19th Century Figurative Paintings

One of my customers told me about a picture he bought from me that he "felt as if he had always known it... a painting that feels like returning home". For me, this present oil by St...

Louise Abbéma 1853–1927 Louise Abbéma (30 October 1853[1] – 10 July 1927) was a French painter, sculptor, and designer of the Belle Époque. Abbéma was born in Étampes, Essonne Born into a wealthy aristocratic Parisian family with close ties to the city’s artistic community, She began painting in her early teens, and studied under such notables of the period as Charles Joshua Chaplin, Jean-Jacques Henner and Carolus-Duran. Portraits of actors and actresses at the Comédie Française dominated her early works until she made a name for herself at the Salon of 1876 with her portrayal of the “Divine Sarah.” Abbéma ultimately executed multiple portraits and received recognition for her work at age 23 a bronze medallion of Sarah Bernhardt, with whom she was a close friend and possibly lover. Like most women artists of the time, Abbéma focused mainly on portraiture and genre scenes (images of everyday life). Her high-society portraits executed with a light touch and rapid brushstrokes reveal the academic and Impressionist influences that shaped her style. Her sitters included French diplomats and other notable members of society. Abbéma developed a variety of techniques using oil paints, pastel, and watercolor, and worked on various supports, including fans. Abbéma received commissions for panels and murals which adorned the Paris Town Hall, the Paris Opera House, numerous theatres including the Theatre Sarah Bernhardt, and the "Palace of the Colonial Governor" at Dakar, Senegal. Abbéma solidified her international reputation after exhibiting works, including two wall murals (on canvas), at the Women’s Building at the 1893 World’s Columbian Exposition in Chicago. A bust of Sarah Bernhardt sculpted by Abbéma was also exhibited at the exposition. Abbéma specialized in oil portraits and watercolors, and many of her works showed the influence from Chinese and Japanese painters, as well as contemporary masters such as Édouard Manet. She frequently depicted flowers in her works. Among her best-known works are The Seasons, April Morning, Place de la Concorde, Among the Flowers, Winter, and portraits of actress Jeanne Samary, Emperor Dom Pedro...

Welcome to Heritage, our carefully curated collection of French vintage and antique paintings. We scour the flea markets and fairs for these gems: poignant portraits of long-gone Me...

I liked the title "After the storm" for this painting, which the artist had noted on the back of the painting, although he later changed it to "Day of the storm". It's the juxtaposi...

Neapolitan School, late 19th century oil on board, framed signed initials framed: 9 x 7 inches painting: 6.25 x 4.25 inches provenance: private collection, London condition: very goo...

Gilsoul Victor Brussels 1867 – 1943 Belgian Painter A View of Diksmuide Signature: Signed bottom left, placed Dicsmuide and dated 1900 Medium: Oil on canvas Dimensions: Image size 55,50 x 71 cm, frame size 68,50 x 84 cm Biography: Gilsoul Victor Olivier was born in Brussels on September 10, in 1867. He was a Belgian impressionist painter of landscapes, marines, harbour scenes, architectures, interiors, city and canal views, portraits and figures. He was also a watercolourist. Gilsoul studied at the Antwerp Academy of Fine Arts with the famed master teachers and artists François Courtens (1854 – 1895) and Louis Artan (1837 – 1890). In 1882 he won his first prize at the Academy and in 1884 debuted at the Brussels Salon. He studied also at the Brussels Academy of Fine Arts, where he won a prize (1885-1890). Gilsoul was member of the group ‘Voorwaerts’ in 1891. He was awarded a silver medal at the Paris World Fair in 1900. In the same year, King Leopold II commissioned several compositions for his yacht “Alberta” and knighted him to the Order of King of the Belgians. The painter stayed from 1911 in Paris, where he often painted the Versailles region, also worked and lived for some time in Brittany. He had several exhibitions in France. He was a teacher at the Antwerp Higher Institute of Fine Arts (1924-1930) and a member and honorary member of La Gravure Originale Belge (1928). Gilsoul painted at the Belgian coast...

This superb Victorian exhibited oil painting is a masterpiece of British Newlyn School art by John White. The painting depicts a mother and child overlooking the sea on a hilltop. Th...

