Ceramic Figurative Paintings

A largeKPM painted porcelain plaque depicting a Psyche holding a Lekythos. The lush and overgrown dark forrest envelops the background of composition, surrounding a bright female fig...

After Caravaggio "Die Falschspieler" [The Cardsharps] KPM Porcelain Plaque, impressed "K.P.M. / F" marks to reverse, giltwood frame. Image: 11.75" H x 16" W; frame: 20.5" H x 24.5" W...

A rare and exquisite Berlin painted round porcelain plaque of two young beauties, impressed K.P.M., sceptre mark; signed Wagner. Painter: Wagner Maker: K.P.M. Origin: German Date...

Berlin Porcelain Allegorical Plaque of Admiration KPM, Late 19th CENTURY The three-quarter-length portrait depicting a brunette woman with blue eyes in light ecclesiastical robes supporting palms crossed over chest and looking up over right shoulder - in a landscape immersed in powder blue sea holly...

This plaque depicts a quintessential 19th century Northern European woman with blonde hair, blue eyes and modest European fashions. She holds a bushel of fresh flowers as an offering and to decorate the small stone statue of Mary and a young Jesus before...

Materials: Canvas on chipboard, polymer clay, genuine leather, parchment leather, bamboo, gold leaf, oil The image of a powerful Centaur who dreams of flying

Portrait of a lady with long hair, wearing a kimono Date: late 19th/early 20th century Origin: Berlin Signed C. Schmidt on L/L Dimension: 9 1/4 in x 6 1/2 in

In Game Creator, Yulianna Verba presents a symbolic and emotionally rich narrative exploring self-awareness, feminine power, and spiritual awakening. This striking mixed media work—c...

Oil, graphite, clay on panel. Abstract mixed media work on panel. Images include text, still life and figurative elements. White tones, aqua and red. Dimitri is noted for his use o...

Cosmic Consciousness marks a powerful threshold in Yulianna Verba’s metaphysical series, inviting the viewer into the liminal moment where the game of life pauses—and pure awareness ...

Berlin (K.P.M.) Porcelain Plaque Depicting an Exotic Nude Woman is a sheer dress carrying a vase in a courtyard. Possibly a royal or aa slave. Late 19th century Impressed "K.P.M....

Antique KPM Porcelain Plaque depicting one of the seven virtues Hope. She is shown in white robes, standing beneath a flowering cherry blo...

"Guardian Angel" late 19th c. Original hand-painted KPM Porcelain In Jewel Encrusted Frame approx. 6 3/8 x 5 inches

French Porcelain Mythological Plaque of Venus and Cupid J. Pascault after 19th Century Romantic School, Early 20th Century The full-length portrait in a forest brook, depicting a win...

Medium: Oil on Porcelain Dimensions: 20.00" x 16.00" Signature: Signed Lower Left

Depicting young ladies having a tea party by the pond of a country estate, and a young nobleman courting a young lady feeding the swans. Incised "KPM", scepter, "255 / 195" and signe...

An exquisite K.P.M. finely painted plaque, depicting a bejeweled beauty, seated on a curule chair, with impressed monogram and scepter mark and cyphers. Origin: Berlin Date: 19th c...

Questa ceramica dipinta, 33 x 24 cm senza la cornice, è ispirata dal "Riposo durante la fuga in Egitto" di Simone Cantarini detto il Pesarese, realizzato negli anni trenta del XVII s...

A fine Königliche Porzellan-Manufaktur plaque of a young nude woman beside a carved marble fire pit. She plays with a flock of white and grey pigeons as smoke from the fire billows a...

Maze is a unique contemporary modern wall object by British artist Kate Brett. This one of a kind object consists of 144 handmade unglazed porcelain elements mounted in a hand paint...

A delightful porcelain plaque of a middle eastern woman wearing a head scarf, gold medallion jewelry and an embroidered shirt with puffed sleeve...

Mid 20th Century painting on ceramic of two circus acrobats by Italian artist Giovanni Lombardi. The work is painted on 14 ceramic tiles which have been mounted on board, signed bottom left, in original period oak frame. A wonderful energetic and vibrant work very much in the 1940s 'Modern' style showing a scene of two acrobats practising with a circus tent, carousel, Punch and Judy Show...

The rectangular plaque hand-painted depicting two children lost in a forest. Origin: German Date: 19th century Dimension: (Plaque) 13 in. x 8 in.; (framed) 19 1/2 in. x 14 1/2 in.

