Masonite Figurative Paintings

Created circa 1965 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate seal. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...

Modern Green, White & Black Abstract Geometric Kimono Collagraph, Masterplate #1 Unique mixed media work created from a Master plate for collagraph printmaking, featuring a bold and...

Kierstin Young's (US based) "Sol" is an oil painting that depicts a green Luna moth and a blue patterned background with organic designs Artist Statement/Bio: (b. The Year of the ...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

A rare, very poetic figurative work by Eric Scholz, dating from the 1980s. Scholz was a Hungarian artist who trained at the Academy of Fine Arts in Budapest. He was awarded the pre...

Raymond Howell, Chinese Dim Sum Feast, 1979 Oil on masonite 28" x 36" unframed, 35.5" x 43. 75" framed Biography from Raymond Howell website: Raymon...

Bruno Lucchesi (b.1926). Mother and Child, ca. 1960. Oil and charcoal on sized paper mounted to masonite, measuring 11 x 21 inches; 15.5 x 25.5 inches in original gold leaf frame. Si...

The Island Woman (La Mujer Isla) Artist signed and titled. Enrique Chavarría (1927-1998) was a Mexican painter and neo-surrealist, whose fantastic imagery carries forward the work of the Mexican Surrealists. He created hundreds of easel-sized oil paintings on masonite and numerous smaller works. For four decades his principal patron was Bryna Prensky, an American gallery owner from Florida who moved to Mexico City in 1954. She bought most of Chavarría’s known works for her gallery and her own collection. Prensky said she often found Chavarría in his pajamas at mid-day. He read widely and painted dreamlike images that reflect his wide-ranging scholarly interests. Much of his work is thought to have been inspired by poetry, especially the writings of André Breton, Paul Éluard, Arthur Rimbaud, and Paul Valéry; by the classic surrealism of Salvador Dalí; and by the paintings of Mexican neo-surrealist artists Remedios Varo...

Mid-century oil on masonite modern painting by the well known Russian/American artist, Nahum Tschacbasov. Signed top left and dated 1949. Titled verso. Condition is fair. Provenanc...

Early work of figures moving along the street in Cuernavaca to the Cathedral in Mexico by Goldie Anita Powell Harding (American, 1892-1974). Circa 1935. Tempera on Masonite. In a per...

Sylvia Rutkoff (1919-2011) Sr10-1 c.1950s “Boy with Mittens” Oil impasto on Masonite 36x42.5 black wood gallery frame Signed on reverse in paint Collection acquired from family estat...

A lighthearted figurative abstract by Bay Area artist Kristin Cohen (American, b.1963). Signed and dated lower left, "Cohen '95." Presented in the artist's painted wood frame. From ...

Signed: Purdy lower left and dated verso Panel size: 24 x 30 inches Painted in an expressive manner, the amount of color and freshness to this painting is refreshing. There is a sen...

Kierstin Young's (US based) "Aurora" is an oil painting that depicts a grouping of barren trees surrounded with fog and ambiguous green and blue light Artist Statement/Bio: (b. The ...

This is an abstract acrylic painting on masonite board evoking a dancing figure in a landscape, perhaps wearing a Japanese kimono. signed "Jomac" lower right, also signed, titled, an...

Oil paint on masonite hardboard by the well known American contemporary artist Michael Budden. Signed lower right. Signed, dated and titled verso. Salmagundi Club exhibition label v...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

"Summer at the Lake" - Mid Century Figurative Landscape Mid-century figurative landscape painting of people enjoying the summertime by Santa Cruz, ...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

A strong modernist oil painting depicted in 1962 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his portraits in countryside landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. Art measures 21.25 x 25.5 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century, it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. For the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher, he encouraged individual expression. Baxte stated, “No pupil should ever be forced into the imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient's light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett...

Expressive portrait of an artist working at a desk by an unknown artist (20th Century). An artist with brown hair and a moustache is working at a desk, with various supplies around h...

Vibrant and playful landscape by California artist Richard "Don" Klopfer (1920-2009). Signed and dated "R. Klopfer 3.86" on verso. No frame. Board size: 13"H x 19"W Richard "Don" Kl...

Small portrait of a clown with colorful, expressionist brushstrokes by Marjorie Blake (American, 1920-1994). Signed "M. Blake" in the lower right corner...

