Pencil Figurative Paintings

Two Nudes, 2016 by Celso Castro-Daza One of a kind Pastel, carbon pencil, ink on archival paper mounted on board Image size: 40.5 H in. x 55.5 in. W Mounted on acid-free board: 41 H x 56 in. W Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below signed piece of paper is 8 x 6 inches In good condition, though with min...

Portrait of an Elegant Lady original pencil drawing on paper by Marjorie Schiele (1913-2008) *see notes below piece of paper is 8.5 x 6 inches In good condition, though with minor o...

"In Chains" Male Nude inspired by St Sebastian. Ultramarine tempera on colored paper. Size 27.5x19.5in / 70x50cm . See the other nudes from the same series. Shipped rolled in a...

About the Artwork Hayoung Kim's paintings incorporate her own experiences in real life. Now she has given birth and encountered a whole new phase of life. While experiencing motherho...

Mickey Mouse Walt Disney Manga Cartoon Pop Art by Young British Urban Graffiti Artist, Chris Pegg, entitled 'All That Glitters'. Chris Pegg is a self-t...

An original work by Noche Crist (1909- 2004). Titled "Femme Fatale" and signed on reverse. Wonderful work made with cut wood, paint and plaster. Catalogue of an exhibition in 2008 ...

Clarence Holbrook Carter (American, 1904-2000) Transection with Architectural Forms, c. 1980s Acrylic and graphite on board 12 x 20 inches A surrealist mid-century figural abstract ...

Beautiful abstract painting by American artist, James Floyd Clymer (1893-1982). Docks, Sunrise, ca.1930. Watercolor and pencil on paper measures 16 x 21 inches. Signed lower margin. ...

Cake is an excellent example of Hundertmark's political style of mixed media work. The painting is an inventive interpretation of Russia's return to Cold War tactics in Ukraine.

This is drawing made with pen, pencil and watercolor on wood done from life of donkeys the artist observed in Mexico, and cacti, and a woman holding up the hoof of one donkey. Whims...

Unique work made from handprinting and printed collage on paper.

"Still Life with Yarn" Painting 16" x 16" inch by Ahmed Saber ink on paper AHMED SABER - BIO Ahmed Saber is an Egyptian artist based in Luxor in Uppe...

Winter Landscape is an old master artwork attributed to Antonie Beerstraten (1639-1665). The artwork depicts a river with hunters. Mixed colored oil on canvas.

E. Simms Campbel was the first major African American Illustrator. He did covers for Esquire Magazine starting in the 1930s. He created the famous bulging-eyed Esquire Mascot “Esky.” He also worked for The Chicagoan, Cosmopolitan, Ebony, The New Yorker, Playboy, Opportunity: A Journal of Negro Life, Pictorial Review, and Redbook. This work, "What do you mean your wife doesn't understand you ---- I'm your wife!" is from Cuties Daily Comic Strip, June 18, 1950 He was inducted into the Society of Illustrators' Hall of Fame in 2002. His work demonstrates a deep and masterfully understanding of drawing figures and faces in an academic but stylized style. "My pleasure, boys. Always glad to see a delegation from the States." From the Playboy Collection...

A handsome man and a beautiful woman are depicted in a rapturous pose. Their bodies are intertwined with each other and with the surrounding floral elements. This masterfully render...

Gahan Wilson was the Master of the macabre, and most of his work is associated with Charles Addams. The beauty of a Gahan Wilson is that is a payoff pu...

The Cattery by Orovida Pissarro (1893-1968) Oil and pencil on canvas 61 x 51 cm (24 x 20 ⅛ inches) Signed and dated upper right Orovida 1964 Provenance Estate of the artist G Hassel...

Are We There Yet? (2014) by Roberto Fonfría Acrylic, graphite, oil pastels, paper & transfers on wood Image size: 48 in. H x 72 in. W One of Kind Mixed Media _________________________________ Roberto Fonfría lives and works in Miami, Fl He was born in Caracas, Venezuela in 1969 Roberto Fonfría creates stories through a random mix of found images, photographs, drawings, and words. He combines these elements and builds layers and textures using acrylics, common objects, and collage. His work explores human behavior and social rules with a critical eye and humor, touching on personal themes such as dreams, fears, and memories. The images come from old magazines...