Georges Picard was born on 23rd December 1857 in Paris. He studied under Gerome and was also the protégé of the artist Albert Besnard. For many years, he exhibited at the Societe Nat...

Signed lower right: Irving R Wiles; on verso: Irving R Wiles

A fine large oil on canvas which is attributed to circle of David Cox. It is a super evocative landscape which depicts a couple seeking shelter and man by the fire in a bivouac on a...

Up for sale is a beautiful Antique 19th-century original oil painting on canvas depicting a female portrait. The young woman gazes directly at the viewer with an air of quiet confi...

Exquisite oil on canvas painting by artist Arthur Bowen Davies (American 1862-1928). The work depicts a young nude man walking through a lush green, ethereal landscape. Thick earth-t...

The Parisian Boulevard French Impressionist artist, circa 1890's circle of Camille Pissarro (1830-1903) oil on wooden board, framed framed: 10.5 x 13.5 inches board: 7.25 x 9.75 inch...

A beautiful signed and dated 1893 oil on board by Auguste Grass-Mick, the French impressionist painter who was friends and worked with Edgar Degas and Henri Toulouse-Lautrec. He pain...

This s an older piece signed with initials by artist JS. I would date this as late 19th Century or early 20th C.

Signed impressionist figurative pastel on board circa 1895 by sought after French impressionist painter Jean Louis Forain. The piece depicts a man asleep in a bed while a woman stands at the foot of the bed getting dressed. The room is dimly lit by the bedside lamp. Signature: Signed upper right Dimensions: Framed: 22"x26" Unframed: 15"x19" Provenance: Galerie Jean-Claude Bellier Jean Forain was the son of a painter and decorator and was apprenticed to a visiting card engraver. He studied briefly under Gérôme and Carpeaux at the École des Beaux-Arts in Paris and regularly visited the Louvre, where he copied works by the masters. It is said that for a time he made a precarious living by selling small drawings in the style of Grévin. He went on to collaborate on various publications as a draughtsman and columnist, starting in 1876 on La Cravache and then collaborating on the newspapers Le Journal Amusant, Le Figaro and L'Écho de Paris. This introduced him to the diverse worlds of Paris society - the world of the theatre, of shows, and of literature - where he wryly noted the habits and shortcomings particular to each. This led him to follow a route very characteristic of this period, already seen in the work of Steinlen, Caran d'Ache and Toulouse-Lautrec in the journals La Pléiade, La Vogue and La Revue Blanche. His work draws a picture of the society of the period, not in a strictly imitative fashion but in the form of the 'dessin-charge' or mild caricature. In 1880 he illustrated Parisian Sketches...

Portrait of an Elegant Beauty French Impressionist painter, circa 1890s signed indistinctly oil on canvas, framed framed: 28 x 23 inches canvas: 24 x 20 inches provenance: private c...

The Lady in a Black Hat French Impressionist painter from the late 19th century oil on canvas canvas: 11 x 9 inches provenance: private collection, Paris, France condition: very good...

French impressionist landscape, Barbizon forest, with river and cows at Sunset George Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. ...

This is an original antique 19th-century large oil painting on canvas painting depicting a portrait of a Lady in a long black dress, standing near a bright red curtain. The painting...

This is a stunning original antique oil painting ( 19 century or earlier on canvas depicting Hunters and their hounds gathering outside an inn. Amazing detailed artwork. Classic English School genre scene. No visible signatures. Presented in a gorgeous antique ornate gold frame...

A fresh and atmospheric painting depicting the vast River Seine seen from the cliffs near its estuary in coastal Normandy. It is incredibly modern for its time: if the definition of ...

Self Portrait of the Artist French Impressionist painter of the late 19th century oil on canvas canvas: 11 x 9 inches provenance: private collection, France condition: very good and ...

Up for sale is an interesting antique 19th-century original oil painting on canvas depicting an interior scene with a knight and a cavalier competing for the attention of a young lady. CONTINENTAL SCHOOL. Signed and dated in the lower-left corner Ch.Rotzer, and dated 1888. Condition: stable craquelure overall. Very good condition. Relined. Presented in a gorgeous antique ornate gold frame...

Up for sale is an original approximately 19th century oil painting on wood, depicting a dancing Spanish woman and a musician. Very impressive. Dimensions (frame): 25.5” x 18.5” D...