This contemporary landscape painting is by Peter Hoffer. The distinctive artwork of this Canadian artist lies somewhere between realism and impressionism. Lauded internationally for his ethereal landscapes Hoffer’s artwork is reminiscent of the idyllic visions of the 19th century romanticists. This piece—a unique mix of clay and pigment on jute captures a view of the countryside…with a single human figure in the center—an almost ghost-like white image who appears to be gazing at the moon. The figure is surrounded by lush foliage painted with expressive brushstrokes in deep greens, aubergine, golden earthy browns and turquoise waters. The sky is a mix of soft blues and blush. "I love landscape painting and one of the reasons I continue to do landscape painting is that these paintings are nowhere specific.” Peter Hoffer “They are profound works from an artist with a clear vision.” Peter Simpson...

KPM Porcelain Plaque of 'Duchess Louise of Mecklenburg-Strelitz' late 19 CENTURY Century After a painting by Gustav Richter (German 1823-1884); verso with an impressed scepter abo...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret is signed Awret Safed on the verso. the actual glazed ceramic is 10X15 inches. Irèn...

Original Painting: Terracotta Relief With Acrylic Painting on Wood Panel Hand signed These works are paintings with a 3D carved sculpture dimension to them, fusing sculpture with pai...

This contemporary figurative mixed media composition of a bird is by Peter Hoffer. A masterful Canadian artist, Peter Hoffer’s realistic, exquisitely detailed artwork has been exhib...

Space to breath is a unique contemporary modern wall object by British artist Kate Brett. This one of a kind object consists of 144 handmade unglazed porcelain elements mounted in a...

Magnificent scarlet poppies in an impressionistic manner on a blue background. The original abstraction of Lilia Volskaya. This luxurious modern abstraction of beautiful scarlet flow...

Affen Segun Dancing Around The Fire II, 2023 Acrylic, Ankara fabric on canvas 104 x 73 cm 41 x 28 3/4 in

Fine 19th Century Enamel on Porcelain Depicting Saint Anthony with the Christ Child Beautiful and finely detailed enamel painting on porcelain representing Saint Anthony of Padua wit...

Fragmented Figure by Dean Moore is created with mosaics using hand cut tiles. Mixed media, 32 x 24, framed. It is a female figure with a series of colorful tiles. It is a new 202...

Great figural nude painting. Painted porcelain plate. Not signed. Mid 20th century.

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

This is a rare ceramic plaque painted with enamel glaze by famed Israeli German artist Irene Awret (these are generally hand signed Awret Safed on the verso. I just have not opened the frame to check) the actual glazed ceramic is 10.25 X 14.75 inches. It depicts a girl or woman with potted plants, birds, pomegranates and other fruits and flowers in a naif, folk art style. Irène Awret was born to a Jewish family in Berlin called Spicker, the youngest of three children. Her mother died in 1927, when Irène was six years old. In 1937 she was forced to stop high school, due to the Nazi race laws. Because she could not continue her regular studies, her father sent her to study drawing, painting and art restoration with a Jewish painter. Among his students were a large number of German Jews who knew they would have to leave Germany within a short time and would require a profession to enable them to support themselves. When the situation grew worse, following the Kristallnacht (the first major attack on German and Austrian Jews in November 1938), her uncle decided to move to Belgium. In 1939 the situation became even worse - her father was fired from his job and the family were forced to leave their home. As a result, Awret's father tried to send her and her sister to Belgium, with the help of smugglers. The first smuggler proved to be a double agent and they were sent back from Aachen to Berlin. Two weeks later they made a second, successful, attempt to sneak across the border. Awret worked for a Dutch Jewish family as a maid. As she had her room and board there, she was able to save enough money to study art part-time at Brussels' Académie Royal des Beaux-Arts. A few months later Awret's father joined her and her financial situation became easier. She left her job and studied full-time, helping support herself with restoration work when it was available and by painting portraits to order. Later, Awret found a hiding place on a farm in Waterloo with a Jewish family who were connected with the underground. In January 1943 she had to return to Brussels, living with a false identity card which stated she was a married woman with two children. Awret succeeded in renting an attic without informing the police where she was - she told her landlady that she had been forced to flee her husband because he beat her. While there, she supported herself by restoring wooden sculptures. A Jewish informer gave her up to the Gestapo, accompanying the two Gestapo men who arrested her. Awret was able to take a bag containing food and drawing materials. She was detained in the Gestapo cellars in Brussels where she drew. Because there was nothing there to draw, she sketched her own hand (view this work). Awret was interrogated in order to reveal the hiding place of her father who was still in Brussels. The National Socialist regime was determined to persecute him, even though he had fought for Germany in World War I and been permanently disabled. They stepped up their torture and brought Awret before Hartmann, the head of the Gestapo in Brussels. When Hartmann saw her block of drawings, he asked her where she had studied art and halted the interrogation. Awret was placed in a narrow cell and then transferred to Malines camp, which the Belgian's called Mechelen. Malines was a transit camp to Auschwitz, regularly sending 2000 people at a time. Although she arrived just before Transport No. 20, Irène Awret avoided being included. Instead she was put to work in the leather workshop, decorating broaches. While she was there, Hartmann visited the camp and spotted her: "I could have discovered where your father is hiding," he told her. When her artistic talents became known, she was transferred to the Mahlerstube (artist's workshop) where she worked producing graphics for the Germans until the end of the war. When Carol (Karel) Deutsch (whose works are now on view at Yad Vashem) was sent from Mechelen to his death with his wife, he left young Irene his paintbox. Irene also recalls seeing the great painter Felix Nussbaum and his wife being pushed into a boxcar bound for the gas, and tells of the aftermath of the famous 20th Train incident, when a young Jewish doctor armed only with a pistol and helped by two unarmed friends with a lantern ambushed one of Mechelen's Auschwitz-bound trains carrying 1,618 Jews, most of whom had fled Eastern Europe for Belgium. Awret's job enabled her to paint and draw - mainly in pencil, but also in watercolors and oils. In the artists' workshop she met a Jewish refugee from Poland - Azriel Awret - who would later become her husband. Among the other artists in the workshop were Herbert von Ledermann-Vütemberg, a sculptor from an aristocratic family with Jewish roots, Léon Landau, and Smilowitz, who perished in the camps in the East. Irène and Azriel tried to bribe a German officer to prevent Smilowitz's deportation. Not only were they unsuccessful, but they were almost put onto the same train. Jacques Ochs was another artist with whom they became friends in the camp. Ochs, a French-born Protestant who lived in Belgium, was interned as a political prisoner. He remained in Belgium after liberation. After the war the Awrets immigrated to Israel and made their home in Safed. They continued to work, and were instrumental in founding Safed's artists' quarter. The Beit Lohamei Haghetaot (Ghetto Fighters' House Museum) art collection holds works donated by Awret. These date from her time in Malines camp and from her stay in Brussels after the war, when she was in the company of orphans who had hidden while their parents were sent to Auschwitz. Her highly expressive works have made their way to exhibitions at theTel Aviv Museum, the Haifa Museum of Modern Art and the Modern Art Gallery in Washington, D.C., as well as into the private collections of such individuals as Dr. Jonas Salk...

