Oil Figurative Paintings

Gorgeous figurative landscape of a Carmel roadside grocer by Edda Maxwell Heath (American, 1874 - 1972). Signed and dated lower left corner. Presented in giltwood frame. Image, 20"H ...

Painting, oil on canvas, with dimensions of 128 x 120 cm without frame and 138 x 130 cm with frame, depicting a Parade. Russian painting, signed, 1950s, of fine workmanship, fresh,...

Painted circa 1955 by Victor Di Gesu (American, 1914-1988) and stamped verso with Victor Di Gesu estate stamp. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...

"Lunar Encounter with Child" by Philadelphia born modernist painter Leon Kelly, is a large, brightly colored surrealist portrait of two figures. The 40" x 30" oil on canvas was paint...

Ernest Fiene depicts Fifth Avenue looking down from 57th Street with an unobstructed view of the Empire State Building. The absence of newer glass and steel architecture gives the painting the charm of old New York. The artist captures a dark, moody blue sky as light bounces back from the clouds. This contrasts with the somewhat haunting yellow glow given to pedestrians and street traffic. The people have somewhat of a zombie quality akin to George Tooker. Best viewed with a top and direct gallery light...

Artist's Address - Mid 20th Century Impressionist Oil by Dorothy King - London Dorothy King was born and lived in London in 1907. She studied at the Hornsey School of Art under JC Moody, then briefly at the Slade School of Fine Art with Randolph Schwabe. She took up painting professionally after the war and in 1947 was elected to the RBA. In 1959 she was a temporary keeper of its galleries in Suffolk Street and then, from 1961-1974, was a keeper of the South London Art Gallery. Dorothy King’s paintings were exhibited at the Royal Academy, the New English Arts Club and elsewhere in the U.K. and her work is represented in the Metropolitan Museum of Modern Art in New York. A memorial show was held at the Mall Galleries in 1992 after her death in 1990. This piece of the artists house in London was created using oil on canvas and is in a wooden frame. Keywords: Impressionist, impressionism, artist window, address, London, Russell Square...

Charming oil painting of the Wells Fargo Express Office building in the gold country town of Columbia State Historic Park in Columbia, California by Cecil ...

Woman portrait. 1955, oil on canvas, 50.8 x 40.6 cm Elegant woman portrait with scarf

Woman portrait. 1955, oil on canvas, 50.5 x 40.6 cm Elegant woman portrait with scarf

Alexander Sharpe Ross is an artist of consummate skill and wit. This painting captures a young girl in a doctor's office without permission. A p...

Beautiful mid century plein air figural landscape of Laguna Niguel, California by an unknown artist (American, 20th Century). The morning sun gli...

'Mountain Landscape', oil on canvas, by Louise-Jeanne Cottard-Fossey (circa 1950s). A very idyllic, verdant scene depicted by this renown French fem...

Signed lower right. Description A portrait of a stylized young man dressed in a blue coat with a ruffled white shirt in an artistic background suggest that it may be a portrait of a young actor or performer. About the artist. Joseph Pollet was an important member of the Woodstock Art Colony. He emigrated to NYC in 1911 from Albbruck, Germany (born in 1897) and at age 21 had a promising career as an advertising copywriter. While working, he studied painting and his landscapes were immediately successful in NYC galleries. He studied at the Art Student's League with John Sloan, Robert Henri, and Homer Boss...

Work in the village. Oil on cardboard, 20x32 cm

Exceptional detail in this painting of boys playing dice by R. Hauslar (German, 20th Century). A Hausler interpretation of a work by the famous Bartolome ...