Signed and dated figures in seascape oil on panel by Belgian impressionist painter Alfred Emile Leopold Stevens. The work depicts an elega...

Up for sale is an original antique 19th-century oil painting on canvas depicting a scene in an interior of a house with a male figure dressed in a traditional hooded robe seated at t...

Edouard Manet 1832-1883 French Christ as a Gardener Oil on canvas Beloved for his invaluable role in the development of the Impressionist movement, Edouard Manet's artworks are foundational to the canon of art history. The revolutionary artist's rare religious works, while lesser-known, are some of the most intimate paintings he ever produced, offering insight into the artist’s fascination with the idea of humanity’s beautiful and transcendent relationship with suffering. Begun in 1856, Christ as a Gardener is one of his earliest renderings of Christ and offers a view into nascent motifs that would later define Manet’s monumental legacy. In the painting, Christ’s profile is turned toward the viewer, though his face is turned to the bottom left of the frame and his downturned eyes avert the viewer's gaze. His brown robes contrast the warm light of his halo and the dramatic sky behind him. As with all of Manet’s work, this image is rich with symbolism. A partial self-portrait, as seen in the similar facial hair and iconic appearance of a paintbrush-like garden tool, the painting renders the biblical scene of Mary Magdalene mistaking the risen Christ for a gardener with personal intimacy. As the biblical tale relays, when Mary Magdalene recognizes Christ, she reaches out to him; he replies, “Touch me not.” The highly charged relationship between the Christ figure and the viewer, standing in as Mary Magdalene, is further emphasized by Christ’s hand that appears to reach out for contact. Through this extension of touch, Christ’s presence is tangible, reminiscent of Michelangelo’s Creation of Adam in the Sistine Chapel. This intimate initiation of human connection directly contrasts Christ’s biblical words, “Touch me not.” Scholars have attributed this rejection, both in gaze and through words, to Manet’s conviction that Christ, as a human, embodied a spirit of renunciation and rejection of his earthly existence. Christ’s distant expression suggests a willingness to be elsewhere — an expression that Manet will later use in his most distinguished works of art. Manet would go on to expand his view of Christ as a timeless embodiment of absolute commitment and suffering with his monumental Salon paintings...

Ralph Reuben/Ruben Stubbs (English, 1824-1879) Low Tide at Sunset • 19thC Oil on artist board (card) ca. 21 x 36.5 cm • Signed bottom right and verso Biografie: Stubbs Ralph Reu...

Val Duchesse Castle (Dutch: Kasteel Hertoginnedal) is located in the municipality of Auderghem, in the south of Brussels (Belgium), on the edge of the Soignes Forest. The Val Duchess...

Signed and inscribed lower right: Charles Sprague Pearce / Paris.

