Chalk Figurative Paintings

Atul Bose - Royal Academy Series-6 Pencil on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Chalk pastel on paper Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imagery by col...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...

Chalk pastel on paper Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imagery by col...

Lalu Prasad Shaw - Babu - 21 x 15 inches Charcoal and Conte on Paper, 2011 (Unframed & Delivered) Style : Known widely for his highly stylized portraits of Bengali women and couples...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authenticity Certif...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dilapidated city; his work becomes lyrical while he puts his signature on the curves and cleavages of sculpted human bodies. Born in the intestines of North Kolkata, the lanes and by lanes of Kumartuli, the squalor and the dirt, the refinement and nuances of a traditional craft of idol-making, the ancient river, the lonely bathing places taught him everything. Poverty all around, Sanatan had enough courage, even in his formative years, to convince himself that eternity could be invented, here and now, in a day. His art, both sculpture and painting, engages in a dialogue between tradition and modernity. Today, his work can be considered to be a prime example of contemporary Bengali visual culture. For last few years, Sanatan has been trying to stress upon traditional clay-sculpting – primarily the local popular sculpture...

Sanatan Dinda - Untitled - 28 x 20 inches (unframed size) Conte on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authenticity Certif...

André MAIRE (Paris 1898 – Paris 1984) Landscape with pagodas in Vietnam Chalk Conté on paper H. 50 cm; W. 32 cm Sensitive to the outline of his artistic gifts, his father enrolled h...

Chalk on black paper 1963. (Inscribed 1963) Signed and Dated. I.Rice Pereira was an American abstract artist, poet, and philosopher who playe...

Sanatan Dinda - Yugpurush - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins of a dil...

Sanatan Dinda - Yugpurush - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins o...

Sanatan Dinda - Ganesha - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authent...

Sunil Das - Head - 7 x 6 inches (unframed size) Ink on Conte Paper Inclusive of shipment in ready to hang form. Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. ...

Figurative colorful Painting Mixed Media Wall Art for Sale - "Damespiel 1" by Skadi Engeln Experience the charming and inviting world of "Damespiel 1," a lively painting that captiv...

Framed Size: 70 x 88 cm Unframed Size: 60 x 77 cm Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before set...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

Medium: Charcoal, Chalk and Gold Paint on Mid-Toned Paper Signature: Signed Lower Left Dimensions: 19.00" x 37.00" Henry VIII licensing Bible translation; Woman refusing to recant.“The Answer to Tyndal’s Prayer” and “The Martyrdom of Anne Askew” Preliminary study for mural: The Governor’s Reception Room, Pennsylvania State Capitol Building. Literature (related to the finished work): The Century magazine, June 1905; “The Holy Experiment” by Violet Oakley Carter: “The Red Rose Girls...

Thinking of art-historical nudes from Fortuny and Boucher. ____________________________________ Dimitri operates from the idea of the “unfinished.” It informs his choice of materia...

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Nicolle was born in Zimbabwe (Rhodesia as it was then) and grew up in Africa and then travelled the world for some years before settling in the Uk. “My love of colour stems from my ...

Atul Bose - Royal Academy Series-4 Conte on Paper, 15 x 11.2 inches (Unframed Size) 1924-26 (Delivered Unframed in as is condition) Atul Bose was a master artist whose creative journey spanned several decades and left an indelible mark on the Indian art scene. He was born in 1898 in a small village in Bengal and showed an early aptitude for art. Despite facing financial difficulties, he pursued his passion and enrolled in the Government School of Art in Calcutta. Bose's early works were influenced by the Bengal School of Art, which was a movement that sought to revive traditional Indian art forms. However, over time, Bose developed his own unique style that blended elements of Indian art with European modernism. He was particularly influenced by the works of artists like Paul Cezanne and Georges Braque. Bose spent two years, 1924-6, at the Royal Academy. He was heavily influenced there by the post-impressionist Walter Sickert. He refused an invitation to help decorate the pavilion at the British Empire Exhibition in 1924 with Mukul Dey...

Chalk pastel on paper Christian Frederiksen is a Georgian artist born in 1989 who lives and works in Calgary, Canada. He loves to experiment with new ways of creating imagery by col...

Sanatan Dinda - Yugpurush - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper, 2016 shipment without frame Style : Sanatan Dinda discovers the beautiful amidst the ruins o...

Sanatan Dinda - Ganesha - 28 x 20 inches (unframed size) Conte & Dry Pastel on Paper Proposed Frame Size : 3 inches mount on all sides and 1 Inch frame Supported by Artist's Authent...

Black chalk and white highlights on paper (originally washed in blue) Monogrammed and dated 1630 on the right This drawing, executed in black chalk and enhanced with white brushwor...