John Edward Costigan, N.A. American, 1888-1972 Bathers Oil on canvas Signed ‘J.E. Costigan N.A.’ lower left 20 by 24 in. W/frame 26 by 30 in. John Costigan was born of Irish-American parents in Providence, Rhode Island, February 29, 1888. He was a cousin of the noted American showman, George M. Cohan, whose parents brought the young Costigan to New York City and was instrumental in starting him on a career in the visual arts. They were less successful in encouraging him to pursue formal studies at the Art Students League (where, however, he later taught) than in exposing him to the commercial art world through the job they had gotten him with the New York lithographing firm that made their theatrical posters. At the H. C. Miner Lithographing Company, Costigan worked his way up from his entry job as a pressroom helper, through various apprenticeships, to the position of sketch artist. In the latter capacity he was an uncredited designer of posters for the Ziegfeld Follies and for numerous silent films. Meanwhile, he had supplemented his very meager formal studies in the fine arts with a self-teaching discipline that led to his first professional recognition in 1920 with the receipt of prizes for an oil painting and watercolor in separate New York exhibitions. A year earlier, Costigan had wed professional model Ida Blessin, with whom he established residence and began raising a family in the sleepy little rural New York hamlet of Orangeburg, the setting for the many idyllic farm landscapes and wood interiors with which he was to become identified in a career that would span half a century. John Costigan’s first national recognition came in 1922 with his winning of the coveted Peterson Purchase prize of the Art Institute of Chicago for an oil on canvas, “Sheep at the Brook.” It marked the start of an unbroken winning streak that would gain him at least one important prize per year for the remainder of the decade. The nation’s art journalists and critics began to take notice, making him the recurring subject of newspaper features and magazine articles. The eminent author and critic Edgar Holger Cahill was just a fledgling reporter when he wrote his first feature, “John Costigan Carries the Flame,” for Shadowland Magazine in 1922. Costigan had his first one-man show of paintings at the Rehn Gallery on New York’s 5th Avenue in November, 1924, to be followed less than three years later by another at the Art Institute of Chicago. In addition, Costigan’s work has been—and continues to be included, side-by-side with that of some of America’s most high-profile artists, in museum and gallery exhibitions throughout the country. His renown had peaked in the early 1930s, by which time his work had been honored with nearly every major award then being bestowed in the fine arts and had been acquired for the permanent collections of several prestigious American museums, including New York’s Metropolitan (which only recently, in 1997, deaccessioned his “Wood Interior,” acquired in 1934). Although Costigan’s celebrity had ebbed by the late 1930s, the Smithsonian Institution saw fit in 1937 to host an exhibition exclusively of his etchings. And, in 1941, the Corcoran Gallery (also Washington, D.C.) similarly honored him for his watercolors. (Another Washington institution, the Library of Congress, today includes 22 Costigan etchings and lithographs in its permanent print collection.) During World War II, Costigan returned briefly to illustrating, mainly for Bluebook, a men’s pulp adventure magazine. A gradual revival of interest in his more serious work began at the end of the war, culminating in 1968 with the mounting of a 50-year Costigan retrospective at the Paine Art Center and Arboretum in Oshkosh, Wisconsin. Oils, watercolors and prints were borrowed from museums and private collections throughout the country, and the exhibition was subsequently toured nationally by the Smithsonian Institution. John Costigan died of pneumonia in Nyack, NY, August 5, 1972, just months after receiving his final prestigious award —the Benjamin West Clinedinst Medal of the Artist’s Fellowship, Inc., presented in general recognition of his “...achievement of exceptional artistic merit...” in the various media he had mastered in the course of his career. This painting depicts one of the artist's favorite themes --the farm family bathing...

This exceptional oil on canvas by master Pop artist Roy Lichtenstein is an exceptional and unique example of his early pre-pop work. It is signed by the artist, upper right. After m...

ISMAEL GONZÁLEZ DE LA SERNA Spanish, 1898 - 1968 "PORTAL VIEW - SAILBOATS IN HARBOUR" unsigned oil on masonite 25-1/4 x 22-1/2 inches (64 x...

Huile sur toile. Dimensions avec cadre: 71x63 cm. Isaac Antcher est un peintre moldave né le 21 janvier 1899 à Peresecina et mort à Malakoff le 21 av...

Original mid-century modern oil on canvas board painting of a woman with birds by the well known Russian/American artist Nahum Tschacbasov. Signed and ...

Three fishermen working on a sunny day at the dock in Monterey, California; a rich mid century figurative landscape by an unknown artist (American, 20th Century). Unsigned. Presented...

Helena Malarewicz-Krajewska (born 14 July 1910 in Biecz , died May 7, 1998 in Warsaw) is a Polish painter, active advocate of socialist realism. Studied between 1928 and 1929 at the...

Irish mid-century landscape of Errigal, Co. Donegal. Well painted scene of the Irish landscape with water and mountains. The artist was active during the 1950s-1960s and these soug...

Medium: Oil on Canvas with an Element of Collage Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, February 27th, 1954. The Post described, “...

This work was painted in 1958 ( per the label from Illustration House. It was published in 1959. This is very common in the publishing world where a world of art is commissioned t...

Mid century portrait of a girl in bonnet by listed artist Helen Mae Enoch Gleiforst (American,1903-1997), circa 1950. Unframed. Signed "Gleiforst" lower left corner. Image size: 20"H...

Marcel von Herrfeld, born in 1889, was a son of Alice Herrfeldt and the Spanish painter of nudes Luis Ricardo Falero (1851-1896) who worked in Pari...

A modern abstract expressionist oil painting signed illegibly and dated 1956.

Mid century Native American portrait by B. Shepard (American, 20th Century). Signed "B. Shepard" lower middle. Unframed. Currently on a mat, ...

Italy,Dancer,White ,Grey Little Girl ,Italian Painter Edgardo CORBELLI (Turin, 1918 - 1989) From the traditional composition of the 1930s, the painting of Corbelli leads to techni...

Boulevard de la Madeleine. Oil on canvas, 33,3x46 cm Street in Paris at evening

At the Beach is an original artwork realized by Ivan Mosca in 1950. Original oil painting on canvas. Hand-signed and dated on the back. The artwork represents a group of people at...

skiers by Kolkhoz at winter A. Zviedris was a member of the Latvian Artists’ Union since 1945 and had more than 50 solo exhibitions in Latvia. He travelled extensively by yacht aroun...

A wonderful pointillist oil on canvas by French post-impressionist painter Jacques Martin-Ferrieres. The piece depicts people visiting a bustling fair - Salon des arts ménagers (Hous...

