Oil Figurative Paintings

The journey of human life is like a book. Books can be seen as a whole, from the front to the back, and from all the angles, all give an idea of what the book is about. Books not onl...

Large mythic seascape painting of woman in blue evening gown at the beach Mr. Basso's work is known for ironic, fantastic, and clever narrative elem...

Waiting in Ceuta, acrylic on canvas, 100cm x 80cm Even in his most realistic images, there is a beautiful exaggeration in the paintings of Peter Rodulfo...

This is a one of a kind original painting by southern California artist, Kathleen Kane Murrell. Its dimensions are 24" x 36" x 2" It is oil on canvas. It is unframed. A certificate o...

Tristan Fabris 1953, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, framed inscribed verso framed: 32 x 24 inches canvas: 31 x 24 inches private collect...

Always be your BIGGEST cheerleader, first. Remember to stay true to yourself and have faith in yourself. Even on difficult days, never give up on making your dreams happen. Go after ...

A surreal interior view. A male figure looks out of a window. Inside the room, a table with un unexpected plate full of fish. The painting is realized with oil colors on thick paper ...

Artist: Seth Michael Forman, American (1962 - ) Title: Fatbelly Year: 2001 Medium: Oil on Canvas, signed and titled verso Size: 30 x 23.5 in. Frame Size: 35 x 29 inches

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful Architectural Italian Landscape. Porto Azzurro, 1964 Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27" x W 19" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...

LOOK FOR FREE SHIPPING AT CHECKOUT. The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico was recently painted by the Cuban artist Brian Sanchez in 2023. It is oil and mixed media on linen . The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico by Brian Sanchez shows the hyperrealism of modern Cuban art that is now available to the world art market. The Virgin & The Mechanical Creed - La Virgen y el Credo Mecanico is one of many of the hyperrealism paintings by the artist. Other available paintings by the artist Brian Sanchez are in the image section. Brian Sanchez recently showed at the Art Fair in Dallas, Texas. The painting is gallery wrapped . The mechanical need of being human or to have a faith or a sacred creed in which to trust is the theme of this painting. Artist Statement: In a way, when I start a painting, it's like starting a journey. A journey that explores my past, philosophy and the human subconscious. My creations in my view are very symbolic. There are many elements in it that have latent meanings, whether collective or personal. They also have a strong philosophical and psychological charge, mainly delving into the subconscious and the dark part that we possess and repress, contrasting it with the pleasant or tender part that we want to simulate. The origin of things has a great meaning in me. This is how my inspiration arises in the world of childhood - as the origin of man - abstract symbols that simulate cells - origin of life -, the wheel - origin of civilization. I also use circles to symbolize cycles of time and life. Passage of time, nostalgia, pain, loneliness, human darkness, disturbing and perhaps bitter elements, I contrast them like enigmas in environments of apparent calm. Innocent figures with heartbreaking and enigmatic worlds. I exploit all the techniques, even sometimes I use unconventional materials until I reach the desired point of maximum expression. Influenced mainly by Klimt, Flemish medieval masters, Chagal, Pedro Pablo Oliva, Joan Miro...

