bold, black brushstrokes by Anna Wu Weakland...

"Pilgrimage", a mid century figurative landscape by Carmel, California artist Mary Miller (Klepich) (American, ? - 1957). Presented in a rustic giltwood frame. Signed "Mary Miller" lower right. Titled "Pilgrimage," dated "1952" and signed "Mary Miller" on logo on verso, with Santa Cruz Art League Twenty Third Statewide Art Exhibition Label. Image, 18"H x 24"L. Framed size: 22.5"H x 28.5"W. Mary Miller (Klepich) exhibited in the Twenty-Third Annual Santa Cruz State-Wide Art Exhibition. She and her husband Fred Klepich studied at Bellas Artes, San Miguel de Allende in Mexico. Fred and Mary Owned Carmel Craft Studios, later (SAS) Studio Art Supplies...

Wonderful 1940s figurative of paper boy reading the comics by Louise Miller Clark (American, 20th Century). Signed "Louise Miller" lower right. Unframed. Im...

"The Joy Series: A Journey to Inner Happiness." In this series of artworks, I delve into the theme of happiness and joy in unusual times when it seems that the whole world is in a st...

BARBARA HUBERT (born in 1974) In 1999 she graduated from the Academy of Fine Arts in Cracow. She studied at the atelier of prof. Stanisław Rodziński and prof. Leszek Misiak. As the...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

MIKOŁAJ MALESZA (born in 1954) a painter and a stage designer. He studied at the Academy of Fine Arts in Warsaw, at the Department of Interior Design, ...

Feminine Figure is a modern artwork realized by Roberto Melli in 1930s. Not signed. Mixed colored oil painting. Includes vintage frame (fair conditions) ...

Oil on cardboard with collages Su Yu is a Chinese artist born in 1987 who lives and works in Beijing. He was an old student of prestigious art teachers as Shi Liang & Chen Danqi...

Oil, charcoal & ink on cardboard Keta Jikia is a Georgian artist born in 2002 who lives and works in Tbilisi, Georgia. She is graduated in 2025 with a degree in International Relati...

Oil, charcoal on cardboard I am Keta Jikia, born in 2002 and based in Tbilisi, Georgia. I will graduate in 2025 with a degree in International Relations from Caucasus University. In...

Frederick Vezin (1859 Torresdale Philadelphia - 1933 Düsseldorf), Autumn Landscape in the Sunlight, oil on canvas, mounted on cardboard, 32 x 41 cm (inside measurement), 44 x 51 cm (frame), signed and dates lower right "F. Vezin. [19]05". - Cardboard slightly curved, small inconspicuous retouch at the centre of the upper edge of the picture. About the artwork Although the painting appears to be a sketch, Frederick Vezin considered it to be a finished work of art, as evidenced by his signature on the lower right. And it is precisely this sketchy quality that leads to an understanding of the painting, which was certainly created in the landscape itself: the natural phenomena were to be depicted artistically at the moment of their observation. This is not done by meticulously sketching nature, but - and here Vezin follows the teaching of French Impressionism - by illustrating nature in its visual fullness. The artist's eye is, as it were, immersed in the visuality of nature, which is made visible by his hand. The painting is therefore not a reflection of the landscape, but its artistic intensification. This intensification also includes the fact that the foreground of the painting - corresponding to the field of vision - eludes a detail-oriented close-up view. Instead, the spatula-like application of paint, the vertical structure of which corresponds to the structure of the floral growth, has the effect of making nature tangible in its colourful substance. At the same time, the foreground, which remains indeterminate in its concrete objectivity, creates an atmospheric space that connects with the actual protagonist of the picture, the group of trees, which flares up in shades of red and brown. Here, too, the leaves are more speckled than clearly outlined. It is precisely this 'sketchiness' that opens up a visual experience that makes the landscape accessible in its visual fullness, thus revealing its essence. In addition to this abundance, the landscape is presented as a structure of order in that the composition of the picture makes the composition of the landscape visible. For example, the group of trees forms a distinct dark green shadow, which is repeated in the shadows cast by the trees behind it. A patterned diagonal axis is created in the picture, which is composed in this way by the landscape itself. Strictly speaking, this is a cultivated landscape: a fence at the bottom and a low stone wall at the top, running from left to right, are two elements that also have a strong compositional effect. And on the top of the hill, a stone house is embedded in the landscape as the brightest surface in the picture. Nature and culture here form a harmonious synthesis, giving the painting an Arcadian touch. In order to give the landscape as much space as possible, the horizon line is raised, but the design of the sky is also crucial. The clouds, combined with the shapes of the trees, create a bright blue sky. To the European eye, such a sky is reminiscent of a summer landscape. Accordingly, within the seasonal cycle, the blue sky is reserved for summer, and French Impressionism is also primarily an ode to summer. In Vezin's painting, however, the brilliant blue sky stands above an autumnal landscape, some of the trees even defoliated. It can therefore be assumed that the painting was made not in Europe but in the United States, and that it illustrates the proverbial Indian summer, making Frederick Vezin a pioneer of American landscape painting. About the artist Frederick Vezin was the son of a French immigrant to the United States and a German-born mother. This predestined him to promote artistic exchange between the old and new worlds. Having spent part of his schooling in Germany, in 1876, at the age of 20, he enrolled at the Düsseldorf Academy of Art, where he studied with Peter Janssen the Elder, Eduard von Gebhardt and Wilhelm Sohn, among others. He graduated in 1883, settled in Munich and returned to Düsseldorf in 1895, where he lived until his death in 1933. A native of the United States, he travelled to the country frequently and became a popular portrait and society painter. His artistic talent, however, was most evident in his landscape paintings. Trained in French Impressionism, he developed a virtuoso use of colour and a free brushwork that remained tied to the landscape motif, opening up the landscape itself in a new way. Frederick Vezin turned his attention primarily to the landscape of his homeland, becoming a pioneer of modern American landscape...