At work. 1950, oil on cardboard, 49x69 cm Socrealist artworks, women are sorting sprats Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National Uni...

Impressionist mid-century still life of flowers in a vase, with poppies. This is an oil on canvas and is framed in a vintage English frame. The artist was also a restorer and maybe more famous as running a studio of forgers in London, as well as being a respected painter. His most famous pupil was Eric Hebborn...

View of Via Margutta is an original contemporary artwork realized by Nicotra da Cosenza in 1954. Original oil on canvas. Hand-signed and dated by the artist on the lower right corner. Decorated frame is included. Mint conditions. Beautiful intense view depicting the buildings and the roofs in Via Margutta. Interesting light effect and dense and pasty color characterize this painting. This work has been realized by Nicotra Alberto. Nicotra Alberto (best-known as Nicotra da Cosenza) (Cosenza, 1899 - Rome,?) was an Italian painter. He studied in Naples and attended the studies of Michele Cascella...

Saturday Evening Post interior illustration Signed lower right

Substantial California oil painting of a Navajo horseman in the New Mexico mountains. Stylistically similar to Constantine Cherkas Navajo Rider painti...

Born in London, Peter studied at Hammersmith School of Art 1935-1938 & 1947-1950 and at the London Institute of Education 1951 & 1971. He was awarded the Art ...

The Adoration of the Golden Calf is an original modern artwork realized by Jacob Willemsz I de Wet (Haarlem, c. 1610 – between 1675 and 1691) in the half o...

Medium: Oil on Board Signature: Signed Lower Left Many Rivers to Cross (Steve Frazee / Fawcett Gold Medal #935, October 1959) - (#S1371, December 1963)

Medium: Oil Painting Signature: Unsigned Contact for exact dimensions.

Crockwell is as good as Rockwell. Many would agree with that statement including the editors of the Saturday Evening Post in which both artists were frequent contributors. In fact, ...

A fine Impressionist oil, ' Young Friends by the Beach Watching Fishermen' circa 1950's. oil on canvas 43cm x 53cm Good quality gallery frame 52cmx62cm ...

Pal Fried, Hungarian/American, 1893-1976 Mona Lisa Oil on canvas 30 by 24 in.W/frame 38 by 32 in. Signed lower left Pal was born in Budapest and studied at the Hungarian Academie ...

Medium: Oil on Board Signature: Signed Lower Left Original cover illustration for The Saturday Evening Post, May 30, 1959. The Post described, “It is so refreshing to get away from...

Victorious Samson is an original modern artwork realized in Italy in the 1950s by Luchino Visconti (Milan, 1906 - Rome, 1976). Original oil on canvas...

Medium: Oil on Canvas Signature: Signed Lower Right

Artist: William Harnden, American (1920 - 1983) Title: Conductor with Orchestra Medium: Oil on Masonite, signed Image Size: 15.5 x 19 inches Frame Size: 18 x 21 inches

Oil on canvas painting by the Italian artist, Jean Calogero. Circa 1950. Signed lower left Overall in museum quality gold leaf frame 17.5 by 15.75 inches. Condition: Good. Provenan...

Date: 1953 Medium: Oil on Canvasboard Dimensions: 15.00" x 12.00" Signature: Signed Lower Left This illustration was published as the cover for Indiscretions of a French Model by Ba...

Eugene Brands: 1913-2002. Very important Dutch painter with auction records over $165,000. He was one of the founders of the avant-garde Cobra School. T...

EMILIO GRAU SALA Spanish, 1911 - 1975 BOULEVARD OF PARIS signed Grau Sala (lower right) oil on canvas 25-1/2 X 32 inches (65 X 81 cm.) framed: 36-1/4 X 42-1/2 inches (92 X 108 cm.) PROVENANCE Sale: Sotheby´s Olympia London, 20 October 2006 Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall. His first works were exhibited at the Salon des Independents, in the years 1930-33. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. In this work Grau Sala has a loose, subtle brushstroke, in which the color shapes the entire work. The bright and transparent whites that give life to young schoolgirls contrast with the brushstrokes of blacks from the nun who accompanies them. The explosion of greens is refreshing, it surrounds us and transports us to an idyllic place, even if it is a citizen boulevard, which becomes friendly and beautiful. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar...

Charles McCall 1907 - 1989 The Dressing Table Oil on canvas, signed & dated 1951 Image size: 30 x 25 inches Gilt frame Charles McCall was born in Edinb...

This work is hand signed by the artist "Kikoine" in the lower right. This work was painted in circa 1950-1955. Literature: Cassou, Jean, Roditi Edouard, Mann, Mendel & Yankel, Jac...

Irish mid-century landscape of Glen Lough, Co. Donegal. Well painted scene of the Irish landscape with water and mountains. The artist was active during the 1950s-1960s and these s...

Irish mid-century landscape of Mulroy Bay, Co. Donegal. Well painted scene of the Irish landscape with water and mountains. The artist was active during the 1950s-1960s and these s...