Aiden Kringen's (US based) "Opulence 12" is an original handmade oil painting that is unframed, but ready to hang. About the Artist: A kaleidoscopic fantasia—crystalline planes floating in space, nestling together like immaculate puzzle pieces—abstract nebulae, human figures and faces enveloped in swirling fields or particles of energy—these number among the images evoked by the hauntingly enigmatic paintings of artist Aiden Kringen. Within this worldview a mysterious network of interlocking planes becomes visible to the beholder: mystical fields of unknown substance revealed as the building blocks of our bodies and semblances, surrounding, cocooning, perhaps even protecting us. It is a vision verging on the mystical, which Kringen portrays through a distinctive style: a fractured, cubistic mode of conscious- ness in which multiple dimensions or perspectives assimilate into an ecstatic whole. The artist deploys this style in opulent and seductive portraits as well as abstract tableaux whose optical signature is magnified by compositional dynamism and deeply layered surfaces. Born in Los Angeles in 1992, Kringen lived variously in the American West and Mexico—Sebastopol, Jalisco, Portland, Flagstaff—before settling in the hill- and vineyard-dotted environs of Sonoma, County, where he is now based. In these very different environments, each of which possesses a uniquely picturesque natural beauty, the artist began from an early age to develop his aesthetic approach. He has always had a keen eye for detail, grounded in a gift for looking closely at the human experience. “I’ve always been interested in observing people,” he recalls, “and in the details of how we interact with one another.” He put this natural ability to task when he began working on illustration and graphic-design projects while in high school. From his mother, an artist and graphic designer, he learned the fundamentals of composition and typography, the nuances of positive and negative space and the relationships between them. Using sheets of Letracet—a system for transfer- ring typeface—proved particularly instrumental in developing a methodology for layering and collage, which continue to inform his works on canvas and paper. He learned old-school tech- niques, hands-on and mechanical, in keeping with a Bauhaus-like appreciation for perfectionism, integrity, and hard work. Kringen began painting at 14. Then as now, drawing was central to his approach. He studied vintage anatomy atlases and drew meticulously in his journals, working through myriad permutations of bones and skin, angle and pose, muscles in motion. Honing his natural talent for figuration through long and exhaustive study, he arrived at an understanding of the figure that is both intuitive and virtuosic. On acrylic and mixed media on canvas, Kringen lays down linework with a Micron pen in ever-more-complex compositions, often with the addition of gloss mediums to bring out the layers’ reflectivity and prismatic character. In some pieces he incorporates gold and silver leaf to heighten drama and luxuriance, recalling the mosaic-like work of Gustav Klimt—who, along with fellow Austri- an Expressionist Egon Schiele, stands among Kringen’s most prominent influences. It was in 2011 that he began painting in the style with which he is now most associated: a technique fusing drawing and painting, line and brushstroke, with fragmented shapes undergirding the imag- ery. Notably, this is not simply a stylistic conceit, but more a way of perceiving reality. “Ever since I was young,” Kringen notes, “I’ve spent most of my time observing people: trying to break people down, in a visual sense, into small categorizations of their features, their mannerisms, the way they twitch their nose...” His hypersensitivity to likeness and gesture is key, for this is what distinguishes his portraits from those by artists who strive to depict idealized beauty as an end in itself. Yes, there is an undeniable beauty to Kringen’s subjects, but it does not follow strictly conventional paradigms. There is an individuality, a capturing of idiosyncracies and eccentricities, of optimism and fatalism, light and dark, in his work. He is not painting archetypes, but rather illuminating the essential charac- ters of real people in a highly refined genre of psychological portraiture. The fragmented linework, the grids of planes he uses as lenses to focus these characteristics, is sui generis but never gimmicky; above all it is a tool for defining and refining the features of the face, adding depth and definition. In his abstract work he uses similar techniques, paring the fabric of perception itself down to bare essentials of form, color, and texture. The abstract pieces are simultaneously elegant and complex, combining the sweeping gesturalism of Abstract Expressionism with the rigorous structure of geomet- ric painting. Across the breadth of his output Kringen balances technical and thematic polarities into bracing integrations of sensuality and grittiness, inviting contemplation into the nature of opticality and the infinite possibilities of the seen and unseen. —Richard Speer is a contributor to ARTnews, Artpulse, Visual Art Source, and Surface Design. His essays and reviews have appeared in The Los Angeles Times, The Chicago Tribune, The New York Post, The Oregonian, Salon, Newsweek, and Opera News. He is the author of “Matt Lamb...

Title: Untitled 44 Medium: Oil on canvas Size: 11.5 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2014 Artist: Shaohua Nong...