Jan Hillebrand Wijsmuller (1855 Amsterdam - 1925 ibid.), Late Summer River Landscape, oil on canvas, relined, 34 x 56 cm (inside measurement), 43 x 64 cm (frame), signed J[an] H[illebrand] Wijsmuller at lower right. - in good condition, the frame with isolated bumped spots - Realistic Impression - About the artwork The panoramic landscape format shows a river landscape, with the course of the river, which curves to the right, leading the eye into the depths of the picture and tempting it to continue the landscape in the imagination beyond the visible area. At the same time, however, the fact that the landscape is not visible through the bend in the river focuses our gaze on the entirety of the landscape depicted, without prompting us to focus on distant details. Accordingly, the brushstroke is not designed to render details with realistic precision. In the front left area of the river there is even a completely free brushwork, trained by Impressionism, which nevertheless remains committed to representational and convincingly suggests the movement of the water. Regardless of the distance of the observer, the entire picture is painted with the same broad brushstroke, so that the landscape is given as an impression. And yet this impression is not ephemeral, as in the case of French Impressionism, to put it exaggeratedly, but reveals to us the essence of the landscape in all its richness. This is why the Dutch variant of Impressionism is always also a realism, although the pictures appear less progressive, but still contain a dimension of landscape painting that is lost with progress. In the impression, the reality of the landscape is revealed, and this happens as we experience the landscape in the visual impression. Wijsmuller does not depict houses or people in order to allow the experience of the landscape to fully unfold. The experience is determined first and foremost by the river, which does not flow into the picture from our point of view, but towards us. Where the river begins to bend, the water is churned by a rapids. Toward us, the riverbed widens and the water comes to rest, covering the entire width of the foreground like a mirror. The stillness of the water corresponds to the evening mood of the late summer landscape, in which the warm tones of the evening light blend with the yellow and brown tones of the plants. A gentle, almost idyllic reality, carried by the brushstroke, yet animated by a liveliness that is also made visible by the brushstroke. The broad, dynamically placed brushstrokes evoke the movement of the treetops and animate even the immobile reeds, while the trunks on the right bank, executed in virtuoso white strokes that seem like markings, make the sunlight shine. On the other bank, a carpet of light also spreads out, its energetic effect again expressed in the brushstroke. The dynamic of the landscape is further enhanced by the complementary color contrasts between the greens, yellows, and browns on the one hand and the blue of the all-encompassing sky on the other. A contrast that is intensified by the reflection in the water. The evening coming to rest of the landscape is thus at the same time an all-encompassing contrasting and yet in itself harmonious movement. This reality becomes accessible to us as an experience in the impression of the landscape. About the artist Jan Hillebrand Wijsmuller entered the Royal Academy of Arts in Amsterdam in 1876 and studied under the innovative Professor August Allebé, who was famous for the Amsterdam Impressionism, also known as the Allebé School. In 1877, Wijsmuller transferred to the Hague Academy of Art, and thus to the Hague School, and then completed his studies at the Brussels Academy of Art. Returning to the Netherlands, Wijsmuller opened his own studio in Amsterdam. In 1883 he won the prestigious Young Artist Award, donated by Willink van Collen, which made Wijsmuller a well-known and sought-after artist. Wijsmuller was a member of the Societät Arti et Amicitiae Amsterdam and the Pulchri Studio in The Hague. Wijsmuller belongs to the second generation of the Hague School. While Vincent van Gogh described the protagonists of the first generation to his brother Theo as "the great gray people," the second generation, and Wijsmuller in particular, used a much more colorful palette. His oeuvre makes him a major player in Dutch Impressionism...

French impressionist landscape, Barbizon forest, with river and cows at Sunset Boyle was a pioneering 19th-century British artist inspired by European Impressionist painters. The i...

Impressionist watercolour on paper circa 1890 by French Neo-Impressionist painter Henri Edmond Cross. The work is a rear view study of three workers in standing and kneeling position...

Up for sale is an amazing original antique oil painting on canvas by Famous American Artist Henry Peters Gray (1819-1877), depicting a portrait of a W.P. Wright Esq. Some of his pai...

This is an Antique oil painting on canvas 19 century depicting a portrait of a British Gentleman by Listed British-Irish Artist Samuel West (1810-1860). C...

Hermanus Koekkoek the Younger was a member of the renowned Koekkoek artist family. He was the grandson of Johannes Hermanus Koekkoek, the nephew of the landscape painter Barend Cornelis Koekkoek...

The two paintings are being sold as a pair. Edwin Austin Abbey, born in 1852 in Philadelphia, was a muralist, illustrator, and painter. He is best known for his drawings and paintings of Shakespearean and Victorian subjects, as well as for his painting of Edward VII's coronation. Abbey studied at the Pennsylvania Academy of Fine Art under Christian Schuessele. He began as an illustrator, producing numerous illustrations and sketches for such magazines as Harper's Weekly and Scribner's Magazine. He also illustrated several best-selling books, including Christmas Stories...

"A Shady Runlet" Stream in Fall New Jersey Watercolor 1878 A rare and exceptional watercolor of two ladies viewing a New Jersey stream in fall by William C. Bauer (American, 1856- 1...

Circle of Carlos ALONSO-PÉREZ (1882-1949) Flirtation c1893 I am selling this painting as circle of Alonso Perez. It is signed bottom right, A Perez and ...

Up for sale is a fabulous antique 19th-century or even earlier original oil painting on canvas depicting an interior scene with a seated female nude queen w...

Sir Alfred East was both a full member of the Royal Academy and president of the Royal Society of British Artists, so his pedigree is impeccable. He be...