Classic illustration for a romanace novel from the 1950's in England. Recently these charming works have been the source of interest and even parody. Unsigned, unframed. Vale Studi...

Large vertical self portrait by Bay Area artist Michael Pauker (American, b.1957). A minimalist portrait of the artist is at the center of this piece, w...

Lorraine Fox was an American illustrator and commercial artist who illustrated magazines, book covers, and advertisements. Among the magazines, she illustrated for were Woman's Day, ...

Chaurasiya experiments with his mediums, using unconventional materials like matchsticks and motherboards to create a cultural commentary on our decaying natural surroundings. His wo...

Mid 20th Century Italian Futurist, Novecento Italiano, work on paper, signed bottom right and with dedication top right (see photos). The subject is bathers enjoying the delights of a spa and sauna with colourful tiling to the background. The classical figures languorously positioned in repose but the central 'white' figure in stark contrast. The play on colours gives the work a vibrancy. The drawing is possibly a preparatory sketch for a larger work or mural. A vibrant, exciting and colourful work incorporating the styles of Futurism and the Novecento Italiano movement and with the influences or artists such as Anselmo Bucci, Adami, Jean Helion, Maryan, Achille Funi and Ugo Guidi. Anselmo Bucci was born in 1887 in Fossombrone in the district of Pesaro. Even though he studied Classics, right from a tender age he showed a talent for drawing and, when his parents moved near to Florence, he was taught by the artist Francesco Salvini. In 1904 the family settled in Monza and so the boy was able to study for a year at the Accademia di Belle Arti di Brera, but he did not follow up this educational experience and in 1906 he left Italy for Paris where he came into contact with the Parisian avant-garde, met fellow Italian artists such as Severini and Modigliani, and made friends with Picasso, Utrillo and Apollinaire. In 1907 he showed a painting at the Salon, but these Parisian years were most important for his love of engraving techniques – etching and dry point that enabled him to fully develop his themes characterised by movement. On the outbreak of war in 1915 he returned to Italy and he enlisted in the same battalion as several Futurist artists such as Martinetti, Boccioni, Sant’Elia and Carlo Erba. In 1914 he won the silver medal at the Mostra dell’Incisione (Exhibition of Engravings) at Florence. In 1917 in Paris he published pictures of war scenes entitled “Croquis du Front Italien”. In 1919 he printed twelve lithographs entitled “Finis Austriae” again showing events from the war. At the end of the war he lived between Milan and Paris and he dedicated his time completely to his art with personal exhibitions, exhibiting at all the most important Italian and French shows, in Belgium, Holland and England. In 1922, he established the group “Movimento del Novecento”, (Novecento Italiano), (20th century Movement) a joint venture with the artists Sironi, Funi, Oppi, Malerba, Dudreville and Marussig. Their aim was to return to figurative art in contrast with the growing extremism of the Avant-gardists. In 1925 he worked on the illustration of the first edition of Kipling’s The Jungle Book producing eight dry point plates. In the early 30’s he lived in Bucci, Trieste, where he worked on the furnishing of the steamships for the Trieste Navigazione Libera, at the same time he continued to work on many book illustrations. During the second European war he adapted to being a war artist recording the events of the war as he had done previously. Indeed the engravings depicting battles of the Marines and the Air Force belong to this period. In 1945, following the bombing of his house in Milan, he returned to Monza to his father’s home where he remained until his death. Futurism was an Italian art movement of the early twentieth century that aimed to capture in art the dynamism and energy of the modern world. Futurism was launched by the Italian poet Filippo Tommaso Marinetti in 1909. On 20 February he published his Manifesto of Futurism on the front page of the Paris newspaper Le Figaro. Among modernist movements futurism was exceptionally vehement in its denunciation of the past. This was because in Italy the weight of past culture was felt as particularly oppressive. In the