Aiden Kringen's (US based) "Onyx" is an original handmade oil painting that is unframed, but ready to hang. About the Artist: A kaleidoscopic fantasia—crystalline planes floating in space, nestling together like immaculate puzzle pieces—abstract nebulae, human figures and faces enveloped in swirling fields or particles of energy—these number among the images evoked by the hauntingly enigmatic paintings of artist Aiden Kringen. Within this worldview a mysterious network of interlocking planes becomes visible to the beholder: mystical fields of unknown substance revealed as the building blocks of our bodies and semblances, surrounding, cocooning, perhaps even protecting us. It is a vision verging on the mystical, which Kringen portrays through a distinctive style: a fractured, cubistic mode of conscious- ness in which multiple dimensions or perspectives assimilate into an ecstatic whole. The artist deploys this style in opulent and seductive portraits as well as abstract tableaux whose optical signature is magnified by compositional dynamism and deeply layered surfaces. Born in Los Angeles in 1992, Kringen lived variously in the American West and Mexico—Sebastopol, Jalisco, Portland, Flagstaff—before settling in the hill- and vineyard-dotted environs of Sonoma, County, where he is now based. In these very different environments, each of which possesses a uniquely picturesque natural beauty, the artist began from an early age to develop his aesthetic approach. He has always had a keen eye for detail, grounded in a gift for looking closely at the human experience. “I’ve always been interested in observing people,” he recalls, “and in the details of how we interact with one another.” He put this natural ability to task when he began working on illustration and graphic-design projects while in high school. From his mother, an artist and graphic designer, he learned the fundamentals of composition and typography, the nuances of positive and negative space and the relationships between them. Using sheets of Letracet—a system for transfer- ring typeface—proved particularly instrumental in developing a methodology for layering and collage, which continue to inform his works on canvas and paper. He learned old-school tech- niques, hands-on and mechanical, in keeping with a Bauhaus-like appreciation for perfectionism, integrity, and hard work. Kringen began painting at 14. Then as now, drawing was central to his approach. He studied vintage anatomy atlases and drew meticulously in his journals, working through myriad permutations of bones and skin, angle and pose, muscles in motion. Honing his natural talent for figuration through long and exhaustive study, he arrived at an understanding of the figure that is both intuitive and virtuosic. On acrylic and mixed media on canvas, Kringen lays down linework with a Micron pen in ever-more-complex compositions, often with the addition of gloss mediums to bring out the layers’ reflectivity and prismatic character. In some pieces he incorporates gold and silver leaf to heighten drama and luxuriance, recalling the mosaic-like work of Gustav Klimt—who, along with fellow Austri- an Expressionist Egon Schiele, stands among Kringen’s most prominent influences. It was in 2011 that he began painting in the style with which he is now most associated: a technique fusing drawing and painting, line and brushstroke, with fragmented shapes undergirding the imag- ery. Notably, this is not simply a stylistic conceit, but more a way of perceiving reality. “Ever since I was young,” Kringen notes, “I’ve spent most of my time observing people: trying to break people down, in a visual sense, into small categorizations of their features, their mannerisms, the way they twitch their nose...” His hypersensitivity to likeness and gesture is key, for this is what distinguishes his portraits from those by artists who strive to depict idealized beauty as an end in itself. Yes, there is an undeniable beauty to Kringen’s subjects, but it does not follow strictly conventional paradigms. There is an individuality, a capturing of idiosyncracies and eccentricities, of optimism and fatalism, light and dark, in his work. He is not painting archetypes, but rather illuminating the essential charac- ters of real people in a highly refined genre of psychological portraiture. The fragmented linework, the grids of planes he uses as lenses to focus these characteristics, is sui generis but never gimmicky; above all it is a tool for defining and refining the features of the face, adding depth and definition. In his abstract work he uses similar techniques, paring the fabric of perception itself down to bare essentials of form, color, and texture. The abstract pieces are simultaneously elegant and complex, combining the sweeping gesturalism of Abstract Expressionism with the rigorous structure of geomet- ric painting. Across the breadth of his output Kringen balances technical and thematic polarities into bracing integrations of sensuality and grittiness, inviting contemplation into the nature of opticality and the infinite possibilities of the seen and unseen. —Richard Speer is a contributor to ARTnews, Artpulse, Visual Art Source, and Surface Design. His essays and reviews have appeared in The Los Angeles Times, The Chicago Tribune, The New York Post, The Oregonian, Salon, Newsweek, and Opera News. He is the author of “Matt Lamb...

Miguel Anibal (Chile, b. 1935), signed Miguel Anibal is a painter, fresco artist and engraver born in 1935 in Chile. He lived in Mexico between 1960 and 1972, where he exhibited in numerous galleries. With the arrival of Pinochet in power in 1973, he left South America for Europe, where he participated in various exhibitions, both personal and in groups. Laura Allende, widow of the Chilean president who was in power during the coup, asked the artist to send her two large paintings...

