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Pascal Cucaro, 1915-2003
'Market Scene', Sausalito, North Beach, San Francisco Bay Area Expressionist Oil

1959

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'Man Playing a Banjo', American Mid-Century Cubist-Derived Figural Oil, Fifties
Located in Santa Cruz, CA
Signed lower right, 'Paula Melcher' (American, 20th century) and dated 1956.
Category

1950s Cubist Figurative Paintings

Materials

Canvas, Oil

'Modernist Figural', California, New Mexico, Oakland Museum, SFAA, SFMA, GGIE
Located in Santa Cruz, CA
Signed lower right, 'Z. Kavin' for Zena Kavin (American, 1912-2003) and dated 1966. Born in Berkeley, California, Zena Kavin studied at the California School of Fine Arts in San Francisco and, privately, with Kravchenko in Moscow. She lived in Berkeley and in Oakland her entire life, except for four years spent in New Mexico in the late 1930s. In 1949, she married artist Jon Cornin and settled with him in Oakland. Under the peudonym Corka, the Cornins produced cartoons for the Saturday Evening Post and the New Yorker. Kavin worked in various media, including wood engraving, lithography and sculpture. She was a member of the San Francisco Artists Association and exhibited with them as well as at the San Francisco Museum of Art Inaugural (1935), the California–Pacific International Exposition, San Diego (1935), the Golden Gate International Exposition (1939). Her work is held in the permanent collections of the Davis Art Center, the New Mexico Museum of Art and the Oakland Museum of California. Reference: Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, page 610; Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, page 1801; Mallett’s Index of Artists, Supplement, Daniel Trowbridge Mallett, Peter Smith...
Category

1960s Modern Figurative Paintings

Materials

Masonite, Oil

'The Soul is Music' France, Provence, California, Post Impressionist Figural Oil
Located in Santa Cruz, CA
Signed lower left, 'J.da Silveira' for Jose Da Silveira (French-American, born 1965), titled, 'The Soul is Music' and painted circa 2002. Additionally signed and titled, and with figural drawing, verso; Previously with: Chabot Gallery, Campbell, California Born in a tiny jungle village in Mozambique to a Portuguese bullfighter and the daughter of one of the leaders of the French Resistance...
Category

Early 2000s Modern Figurative Paintings

Materials

Canvas, Oil

'Flamenco Dancer in Lilac', Paris, Louvre, Salon d'Automne, LACMA, SFAA, Carmel
By Victor Di Gesu
Located in Santa Cruz, CA
Created circa 1965 by Victor Di Gesu (American, 1914-1988) and stamped, verso, with Victor di Gesu estate seal. Winner of the Prix Othon Friesz, Victor di Gesu first attended the Lo...
Category

1960s Post-Impressionist Figurative Paintings

Materials

Oil, Board, Masonite

'Woman with Book', Louvre, Académie Chaumière, Carmel Post-Impressionist, LACMA
By Victor Di Gesu
Located in Santa Cruz, CA
Signed lower left, "Di Gesu" for Victor Di Gesu (American, 1914-1988), with estate stamp, verso, and painted circa 1955. Winner of the Prix Othon Friesz, Victor di Gesu first attend...
Category

1950s Post-Impressionist Figurative Paintings

Materials

Paper, Oil, Foam Board

'Tea Party', New York Art Students League, Fechin Institute, Santa Fe, Large Oil
By Gregory Frank Harris
Located in Santa Cruz, CA
Signed lower left, 'Greg Harris' for Gregory Frank Harris (American, born 1953) and dated 1981. Additionally signed, verso, and titled, 'Stea Life in a Pond'. Framed dimensions: 34.5 H x 29.5 W x 2.5 D inches. The study of art and the history of art are closely intertwined in the work of Gregory Frank Harris which reflects his exploration of technique and art history. Born in southern California, Harris and his twin brother grew up in a family that embraced the visual arts as well as theatre and music. During his stint at California State University in Long Beach, he studied both art and theatre, but also began writing music, which then became his primary focus. Over the next decade, Harris and his brother played piano and drums respectively in a variety of bands, earning their living in the nightclubs and hotels up and down the west coast. The first sign of a new direction appeared while the band was on the road in Spokane, Washington where Harris rekindled his interest in painting. Like generations of artists before him, Harris turned to the old masters and the impressionist painters as sources for his study of painting. Harris was fortunate to have two of his copies, Rembrandt’s Woman with Pink and Gainsborough’s Blue Boy, selected as props for the 1982 film version of the musical Annie, directed by John Huston. Harris also began exhibiting at juried shows in 1982 and marketing his work nationally. Juried exhibitions--and awards--followed, including an unprecedented first, second and third place award in the popular vote at the historic Lyme Art...
Category

1980s Post-Impressionist Figurative Paintings

Materials

Oil, Board

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