Michael K. Paxton is a well-established, Chicago-based artist and sixth-generation West Virginian. He is currently the subject of a documentary film Work at Hand...

LeRoy Neiman (American, 1921-2012) Statue of Liberty, July 4, 1986 Signed and Dated Lower Left Acrylic Paint and Chalk 24 x 16 inches 37.5 x 29.25 inches with frame Mr. Neiman's ki...

Artist: Joseph Piccillo, American (b. 1941) Title: High Divers Year: circa 2010 Medium: Oil and Chalk on Canvas Size: 72 x 60 inches

For Pierre-Auguste Renoir, Impressionism's pre-eminent figure painter, depicting the nude was an exercise in bringing the canvas to life. He once said, “I look at a nude, I see myriads of minuscule shades. I have to find those which will make the flesh on my canvas come to life and resonate.” This compelling portrait by Renoir entitled Après le bain presents the nude figure of a woman in a serene, private moment, absorbed in the task of drying herself after a bath. The artist’s mastery of light and shading is incredible, achieving a sense of vitality in this otherwise ordinary scene. Renoir is celebrated for his figural work, especially his Rubenesque female nudes, however, it was not until the artist was in his forties that he depicted the nude with any frequency. In 1881, Renoir traveled to Italy, where he studied the works of the Renaissance masters and the ancient art of Pompeii and Rome. Upon his return to France, the nude became his favored subject, and he used the motif to combine the spontaneity of Impressionism with the solid modeling of classical painting. Renoir’s medium here, sanguine, a reddish-brown chalk, was used extensively in the Renaissance by Leonardo (who employed it in his sketches for the Last Supper), Michelangelo and Raphael. Its warm hue lends itself well to depicting flesh, and the chalk drawing allows for a greater focus on line, form and texture in a departure from the aspects of color and light that so often preoccupied the Impressionists. Après le bain conveys the impression of arrested motion with perfect naturalness, deftly capturing the moment before the elegant lines of the sitter's form change position. The sitter is almost certainly Gabrielle Renard, the nanny to Renoir’s children and a frequent model for the artist. Gabrielle was the cousin of Renoir’s wife, Aline, and came to Montmartre to work for the family at the age of 16. She developed a strong bond with the family and became a favorite subject for Renoir, appearing in several of his most important works, including his 1911 Gabrielle with a Rose (Musée d'Orsay). When Renoir began to suffer from severe rheumatoid arthritis that would eventually leave him unable to walk and scarcely able to grasp a paintbrush, it was Gabrielle that would assist the artist by positioning the paintbrush between his crippled fingers. Born in Limoges, France in 1841, Renoir began his career as an apprentice to a painter of porcelain wares. He later moved to Paris at the age of 21, enrolling at the prestigious École des Beaux-Arts. It was here, while studying under Charles Gleyre, that Renoir attained a tremendous appreciation for the academic style of painting, a quality that would last throughout his career. This was also when he met Claude Monet and several other classmates, with whom he would later form the Impressionists. Working closely with Monet, Renoir began experimenting with the portrayal of light and its effect on his canvases. The youngest member of the Impressionist movement, an astute Renoir recognized how a subject was constantly changing due to the dynamic effects of light on color. Relying heavily upon his academic training that focused on composition, lines and descriptive details, Renoir distinguished himself among his contemporaries. His intuitive use of color and expansive brushstroke, along with acute attention to his subject, have placed him among the finest painters in history. This work is accompanied by a certificate of authenticity and will be included in the forthcoming catalogue raisonné of the work of Pierre-Auguste Renoir from the Wildenstein Plattner Institute. Circa 1898 Canvas: 43 1/2" high x 35 1/2" wide Frame: 57 3/4" high x 49 1/4" wide Provenance: Galerie Durand-Ruel, Paris (acquired from the artist on January 25, 1899) J. Pereire Collection, France (1966) Sam Salz, New York (before 1981) Claus Virch, Paris French Compagny, Inc., New York Larry Silverstein, New York (circa January 1987) Le Clos de Sierne Gallery, Geneva Galerie Heyram, Paris (October 1987) Francis Gross M.S. Rau, New Orleans Literature: B. Schneider, Renoir, Berlin, 1957, p. 95 (illustrated in color, p. 83) M. Gauthier, Renoir, Paris, 1958, p. 83 (illustrated in color; erroneously dated '1916' and titled 'Woman in her toilet') F. Fosca, Renoir, L'homme et son obra, Paris, 1961, p. 280 (illustrated, p. 95; erroneously dated 'about 1890' and titled 'After the Bath...