Manifesto, Marinetti asserted that ‘we will free Italy from her innumerable museums which cover her like countless cemeteries’. What the futurists proposed instead was an art that celebrated the modern world of industry and technology: We declare…a new beauty, the beauty of speed. A racing motor car…is more beautiful than the Victory of Samothrace. (A celebrated ancient Greek sculpture in the Louvre museum in Paris.) Futurist painting used elements of neo-impressionism and cubism to create compositions that expressed the idea of the dynamism, the energy and movement, of modern life. Chief artists associated with futurism were Giacomo Balla, Umberto Boccioni, Gino Severini. After the brutality of the first world war, many artists rejected the avant-garde notions of futurism and other pre-war movements, by using more traditional and reassuring approaches, a phenomenon described as the ‘return to order’. Novecento Italiano was founded by Anselmo Bucci (1887–1955), Leonardo Dudreville (1885–1975), Achille Funi, Gian Emilio Malerba (1880–1926), Pietro Marussig, Ubaldo Oppi, and Mario Sironi. Motivated by a post-war "call to order", they were brought together by Lino Pesaro, a gallery owner interested in modern art, and Margherita Sarfatti, a writer and art critic who worked on Italian dictator Benito Mussolini's newspaper, The People of Italy (Il Popolo d'Italia). Sarfatti was also Mussolini's mistress. The movement was officially launched in 1923 at an exhibition in Milan, with Mussolini as one of the speakers. The group was represented at the Venice Biennale of 1924 in a gallery of its own, with the exception of Oppi, who exhibited in a separate gallery. Oppi's defection caused him to be ejected from the group, which subsequently split and was reformed. The new Novecento Italiano staged its first group exhibition in Milan in 1926. Several of the artists were war veterans; Sarfatti had lost a son in the war. The group wished to take on the Italian establishment and create an art associated with the rhetoric of fascism. The artists supported the fascist regime and their work became associated with the state propaganda department, although Mussolini reprimanded Sarfatti for using his name and the name of fascism to promote Novecento. The name of the movement (which means 1900s) was a deliberate reference to great periods of Italian art in the past, the Quattrocento and Cinquecento (1400s and 1500s). The group rejected European avant garde art and wished to revive the tradition of large format history painting in the classical manner. It lacked a precise artistic programme and included artists of different styles and temperament, for example, Carrà and Marini. It aimed to promote a renewed yet traditional Italian art. Sironi said, “if we look at the painters of the second half of the 19th century, we find that only the revolutionary were great and that the greatest were the most revolutionary”; the artists of Novecento Italiano “would not imitate the world created by God but would be inspired by it”. Despite official patronage, Novecento art did not always have an easy ride in Fascist Italy. Mussolini was personally uninterested in art and divided official support among various groups so as to keep artists on the side of the regime. Opening the exhibition of Novecento art in 1923 he declared that “it is far from my idea to encourage anything like a state art. Art belongs to the domain of the individual. The state has only one duty: not to undermine art, to provide humane conditions for artists, to encourage them from the artistic and national point of view." The movement was in competition with other pro-Fascist movements, especially Futurism and the regionalist Strapaese movement. Novecento Italiano also met outright opposition. Achille Starace, the General Secretary of the Fascist Party, attacked it in the Fascist daily press and there was virulent criticism of its “un-Italian" qualities by artists and critics. In the 1930s, a group of professors and students at the Accademia di Brera established an opposition group to Novecento Italiano. Among them was the director of the academy Aldo Carpi, and students Afro, Aldo Badoli, Aldo Bergolli, Renato Birolli, Bruno Cassinari, Cherchi, Alfredo Chighine, Grosso, Renato Guttuso, Dino Lanaro, Giuseppe Migneco, Mantica, Ennio Morlotti, Aligi Sassu, Ernesto Treccani, Italo Valenti, and Emilio Vedova (and later Giuseppe Ajmone...