Artist/ School: signed French School, Bouchet (19th-20th Century) Title: Portrait of a bearded man Medium: oil on board Size: 11 x 8.5 inches Provenance: private collection, Fran...

Literature: Manuel Carrera, “Una ritrattistica manciniana nelle collezioni della Gnam,” Belle-Arti 131, no. 2 (2013), p. 44 (color illus.)

"A View of Venice" Duvieux Henri Paris 1855 – 1902 French Painter Signature: Signed bottom right Medium: Oil on canvas Dimensions: Image size 24,5 x 32,...

Portrait of a Young Man French School, late 19th century indistinctly signed top right, 'Valadon'? oil on canvas, framed framed: 30 x 28 inches canvas: 26 x 21 inches private collect...

Cardboard, oil. 9.5x7.5 cm

Signed figures in cityscape oil on canvas circa 1890 by French impressionist painter Luigi Loir. The piece depicts people at the Quai d'Orsay, situated on the left bank of the River Seine in Paris, France on what looks to be a cold winter day in the city. Signature: Signed lower right Dimensions: Framed: 20"x16.5" Unframed: 13"x9.5" Provenance: Private French collection Blanchet & Associes - Paris He first exhibited at the Paris Salon in 1865 with a Landscape at Villiers-sur-Seine which brought him a certain amount of recognition. He was a regular exhibitor at the Salon des Artistes Français. Obtaining a third-place medal in 1879, and a second-place medal and a gold medal in 1889 at the Exposition Universelle in Paris. He was decorated with the Légion d'Honneur in 1898. Born in Austria to French parents who served the exiled French Bourbon royal family, Luigi Aloys-François-Joseph Loir moved with his family and the Bourbons to the Duchy of Parma in 1847. In 1860 his family returned to Paris following the expulsion of the Bourbons from Parma. But Luigi remained in the city, having enrolled, at the young age of eight, at the Accademia de Belle Arti. He eventually rejoined his family in Paris in 1863. There he studied with the decorative painter and set designer Jean Pastelot, making his Salon debut in 1865. Loir painted mainly views of Paris, in all seasons and at different times of the day or night. Loir was the Paris painter par excellence, capturing and expressing all aspects of the life of the city at all hours of the day and night. He may be criticised for excessive attention to the process, but his invaluable powers of observation are undeniable. Apart from those of his canvases which are in museum collections, his best-known works include: Preparations for the Fun Fair (acquired for the Salle d...