Landscape with Trees is an original modern artwork realized by the Italian painter Alberto Zardo in the first decades of the XX Century. Original oil on cardboard. Hand-signed by ...

Charming portrait of Russian Boyarina by Bell Dibble Taft (American, 1855-1937), 1921. Signed and dated lower left corner and gallery label for Oakland Gallery Exhibit (Oakand Museum...

Vibrant abstract composition by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero (American, b-1985). Signed ...

Patrick Boudon. Inner Family. Post-war Expressionism. 1970s. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on cardboard. This painting by Patrick Boudon from the 197...

Figurative illustration of people arriving at a church by Charles Kinghan (American, 1895-1984). The church is rendered with exquisite detail, typical ...

Figurative landscape painting of the Saint Jans Basilica and the Procession, Laren, Netherlands "Concept (After) Frits Hes (Dutch 1911-1972) of Hilversu...

Original artwork, acrylic on cardboard canvas. Unique original artwork with lots of character. With a mixture of street, abstract and fine art influences, most of Joe's work is cre...

French School, circa 1950 Portrait of a Chinese Woman with Two Fennec Foxes Oil on cardboard H. 60 cm; W. 50 cm Circa 1950 This painting depicts a young woman with a calm face and t...

Original artwork, acrylic on cardboard canvas. Unique figurative art with lots of character With a mixture of street, abstract and fine art influences, most of Joe's work is create...

A. Rio .Original gouache paper painting . AGUSTIN RIO ( Barceona 1923 – Barcelona 1997) Formed in Llotja i al Cercle Artístic de Sant Lluc He appeared individually in 1953 in the ...

Figure is an original drawing in oil on cardboard, realized by the Italian artist Antonio Camarca (Rome 1920-?). The state of preservation of the artwork is aged. With the stam on ...

Oil, charcoal & ink on cardboard I am Keta Jikia, born in 2002 and based in Tbilisi, Georgia. I will graduate in 2025 with a degree in International Relations from Caucasus Universi...

Aleksandr Rodin (1922-2001) Painter Born in a family of farmers. Wife Rasma Lace - art scholar. Studied at the Stalingrad School of Art, Saratov Art School, graduated from the Depar...

Windy day. 1981, oil on cardboard, 40x62 cm

Christmas. 1997, cardboard, mixed media, 18.5x25 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the ti...

On the bench 1970, cardboard, mixed media, 18.3x19.5 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in t...

Magdalena Peszkowska born in 1980 in Gdańsk, Poland. Studied in Department of Painting at Academy of Fine Arts in Gdańsk (1999-2004). Diploma with special recognition in painting in ...

Ships in port. Oil on cardboard, 56,5x64,5 cm He learned at State Technique of Riga, architecture department. 1937 –Latvian academy of Art, landscape Studio of V. Purvitis, with dip...

Spring in the forest. 1978, oil on cardboard, 50x35 cm Landscape with trees at spring Valiahmetov Amir Hasnulovitch (1927 07 01 Kazan - 2014 Moscow) He graduated a Art Institut of M...

Scream. 1971, cardboard, oil crayons, 15.5x13 cm Atis Ievins (1946) The exhibition by artist Atis Ieviņš reminds the very origins of serigraphy technique in Latvian art in the time ...

This beautiful painting depicts a crowded scene of a watering hole at a well in the midst of a sunny, hot day, located on the street of a provincial village supposedly located somewh...

Acrylic on cardboard Tengiz Cholokava is a Georgian artist born in 1985 who lives and works in Tbilisi, Georgia. He is graduated from Fine Arts School of Iakob Nikoladze in Tbilisi,...

Oil on cardboard Mari Abramishvili is a Georgian artist born in 1998 who lives and works in Tbilisi, Georgia. She id self-taught painter and visual artist based in Tbilisi, Georgia,...

"The Joy Series: A Journey to Inner Happiness." In this series of artworks, I delve into the theme of happiness and joy in unusual times when it seems that the whole world is in a st...

Mountain landscape with a village. 1980. Cardboard, oil. 49,5x70cm In this work artist paid attention to infinite landscape depiction of mountains in summertime. Mountains are thought to contain divine inspiration in many forms, and are the focus of pilgrimages of transcendence and spiritual elevation. Mountains surpass ordinary humanity and extend towards the heavens. They symbolize constancy and permanence and at their peak signify the state of absolute consciousness. The visual components of color, form, line, shape, space, texture, and value in this painting works together as one story of peaceful moment next to nature. The village at the foot of the mountains is depicted in light brush strokes. Information about artist: Janis Lauva...

Boats by the river Oil on cardboard, 47.5x80 cm The main focus of the artwork is a fauvistic stylized landscape featuring boats by the river. The artist's intention is to convey the landscape in bold and vivid earth tones, characteristic of the fauvist style. Biruta Baumane...

Tribute to Michelangelo IV is a painting by Paris-based Chinese contemporary artist ZHANG Hongyu which represents the famous David by Michelangelo, exhibited at the Galleria dell’Aca...

This evocative orientalist oil painting captures the vibrant atmosphere of a North African marketplace in the early 1900s. The painting depicts a street with a perspective toward a t...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Pr...

Blonde. 1996. Oil on cardboard, 83x90 cm This depiction of blonde young nude woman on dark green background and turquoise color surface shows artist Laimdots Murnieks...

In the evening, 1950-ties, cardboard, oil, 46,5х34 cm Anatoly Lebedev (1935-2014)