Vibrant set design by Russian artist Natalia Gontcharova (1881-1962). Two angelic figures are the central focus of this piece, but the rest of the set is laden with details, includin...

River is often associated as the sustainers of life and fertility, the irreversible passage of time, and a sense of change leading to loss, and death. But in this work, a river is much more than water flowing to the sea. Shifting of course and changing color is a natural tendency, but sometimes it will be a strong erosional force that can devastate and disappear a human civilization. River picks its path and there's nothing individuals can do to stop it. Female representation in my work takes its inspiration from One of the most iconic works of revolutionary painting...

Transforming Nature, 2022, Ravi Churasiya, 47 x 35.43 inches, Dry Pigment, Charcoal, Graphite Pencil, and Watercolor on Paper

This graphite and acrylic painting on canvas is from a series called "Lovers and Assassins." Here you can see Bhatt playing with the idea of seduction, self-sacrifice, persecution, belief systems, and radicalization. Amita Bhatt received her BFA from the Maharaja Sayajirao University, Vadodara, India and her MFA from the Maryland Institute College of Art, Baltimore, Maryland. Bhatt’s work has been exhibited at noteworthy venues such as the Bluestar Contemporary Art Center, Walters Art Museum, The Station Museum of Contemporary Art, and The Project Row Houses, all in the United States as well as Museo Pedro de Osma in Peru. Amita Bhatt has also been the recipient of several prestigious awards and recently served as a Grant Panelist on the National Endowment for the Arts. Bhatt's works are included in many important private and public collections. Bhatt digs deep into world philosophies and mythologies to answer questions pertaining to our political as well as personal belief systems. Unafraid to explore uncomfortable territories, Amita mines from a range of sources to create hybrid creatures that are often symbolic of man’s psychological condition in an angst-ridden zeitgeist. In exploring issues of identity and violence, Bhatt’s research led her to the beginnings of mankind. Most ancient creation myths claim chaos to be the central truth marking the beginnings of the world. Should turbulence then be viewed as essential to new beginnings? Bhatt’s characters are packed with irony, humor and indifference, and navigate intense color fields, all in search of wisdom and truth. They mirror the tumultuous times we live in, yet they know that there are deep Karmic mysteries that need to be understood and that HOPE in the end is what will sustain them. Amita Bhatt "Be Born From...

This highly innovated Bob Peak Race Track painting is a perfect synthesis of art and commerce. Designed with a radical composition where two-thirds of the picture plane is an alm...

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 48 inches high by 36 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

Acrylic, oil, pencil & nitro on canvas

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 48 inches high by 36 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Ray Richardson is a contemporary British artist known for his cinematic paintings. The artist employs icons of working-class London, including bull terriers, soccer pitches, and grit...

Jessica Pliez, artist in the poetic and infantile world, which reminds one of the filmmaker Tim Burton, loves the surprising supports. 2020 Drawing / pencil on cardboard 25 x 19 cm ...

"Heaven Can Wait" is a 2020 unique oil on canvas painting by German mid-career artist Michael Pröpper. Comes with certificate on back. It depicts a dance scene at the sea. The art...

Jessica Pliez, artist in the poetic and infantile world, which reminds one of the filmmaker Tim Burton, loves the surprising supports. 2020 Drawing / Pencil on cardboard 32 x 29 cm ...

If there ever were a perfect work in the canon of art history, this masterpiece study by Dean Cornwell would be it. Every line has meaning and not a line out of place, as Cornwell d...

Claudio Dicochea de Margarita y Oscar, las cuatas Rosa y Maria, y el motor del futuro (of Margarita and Oscar, the twins Rose and Mary, and the engine of survival), 2020 acrylic, graphite and transfer on wood 12" x 12" Born in San Luis Río Colorado, Mexico and raised on the Mexican/US border in southern Arizona, Claudio Dicochea works at the intersection of colonialism, art history and contemporary popular culture. Using the model of the 18th century genre of Casta paintings...

Staedtler pencil & acrylic on canvas

Yellow Nudes, 2016 by Celso Castro-Daza One of a kind Pastel, carbon pencil, ink on archival paper mounted on board Image size: 52.5 H in. x 37.8 in. W M...

"Simplicity consists in making the trip through life, only with luggage necessary". - Charles Dudley Warner Materials: Wooden frame, triptych of antique books, inks, acrylic paint,...

Blush neutrals, textured collage and a dash of sparkle. In this delicate painting on canvas, attention to detail captures a hint of Hollywood glamour. A restrained palette with layer...

This architectural wall-hanging artwork titled "In Isolation Series II" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...

This architectural wall-hanging artwork titled "In Isolation Series I" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pie...

This architectural wall-hanging artwork titled "In Isolation Series VII" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This p...

Heter Golosh's Venus. 1958, cardboard, mixed media, 6,8x15.6 cm Adolfs Zardins (1890 08 II Riga, Latvia – 1967 07 II Jurmala, Latvia), painter. Only in 1990 his relatives give his a...

Artist : Ryan Wilks Title: Quarantine Medium: India ink, chalk pastel, graphite on canvas. Year: 2020 Size: 60W" x 72H" Description : This response to Covid...