Signed oil on panel figures in landscape circa 1875 by French painter Adolphe Joseph Thomas Monticelli. The work depicts young ladies on a grassy bank - some are lying down and resting and others are picking violets. Signature: Signed lower right Dimensions: Framed: 24"x28" Unframed: 15"x19" Provenance: Galerie Marc Stammegna - Marseille - Exposition Adolphe Monticelli (18th September - 4th October 2008). This work is included in the Catalogue Raisonne of Adolphe Monticelli Tome I illustration 197, P. 106. A certificate from Marc Stammegna accompanies the painting Monticelli entered the Paris studio of Paul Delaroche at the age of 22. His parents initially favoured a career as a pharmacist, but were soon convinced of his artistic vocation, thanks more to their son's complete lack of enthusiasm for any other activity than to evidence of outstanding talent on his part. Adolphe was a relatively undistinguished student during his three years at the municipal school of drawing in Marseilles; his true inspiration was the Louvre, where he spent long hours copying works by Rembrandt, Veronese and Giorgione, and where he met Delacroix, whom he admired throughout his life. Museum and Gallery Holdings Aix-en-Provence: Ladies in a Park; Landscape; Head of a Ruffianly Soldier Aix-en-Provence (Mus. Granet): Park Scene (oil on canvas) Algiers: Woman with a Dog Allauch (Church of St-Sebastien): Let's Go for Heaven Amsterdam (Rijksmus.): Jesus among the Little Children; Sunlit Promontory; At the Altar; Woman in a Tailored Jacket; Outdoor Gathering of Ladies and Gentlemen; Elegant Company in a Park; Landscape Amsterdam (Stedelijk Mus.): Resting in a Forest Antwerp: Figure in a Park; The Port at Marseilles Baltimore: Track through the Woods; Allegory (oil sketch); Allegory; Spring Morning; Allegory; Sunset; Portrait of Monticelli Boston: Scene from Don Quixote; Scene on a Terrace; Landscape Bowes: Landscape Brussels: Autumn Bucharest (Muz. National de Arta al României): Scene in a Park; Portrait of a Woman Buffalo: Portrait of Madame Rosenthal (attributed); Cardiff: Capers Dijon: Departure of the Hunt Edinburgh (Nat. Gal. of Scotland): A Gypsy Encampment (oil/panel); The Fête (oil/panel); The Garden of Love (oil/panel); A Woodland Fête (oil/panel); A Garden Fête (oil?/panel); In the Grotto (oil/panel) Frankfurt am Main: painting; Scene in a Park Glasgow: Adoration of the Magi; A Garden Party; A Nuptial Procession Grasse: Scene in a Park Ixelles: Seascape Lille: Scene from the Decameron; Landscape London (NG): The Hayfield (1860-1880, oil/wood, on loan to the Hugh Lane Municipal Gallery of Modern Art, Dublin, since 1979); 12 paintings from Harry Wearne's collection Lyons: Portrait of Mme René; Scene in a Park; Bathing-party Manchester (City AG): A Woodland Glade; Ladies on a Terrace Marseilles (École des Beaux-Arts): Nude Marseilles (MBA): Women with Swans; Waterfowl; Portrait of Mme Pascal; Turks at the Mosque Marseilles (Mus. Cantini): Large Scene with Figures; Group of Figures with Mephistopheles; Riders and Figures; Provençal Landscape; Autumn Landscape (two works); Portrait of a child; Portrait of a Man; Portrait of a Woman; Portrait of M. Kahn Marseilles (Mus. du Vieux Marseille): Portrait of M. Vincent Torcat Marseilles (Mus. Grobet-Labadié): Bouquet of Flowers; Travelling Acrobats; Festive Scene in Spain; Faust and Margarete; Sketch; Monsoon; Landscape with Figures; Two Female Nudes; Two Cupids Milan: Adoration of the Magi Minneapolis (IA): Garden Scene (Scène de parc) (1868, oil on canvas) Montreal: Garden Party; An Intimate Gathering; Country Party; Dancing in a Garden; Donkey and Cart Moscow (Pushkin MFA): Landscape Mulhouse: Preparing for the Ball; Parrot New York: Ladies of Quality; Festive Scene New York (Metropolitan Mus. of Art): The Court of the Princess (La Cour de la Princesse) Paris (Louvre): Bathers; Strolling at Twilight; Serenade; Still-life; Gathering in a Park; Portrait of Mme Teissier; Women in a Glade Paris (Mus. des Arts décoratifs): Women in a Glade; Scene in a Park Paris (Mus. du Petit Palais): Gathering in a Park under the Valois Philadelphia (MA, Johnson Collection): Masquerade; Nymphs Bathing...

Genre: Impressionist Subject: People Medium: Oil Surface: Board Country: Germany Dimensions: 10" x 8" Dimensions w/Frame: 18" x 16" Ernst Oppler (9 September 1867 – 1 March 1929) was a German Impressionist painter and etcher born in Hanover. Oppler at a meeting of the Berlin secession...

A walk. Cardboard, oil. 9.5x7.5 cm

A Figure by Candlelight 19th-20th Century European School (most likely French) signed indistinctly, oil painting on canvas, framed framed: 25 x 29 inc...

Wonderful late 19th Century Brittany scene of fishermen and fishwives on the dock collecting fish and folding nets by French artist S. Louis de Breze (French, 19th Century), circa 18...

At the bridge. Cardboard, oil. 6.2x8 cm

Artist/ School: Dutch School, antique, signed indistinctly Title: The Farmstead Medium: signed oil painting on canvas, framed framed: 17.25 x 22.25 inches canvas: 13 x 15 ...

Signed impressionist oil on canvas circa 1890 by French painter and sculptor. The work depicts a young girl in a red dress and white bonnet pushing her doll in a wheelbarrow along a ...

Meadow. Cardboard, oil. 6.2x8 cm

In the yard. Cardboard, oil. 6.2x8 cm