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Nebojsa BEZANIC
Scène fantastique

$10,920
£8,277.65
€9,664.98
CA$15,295.81
A$17,218.12
CHF 9,110.38
MX$213,569.60
NOK 112,551.79
SEK 107,645.84
DKK 72,105.55
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About the Item

Born in 1964, Nebojsa Bezanic was predominantly influenced by the 1980s. The generation of artists that grew up in, and took inspiration from, the nineteen eighties was influenced by a period of quickly growing global capitalism, political upheaval, significant wealth discrepancy, global mass media and distinctive music and fashion, including electronic pop music and hip hop. The 1980s was the era of African famine, the height of the Cold War, and also the end of it, as marked by the fall of the Berlin Wall. significant art movements of the era include Neo Geo, The Pictures Generation and the global trend of Neo-Expressionism which manifested in Germany, the USA and Italy (where it was known as Transavanguardia). The decade was exemplified by artists like Anselm Kiefer, Jörg Immendorf, Enzo Cucchi, Francesco Clemente and Julian Schnabel. Street art and graffiti started to gain prominence, key artists of which include Jean-Michel Basquiat, Keith Haring and Kenny Scharf.
  • Creator:
    Nebojsa BEZANIC (1964, Serbian)
  • Dimensions:
    Height: 58.27 in (148.01 cm)Width: 44.88 in (114 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Atlanta, GA
  • Reference Number:
    1stDibs: LU155528752282

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Taulé was born in 1945 in Sabadell, Barcelona. His father imparted the taste for painting to Antoni as a boy as the young artist watched him paint. After his primary studies, he began studying architecture in Barcelona and graduated in 1970. In 1965, he arrived in Paris and worked in architectural firms. It was Sartre's Paris, the construction of Unesco, the year of Le Corbusier's death and the end of Chandigarh, the French Cinematheque and Antonioni's films. Since the age of 14, he has never stopped painting and made his first personal exhibition in 1966 at the Academie de Belles Arts in Sabadell. Upon receiving his degree in architecture, he worked on the construction of l’Université autonome de Barcelone for a year. In 1971, he was asked to work on the development of a large shipyard on the small island of Formentera. There he met Laetitia Ney of Elchingen, who he would go on to marry. He devoted himself entirely to painting, and Formentera, like Paris, became one of his favorite places in both his life and to work. His first exhibition in Paris was in 1975 with Mathias Fels, presented to him by Hervé Télémaque—showing many paintings of his young daughter Djamilla, then three years old. The exhibition was titled, Espace hors temps (Space out of Time), with a foreword by Alain Jouffroy. In 1976, Taulé exhibited Contre-Jour (Against Day) at Fabien Boulakia on rue Bonaparte with a preface by Gérald Gassiot-Talabot and in Barcelona at the Aimé Maeght gallery—an exhibition visited by Joan Miró and Alexander Calder. In 1977, he exhibited at the Beaubourg gallery, with then associates Nahon and Trigano. In 1983, he met Jorge Luis Borges and Julio Cortázar, who wrote the novella Fin d’étape (End of Stage) for Taulé That same year, he was named Chevalier de l’Ordre des Arts et des Lettres (Knight of the Order of Arts and Letters) by Jack Lang...
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