This architectural wall-hanging artwork titled "In Isolation Series VI" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...

"Strange Angel" is an oil painting with chalk and graphite on wood panel, and measures 12" high by 12" wide. It is finished with a clear resin across the surface, lending the artwork a particular warmth and liquidity that is rare and lovely to behold. Typical of the artist, the painting is a mystery despite its apparent simplicity – possibly a winged creature or person in the presence of another person. Note the restrained color palette, the subtle toning of the wood surface, the bodies rendered and bodies suggested. The surface is very interesting – drawn lines and painterly brushstrokes to be sure, but also the toned wood coming through as color and texture. All of it held, as if in time, by the resin layer acting as a lens to both transmit this picture and admit light to the picture. A true artifact. From Will Hudson...

"A Vision at Sea" is an acrylic painting with graphite on wood measuring 22" high by 28" wide. It is a fraught moment for man and dog in the boat – they may be the Vision of the title but they are also struck by a vision they alone can see. Note the antlers at the front of the boat, the harsh and ragged shoreline, oars in the water – arguably in the tradition of storm-tossed poets at sea, fighting the Fates as much as the power of Nature. Press Release 2018: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning." – George Del Barrio, Vanderbilt Republic, Brooklyn NY Dale Williams...

"Swing" is an oil painting with chalk and graphite on wood panel, and measures 16" high by 12" wide. It is finished with a clear resin across the surface, lending the artwork a particular warmth and liquidity that is rare and lovely to behold. Typical of the artist, the painting is a mystery despite its apparent simplicity – a girl or young lady on a swing...

"Man Overboard" is an oil painting with chalk and graphite on wood panel, and measures 16" high by 12" wide. It is finished with a clear resin across the surface, lending the artwork a particular warmth and liquidity that is rare and lovely to behold. Typical of the artist, the painting is a mystery despite its apparent simplicity – a woman wearing part of her bikini stretches out beside a pool or body of water, while another figure hovers nearby. The title Man Overboard would suggest the woman's pose and partial nudity have completely derailed the man's intentions – perhaps driven him to distraction. Note the restrained color palette, the subtle toning of the wood surface, the bodies rendered and bodies suggested. The surface is very interesting – drawn lines and painterly brushstrokes to be sure, but also the toned wood coming through as color and texture. All of it held, as if in time, by the resin layer acting as a lens to both transmit this picture and admit light to the picture. A true artifact. From Will Hudson...

Medium: Pencil and Oil on Board Signature: Signed Lower Right The Modern Priscilla Magazine Cover, June 1916.

Eddy Lee’s figurative surrealist portrait paintings on exposed wood depict emotive sirens who evoke a sense of mystery and seductiveness. His original artworks combine geometric elements with innocent women portraits seeking to trigger emotions, rather than communicating specific explanations. He reconciles the unconscious with rational life, exploring the power of dreams, embracing automatism, and freeing his subjects from the constraints of conscious thought. This colorful, intriguing woman portrait is painted with acrylic and gouache on a hand-built cradled wood panel. This one-of-a-kind original artwork is 24 inches high by 48 inches wide and is signed by the artist on the back. It is wired and ready to hang. It does not require framing. Free local Los Angeles delivery. Affordable Continental U.S. and worldwide shipping available. A certificate of authenticity issued by the art gallery is included with this unique work. Originally from Seattle, Washington, Eddy Lee relocated to Los Angeles in late 2012 to pursue a full-time career as a fine artist. He started his career on the Venice Beach Boardwalk and quickly gained a large following across the United States with exhibitions in San Francisco, Las Vegas, and Los Angeles. The artist’s work is inspired by the works of Audrey Kawasaki...

La liebre pretendiente, 2013 Acrylic, graphite, oil pastel, and paper & are transferred on tempered wood pegboard Image size: 47.6 in. H x 48 in. W Mix media One of a kind _________...

His & Hers, by Roberto Fonfría Acrylic, graphite, oil pastel, transfers on wood Image size: 47.6 in. H x 48 in. W Frame size: 48.6 in. H x 49 in. W x 1 in. D One of Kind Mixed Media...

Lot of seventeen different paintings by artist James Woodruff. Includes four landscape paintings, six seascape paintings, two abstract paintings the la...