A strong modernist oil painting depicted in 1963 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his figures in water landscapes with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

A strong modernist oil painting depicted in 1971 by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wonderful representation of his landscape paintings, with expressive use of color, shape, and form. Later in his career, Baxte explores Expressionism, infusing both European and North American stylistic trends. This piece is from later in his career, but we can feel this underlying style throughout. Art measures 18 x 21.75 inches Michael Posner Baxte was born in 1890 in the small town of Staroselje Belarus, Russia. For the first half of the 19th century it was a center of the Chabad movement of Hasidic Jews, but this group was gone by the middle of the 19th century. By the time the Baxte family immigrated to the United States at the beginning of the 20th century, the Jewish population numbered only on the hundreds. The native language of the Baxte family was Yiddish. It is likely that the death of Michael Baxte’s father triggered the family’s immigration. Three older brothers arrived in New York between 1903 and 1905. Michael and his mother, Rebecca, arrived in 1907. By 1910 Michael, his mother, and brother, Joseph, were living in New Orleans and may have spent some time on a Louisiana plantation. Around 1912, Michael Baxte returned to Europe to study the violin. In 1914 he, his mother, and Joseph moved to New York City. Meanwhile, in Algeria, a talented young woman painter, Violette Mege, was making history. Since for the first time, a woman won the prestigious Beaux Art competition in Algeria. At first, the awards committee denied her the prize but, with French government intervention, Mege eventually prevailed. She won again 3 years later and, in 1916, used the scholarship to visit the United States of America. When Violette came to New York, she met Baxte, who was, by then, an accomplished violinist, teacher, and composer. Baxte’s compositions were performed at the Tokyo Imperial Theater, and in 1922 he was listed in the American Jewish Yearbook as one of the prominent members of the American Jewish community. As a music teacher he encouraged individual expression. Baxte stated, “No pupil should ever be forced into imitation of the teacher. Art is a personal experience, and the teacher’s truest aim must be to awaken this light of personality through the patient light of science.” By 1920 Michael Baxte and Violette Mege were living together in Manhattan. Although they claimed to be living as husband and wife, it seems that their marriage did not become official until 1928. On their “unofficial” honeymoon around 1917, in Algiers, Baxte confided to her his ambition to paint. There and later in New Mexico where the wonderful steeped sunlight approximates the coloring of Algiers, she taught him his heart’s desire. He never had any other teacher. She never had any other pupil. For ten years she devoted all her time, energy, and ambition to teaching, encouraging, inspiring him. Then in 1928, their mutual strivings were rewarded, as his works were being chosen as one of the two winners in the Dudensing National Competition for American Painters. Out of 150 artists from across the country participated in the Dudensing, and Michael Posner Baxte and, Robert Fawcett, were the winners. In his 1924 naturalization application, he indicated that he was sometimes known as “Michael Posner Baxte.” One of the witnesses to his application was Bernard Karfiol, a Jewish American artist. That’s when Michael may...

Johann Strauss & Artie Shaw - Mid Century Modern Abstract Swirling vortex of color and the words: "Johann Strauss' Tale(s) from the Vienna (Woods) Artie Shaw & Orchestra" by Kansas ...

A strong modernist oil painting depicted in the Mid Century by Russian painter Michael Baxte. Mostly known for his abstracted figures on canvas or street scenes, this piece is a wond...

Lois Dodd Jersey City Lofts, 1998 Signed and dated to lower right; signed, titled and dated to the reverse Oil on Masonite 10 x 13 inches Provenance The artist Private Collection (g...

Beautiful modern impressionist figure painting of a nude woman by George Wishon (American, b.20th Century). The two-toned light blue and ...

Kierstin Young's (US based) "The Knowledge Seeker" is an oil painting that depicts a female form shrouded in a back veil with blue butterflies flying around her hands and a desolate ...

Kierstin Young's (US based) "Luna" is an oil painting that depicts a battered white moth and a black background with the phases of the moon overhead Artist Statement/Bio: (b. The Ye...

Vintage Landscape -- Blooming Wildflower Field Beautiful vintage landscape in dark blue, yellow, and red accents of a field dotted with wildflowers and silhouetted birds soaring ove...

Signed lower right, 'J. Roig' for Jose Roig (Argentinian-Spanish, 1898-1968) and painted circa 1955. This Argentine-Spanish Modernist was born in Spain in 1898 and was painting in A...

Women and a Tiger Cub - Pop Art in Oil and Mixed Media on Canvas Pop art by George "Milo" Buck (American, b. 1952). In the center of the composition a woman is running to the left. ...

Mid-century self-portrait by California artist Myrtle Cureton (American, 1909-2000). Signed "Myrtle Cureton" lower left. Artist's Santa Cruz Art League ...