Artist: Armando Villagran, Mexican (1945 -1995) Title: Mal Muchacho (Bad Boy) Year: 1987 Medium: Oil on Canvas, signed l.l. Size: 47 x 39 inches [119.38 x 99.06 cm] Frame: 49 x 41 in...

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

Superbe bold original painting on canvas depicting the vivid portrait of a red boxing glove held by an anonymous figure in a coat. keywords; boxing glove...

Title: Others Medium: Oil on canvas Size: 31 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2013 Artist: Shaohua Nong...

Title: A Touch Of Red Cloud Medium: Oil on canvas Size: 22 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2...

Busy is a tridimensional original painting on paper on branches depicting tailor ladies working taking body measurements along a path in a dark night. keywords; vintage tailor ladi...

Title: Incantation In The Air Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year:...

Genre: Judaica Subject: Abstract Medium: Oil Surface: Canvas Country: United States Dimensions: 24" x 16" Yuri Yefimovitch Brusovany was born on November,15th 1949 in Leningrad (St. Petersburg). His father was a Jew from Gomel. His mother descended from the prominent family of Samoiloff Actors. This family was well-known all over Russia for a long time. Since 1820 names of the actors from the Samoiloffs' Dynasty never left the theatre posters. It was the largest family tree in the history of Russian scenic art. The central figure in the dynasty was V.V. Samoiloff (1834 - 1877) lived at the same time with Feodor Dostoevsky, Karl Brullov and Leo Tolstoy. V.V. Samoiloff, P.V. Samoiloff and V.A. Michurina-Samoilova were buried at the Alexander Nevsky...

Hermits is a tridimensional original painting on paper on branches depicting a woman next to a giant butterfly along a path in a dark night. keywords; butterfly, woman, lingerie, americana...

French Surrealist artist, circa 1960’s oil painting on canvas with stuck on magazine art, unframed canvas: 15 x 18 inches provenance: private collection, Paris condition: overall good

Artist: De Es Schwertberger (Dieter), Austrian (1942 - ) Title Stepping In Year: circa 1980 Medium: Oil on Masonite Size: 55 x 76 inches

One More is a tridimensional original painting on paper on branches depicting a golfer playing on a field on a sunny day. keywords; golfer, yellow shirt,...

A magical creature, a nude female body in harmony with natures elements. An erotic fantasy, a white male peacock and a swarm of dragonflies on a blueish background. Heroins & magic...

Soulmate is a superbe original painting on canvas depicting a woman bather next to a giant white Swan on a green lawn against an intense red sky. keywords; white Swan, woman bather,...

Tristan Fabris 1973, French surrealist artist Abstract Surrealist composition oil on canvas, framed framed: 33 x 27 inches canvas: 32 x 25 inches private collection, France The pain...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Signora, Vestita Di Giallo, 1969 Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 38" x W 30", (Panel) H 28" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings...

Superbe bold original painting on canvas depicting the vivid portrait of a red boxing glove held by an anonymous figure in a coat. keywords; boxing glove, red glove, Brown coat, ame...

Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Surrealism, Title: Angel's Whisper, Size: 35" x 48" x 1'' inch, 89x122.5x6 cm, Fr...

This contemporary painting by Laurence O’Toole presents an imaginary landscape that focuses on his classic motif of a red truck combined with a cluster of ro...

This is a one of a kind oil on canvas figurative painting by San Diego artist, Charlene Mosley. It is unframed. Its dimensions are 12" x 10.5"x 1.7". It is framed. A certificate of a...

Clean, surreal depiction of a Boy Scout by Robert Peluce (American, 1937-2004). Dressed in full uniform, a Boy Scout holds a pipe to his lips. Above the ...

Tristan Fabris 1989, French Surrealist artist Abstract Surrealist Figurative study oil on canvas, unframed inscribed verso dated 1989 painting: 32 x 25.5 inches private collection, F...

LEAF AND COUPLE is a superbe and vivid original painting on canvas depicting a still life of a fall leaf next to a vintage black and white photograph of a couple in a tender brace. ...

LOVERS AND AUTUMN LEAVES is a superbe original painting on canvas depicting a still life of a fall leaves next to a vintage black and white photograph of a couple in a loving embrace...