Beautifully Painted Porcelain tile signed “Wagner” lower right. The work rests in an ornate gilded frame with a rose-colored velvet liner. The work is in mint condition with no repai...

Born in 1924 Donald Purdy in the 1960s did a series of works on clay-coated paper. He loved working in this medium and he would apply oil paint and then rub it away with a cloth to ...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

Materials: Orogolite, canvas, oil, craquelure, nautilus shell, polymer clay, natural leather, parchment leather, bambek, decorative cord, copper, bronze casting / wenge-colored ash f...

Materials: Canvas on chipboard, polymer clay, oil Mayan-style image of the Tree of Life

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

Acrylic on cardboard with a sculptural frame made in hand-shaped and painted clay.

"Face 5" by Anne Siems, is a captivating figurative-narrative portrait painted on white clay panel. It features a beautiful female face and dark hair with braids. ANNE SIEMS (b. 19...

Pampa Panwar Untitled, Acrylic on Paper 15 x 11 inches ; 2007 (each) (without frame) Inclusive of shipment in roll form. Mahajabin Majumdar Untitled, Mixed media on Paper 15 x 11 ...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

Medium: Acrylic on Cermaic Signature: Signed Lower Right

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

"Face 3" by Anne Siems, is a captivating figurative-narrative portrait painted on white clay panel. It features a beautiful female face and dark hair with red flora. ANNE SIEMS (b....

Important KPM Plaque of a Gladiator Battling a Lion and Tiger in a Colosseum. A woman in distress cowers behind the gladiator as he surmounts his recently slain lion, readying himsel...

This small plaque is an intimate and exciting example of the ceramic work of Estherly Allen. She was a student of George McNeil, an important Abstract Expressionist, and this Express...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart by his us...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

My work is concerned with the relationship of humanity and nature. I conceive of an expanded concept of “Nature” as embodying all existence, both the seen and unseen, socio-politica...

Finely painted after C.A. Lenoir with a pensive brunette beauty seated at the edge of a fountain well; signed in front right corner "F. Hohle," plaque impressed monogram and scepter ...

Artist Commentary This painting was on display during the East Austin Studio tour. It is #2 of my "Vexation" painting series. The first painting was just vines, this (the second) one...

Large German KPM style porcelain plaque of a tavern scene German, 20th Century Plaque: Height 26cm, width 40cm Frame: Height 41cm, width 55.5cm, depth 5.5cm This exquisite porcelai...