Hand signed lower left corner Oil on masonite Dimensions: Frame H 18.25" x W 22.25". Sight H 11.25" x W 15.25 This is a great scene, vintage Americana. Possibly Coney Island in Brooklyn New York City. Done in a mid century modern style with great vibrant colors and loose, adept, brushwork. George Schwacha, Jr. (1908 - 1986) New Jersey artist. Known for Landscape painting and snow scenes. He studied Arthur W. Woelfle; John Grabach; Edward Dufner and A. Schweider. George Schwacha was president of the American Artists Professional League and a past president of the Audubon Artists and Art Center of New Jersey. He belongs to the American Watercolor Society, The National Society of Painters in Casein, and the Philadelphia Watercolor Club. His paintings have been shown throughout the country at museums such as the Pennsylvania Academy, the Corcoran Gallery in Washington, DC and the Birmingham Art Museum, The Butler Art Institute in Youngstown, Ohio the Connecticut Academy of Fine Arts, as well as in leading New Jersey and New York exhibitions, including the American Society of Arts and Letters. He is listed in Who's Who in American Art and International Directory of Arts. His work is represented nationally in over 30 museums and public collections including the Newark Museum, Montclair Museum, Birmingham Art Museum, the Isaac Delgado Museum in New Orleans, and the Butler Art Institute. Worldwide he is also represented in collections in the following countries: Austria, Belgium, Canada, Egypt, England, France, Germany, Greece, Holland, Hong Kong, Israel, Scotland and Switzerland. Seymour Zayon, Bertram Hartman, Hugh Campbell, Frank Herbst, Joseph Newman, Theodore Valenkamph, Robert John McClelland, Nicolai S (Nicola) Cikovsky, Ben Benn, George Howell Gay, Robert Brackman, Vernon Wood...

Mission San Juan Bautista, 1971 - Original Oil Painting Oil painting of Mission San Juan Bautista by Gorman Woody (American, 1907-2000). The viewer l...

Baja California View, Vintage 1970's Coastal Landscape by E.C. Madison Wonderful landscape of Baja California by E.C. Madison (American, 20th Century), 1972. This sweeping coastal l...

Lousville Composition by Ronald Julius Christensen, American (1923–1999) Acrylic on Masonite, signed and titled Size: 26.5 x 45.5 in. (67.31 x 115.57 cm) Frame Size: 27.5 x 45.5

Moody figurative abstract expressionist painting of a Victorian couple with an angel by artist David Rosen (American, 1912-2004), c. 1970. Signed "Rosen" lower right. Unframed. Image size: 30.25"H x 26.38"W. Born in 1912, Rosen grew up in Toronto, Canada before pursuing arts in the United States. Upon arriving, Rosen settled in New York City and attended the Cooper Union Art school in 1930. While participating in the Federal Arts Project, he worked for the program's mural department until 1941. He also worked with an artist collective, Siqueiros Art Workshop. There, Rosen met fellow FAP artist Jackson Pollack, and together, with artist Phillip Guston, they experimented with new painting techniques and mediums. Art movements are often reactions to the popular styles that precede them, and Abstract Expressionism applied a new and exciting method to Modern Art. Gradually, artists began to break away from an overly-studied, academic approach to painting and liberated their technique. During these workshops, Rosen was introduced to Pollack's groundbreaking "drip painting" before it changed the art world. As America became involved in World War II, the Federal Arts Project wound down, officially ending in 1942. Around this time, Rosen enlisted as a Merchant Seaman with the U.S Merchant Marines. During this time, he traveled to North Africa and Italy before concluding his service and moving to California where, in 1945, he devoted his full attention to building an art career. Within a couple of years, he landed a major exhibition at the Los Angeles County Museum of Art in 1947, and his first one-man show, which opened to rave reviews, was held at Hollywood's Contemporary Art Gallery. The exhibition’s success led to mural commissions from Palm Springs' Hotel del Tahquitz, and he scored more solo shows at West Hollywood's Chabot Gallery. The early 1950s brought a surge of recognition for Rosen's career, and while his work was certainly still influenced by Abstract Expression, his painting style included elements of Surrealism, Figurative Art, and Cubism. Like his colleague Jackson Pollack, Rosen produced work inspired by drip painting; however, rather than splattering, his drips were the natural flow marks from painting freely without regard for "mistakes." Throughout Rosen's long career, he would acquire techniques from vastly different art styles which made for a varied, eclectic catalog of work. Rosen continued to build his California art career and settled at a Laguna Beach art colony in 1958. There, he entered his work in the Laguna Beach Festival of Arts and was the first painter to contribute Abstract Art to the event. Rosen would participate in the festival for the next fifteen years. A year after his move, in 1959, Rosen opened his first studio gallery and began a 12-year collaboration with the Laguna Playhouse. For the next two decades, Rosen participated in 17 art exhibitions and 20 solo shows, and received considerable critical praise. Rosen's themes were as varied as his evolving painting style, and one of his themes focused on classic characters like Shakespeare's Hamlet. Rosen's close-up portraits of historical and literary figures, illustrated by the piece To Be or Not to Be: Soliloquy From Hamlet, capture the essence of the characters while remaining loose with the painting and even adding a slight cartoon feel. His ongoing Hamlet series, as a complete collection, makes an impact with the diversity of technique. Unlike the loose style of some of his works, the painting Madaam... that he is mad is true is influenced by the structure of Cubism, the flat dimensions of Byzantine Art, and his utilization of mixed media. After Rosen's death in 2004, the Laguna Beach Festival of Arts sponsored an exhibition of his Hamlet paintings at the Wells Fargo Building gallery. Throughout Rosen's career, he amassed a great deal of critical, industry, and public praise for his work. His beloved town of Laguna Beach bestowed numerous awards that include the Laguna Beach Annual Art Gallery Award and Orange County's Annual Exhibit Award. Rosen's work flourished in California, and he received recognition from the San Diego County Fair, Los Angeles' Miracle Mile...