Last Resort is a good example of Hundertmark's narrative painting style. There are mixed media collage areas covered in oil paint with glimpses of collage visible. The picture descri...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work i faucist recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...

"All the world's a stage, and all the men and women merely players," wrote the bard of Avon. And who hasn't said, "Life is a balancing act"? "The Performance" is a theme dear to the ...

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Regina (the Queen) Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...

Dan Solojoff, Russian (1908 - 1994) Daniil Andreyevich Solojef born in St. Petersburg on February 27 (February 14) 1908 and died on 21 in Paris 1, is a poet, painter and illustrator...

This is a one of a kind original oil painting by San Diego artist, Julia San Roman. Its dimensions are 41" x 61" x 1.5". It is framed as pictured. A ce...

Psychic Fallout is an original painting by Elisha Nyong. Elisha created Psychic Fallout with Oil on a 42W by 45H inches primed canvas. Psychic Fallout ac...

Nitmat Badawi’s work is of two themes, urban landscape in Aleppo, and figurative of ordinary innocent faces, particularly of women and children. The first theme of inspired by Aleppo...

Oil on board Image size: 5 3/4 x 7 inches (14.5 x 17.75 cm) As can be seen in this painting, Surrealism served as a source of inspiration for Bergner, though he did not consider himself a surrealist but a lover of stories, and indeed narrative elements appear frequently in his work. He uses the “displacement” element, as the Surrealists did, and that is detaching the figures, objects or landscapes from the logical context and into a poetical-magical climate. Nissim Aloni noted in 1983 He paints as though to install stabilizers against the turbulence of the dream, and perhaps these stabilizers serve him in time as a touchstone'. The Artist Yosl Bergner was born in Vienna, Austria, in 1920 and grew up in Warsaw, Poland. With rampant anti-Semitism in Europe, the Freeland League for Jewish Territorial Colonization was formed in the United States in July 1935, to search for a potential Jewish homeland. Soon afterwards a pastoral firm in Australia offered the League about 16,500 square kilometres (6,400 sq mi) in the Kimberleys, stretching from the north of Western Australia into the Northern Territory. As history showed, the plans went nowhere. But for a time, the Australian idea was at least worth considering. Bergner's father, Melech Ravitch, became involved in a serious investigation of the Kimberley Plan. In this way the Bergner family moved to Australia. Yosl emigrated to Australia in 1937 and studied in the National Gallery School in Melbourne. During World War II he served for four and a half years in the Australian Army, and later continued his studies at the Art School. In Melbourne from 1937–48, Bergner befriended many of the local artists who now epitomize modern Australian art: Sidney Nolan, Albert Tucker...

This earlier work depicts an unexpected multicolored cone extending from the subject's eye. It represents a field of vision for a young Haitian female who gazes up. It reminds me of something Man Ray or the Dadaists did. Duval-Carrié's work is more than eye-opening. Signed lower right Work is framed - Framed Size - 18 x 22 Edouard Duval...

Work: Original Oil Painting, Handmade Artwork, One of a Kind Medium: Oil on Canvas Year: 2018 Style: Surrealism, Subject: Performance, Size: 47" x 29" x 2'' inch, 121x74.5x5 cm, Fram...

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

This is a one of a kind original oil painting by San Diego artist, Julia San Roman. Its dimensions are 40.75" x 61" x 1.5". It is framed as pictured. A certificate of authenticity wi...

Nude study by Andy Smith (American, 20th Century). A woman is seated, slightly leaning to the left of the composition. The background fades from a rusty red to a dark blue, changing ...

French, réalisme fantastique, Surrealist oil on board by Claude Verlinde. Signed and dated bottom left. Presented in plain wood frame with gilt filet. ...

ZBIGNIEW WOZNIAK (b. 1952) Studied at the Academy of Fine Arts in Wroclaw, at the Department of Glass and Ceramics. He is involved in painting, graphics and artistic glass design. He...

"The Star" 2004 by Mark Ryden & Marion Peck Oil on Wood Signed by both artists Custom Framed

Gregory Block's (US based) "Expanse" is an original, handmade oil painting that depicts an overlook over a city and the land beneath it that stretches out to the horizon. Gregory w...