Nina Urushadze

Georgian Contemporary Art by Nina Urushadze - Kala

2024

Acrylic on canvas Nina Urushadze is a Georgian artist born in 1983 who lives and works in Tbilisi, Georgia. She is graduated from Apollon Kutateladze at the Tbilisi State Academy of...

Acrylic on canvas Nina Urushadze is a Georgian artist born in 1983 who lives and works in Tbilisi, Georgia. She is graduated from Apollon Kutateladze at the Tbilisi State Academy of...

This painting is an attempt to blend ancient symbols, contemporary understanding of feminine essence, and profound philosophical contemplations inspired by existentialism and phenomenology. The woman, represented in the image of Eve, stands as an eternal symbol of the beginning of life and the mother of all humanity. Symbols on her body, derived from the idols of the Trypillian culture, speak to the age-old connection of our people with nature, land, and spirituality. The Tree of Life with its apples embodies the immortal bond with lineage and ancestors, as well as a reflection on existence, self-awareness in the world, and relations with others. Existentialist and phenomenological philosophies emphasize individual experience and perception of the world, which are perfectly captured in this painting. Each apple represents a memory passed down from generation to generation, a reminder of roots that deeply reach into the history of our people, and contemplations about our place in the universe. ABOUT ARTIST: Tetiana...

Acrylic painting on paper Hand-signed by the artist lower left Unique work THE THOUSAND AND ONE NIGHTS OF MOHAMMAD ARIYAEI " Gentleness and oriental wisdom follow the supercharged bubbling to which we were accustomed from the previous deliberately art brut exhibition by Mohammad ARIYAEI. The Iranian painter's imagination moves serenely from the wildest frenzy to the meditative calm of great, fabulous stories. The artist then took pleasure in pouring the volcanic torrent of his barbaric figures onto the delicate latticework with which he is accustomed to lining his backgrounds with the patience of an illuminating monk. Already sweetness and paroxysm coexisted. Now gentleness wins. The trained imagination of the painter, yet spontaneously bubbling, by instinct as much as by erudition, has no difficulty in reconnecting with the abundant oriental tradition of the thousand and one nights, which, like a long underground river, resurfaces at the light of his painting. Spring renewal of traditions still alive. Systematic filling of space, a sort of oriental version of the Riches Heures...