Multi-colored figurative oil painting of a woman in bikini bathing in the California sun by listed California artist Jon Blanchette (American, 1908-1987). The colorful background is...

"Blue Heart Wife Love" San Francisco Figurative School -Joe Lysowski "Prankster" Portrait of his ex-wife while studying for his MFA in Fine art in Mexico by Joe Lysowski (American, 1938-2016) Signed on verso "J. S. Lysowski - Mexico - 6-65 Blue Heart - Wife Love" Image, 46"H x 36"W Frame, 47.25"H x 37.25"W x 1'D Joe Lysowski, former painter for the Maharishi Mahesh Yogi, the Kauai Hindu Monastery for Denny’s in-production film, Atlantis Risen. A Marine, Surfer, Artist, Ken Kesey...

A soulful young man is captured in a deep, contemplative state, detached from current external concerns, as he gazes beyond the picture plane. He is realistically rendered, but the s...

Double sided figurative abstract by San Jose, California area artist Daniel David Fuentes (American, 20c-2017). San Francisco bay area abstract expressionist and landscape artist dur...

Charming painting of colorful Gallic "Le Coq Gaulois" roosters by listed California artist Helen Enoch Gleiforst (American,1903-1997), circa 1950. Born in...

Portrait of a California Woman with Sunglasses in Acrylic on Masonite Portrait of a woman with sunglasses by an unknown central California coast artist Maria Pavao Hadsell (Potugal/American, 20th Century). A woman is looking to the right of the composition. She has shorter, dark hair, with a white flower behind her ear. She is wearing dark sunglasses and a black tank top. Behind her, there are lush plants and a vibrant blue sky. Maria Pavao Hadsell was born in Portugal and is mostly a self taught artist originally from Portugal. Later she immigrated to the USA and lived in Massachusetts, then she moved to Sunnyvale, California. Studied watercolor in Italy, and with Los Gatos artist William Wray. Signed "M Pavao...

Acrylic paint on masonite. The frame was painted by the artist.

Sylvia Rutkoff (1919-2011) Sr9-1 c.1950s "Girl with Beret" Impasto oil paint on Masonite 32x32 period frame Collection acquired from family estate *Custom framing available for addit...

This is a oil on masonite painting by Nahum Tschacbasov done in 1946. Signed lower left and housed in a hand carved wood frame circa 1920. Overall size with frame is 40 x 33 inches.

The Cosmic Dream - Visionary Figurative Nude Composition in Acrylic on Masonite Flowing and stylized figurative work by Kimberlee Kuwica (American, b. 1967). A figure is floating th...

Oil on masonite painting by the Russian/American artist, Nahum Tschacbasov. Signed top right and dated 1966. Titled verso. Condition is good. Unframed. Provenance: Sarasota, Flor...

The Cosmic Dream - Visionary Figurative Nude Composition in Acrylic on Masonite Flowing and stylized figurative work by Kimberlee Kuwica (American, b. 1967). A figure is dancing tho...

Artist: William Harnden, American (1920 - 1983) Title: Conductor with Orchestra Medium: Oil on Masonite, signed Image Size: 15.5 x 19 inches Frame Size: 18 x 21 inches

"Mr. Mute Mops Mouths Silent" - Whimsical Figurative in Acrylic on Masonite Bright figurative composition with a mime by Frances Mann (American, 20th Century). The figure in this pi...

Vibrant and expressive figurative work by John Lancaster (British, Born circa 1930). An adult figure looks into the distance, with its back to the viewe...

A whimsical modern figurative piece depicting a reclining woman with a black cat on a bright blue background by California artist Richard "Don" Klopfer (1920-2009). Signed on verso a...

Still life is an original modern artwork realized by Ugo Celada da Virgilio in the half of the 20th Century. Original Oil Paintig on Board. Hand-signed b...

Oil and acrylic paint on a three-dimensional wooden construction.

Nativity scene on an architrave of a cathedral, done in the style of Hummel figurines by Helen Gleiforst (American, 1903-1997). Signed "Gleiforst" in t...

Gregory Sumida (American, b.1948) 'Pick-Up Crossing' Oil paint on masonite board. Hand signed lower right 1976 Depicting a rural landscape and buildings, in a linen-lined pickled w...