Mid-19th Century Figurative Paintings

Griffith Morgan, 1816-1890 In the Line of Fire, ca. 1860 Oil on canvas 30 x 25 inches Signed (lower left): G. Morgan

Jacob THOMPSON (1806 – 1879) Deer by the Banks of a Lake 1842 oil on canvas 18.9 x 27.6 inches; 22.5 x 31 inches Inc. frame Jacob Thompson (1806–1879) was an English landscape-pa...

This superb 19th-century portrait depicts a young Italian woman in traditional dress, holding a tambourine, a symbol of music and popular celebration. Dressed in a white shirt with ...

The painting is round in shape, a tondo, which was a style sometimes favoured in the 19th century for its intimacy and decorative appeal. It depicts two siblings: the older sister cr...

French School of the 19th century, Attributed to Achille Deveria (1800-1857) A Lady and a boy with a dog, a Renaissance style scene Oil on wood panel 22 x 13 cm A label on the revers...

This artwork titled "Boats Repairs, Monterey Dock" 1933 is an oil painting on canvas by noted California artist Veda Fero Carnahan Dayton, 1891-1983. It is signed at the lower left...

John Frederick Kensett (1816 - 1872) Portrait of an Italian Fencer, circa 1845-47 Watercolor on wove paper 13 1/8 x 8 1/8 inches Signed with initials and inscribed lower right "J.F.K. Rome" From October 1845 through the spring of 1847, Kensett lived in Rome. He attended classes where he sketched from live models, and he sketched in the countryside outside Rome and around Florence, Perugia, and Venice, places he visited with his artist friends. He fulfilled commissions for paintings from Americans in Italy, and by 1847 his career was well established. Son of an English immigrant engraver, John Kensett lacked enthusiasm for that medium and became one of the most accomplished painters of the second generation of Hudson River School painters. His reputation is for Luminism, careful depiction of light, weather, and atmosphere as they affect color and texture of natural forms. He was particularly influenced by the painting of Asher Durand in that he focused on realism and detail rather than the highly dramatic views associated with Thomas Cole. Going to the western United States in the mid 1850s and the 1860s, he was the first of the Hudson River School painters to explore and paint the West. Kensett was born and raised in Cheshire, Connecticut, and learned his engraving from his father, Thomas Kensett with whom he worked in New Haven, Connecticut until 1829. He continued working until 1840 as an engraver of labels, banknotes and maps and was employed part of that time by the American Bank Note Company in New York City. There he met Thomas Rossiter, John Casilear, and other artists who urged him to pursue painting. In 1840, he and Rossiter, Asher Durand, and Casilear went to Europe where Kensett stayed for seven years and supported himself by doing engraving but became accomplished in landscape painting. Having sent canvases of Italian landscapes back to New York, he had a reputation for skillful painting that preceded him. When he returned to New York City in 1847, he was an "instant success" and very sought after by collectors. Two of his Italian landscapes had already been purchased by the American Art Union. By 1849, he was a full member of the National Academy of Design and was generally popular among his peers. His studio was a gathering place with travelers stopping by to see his canvases and to identify "precise locations in the Catskills or Newport or New England in the oil sketches and drawings that covered his walls." (Zellman 170). For the women, he was a popular bachelor, "romantic looking with high forehead and sensitive expression." (Samuels 262) He was also sought after by many organizations. Among his activities were serving on the committee to oversee the decoration of the United States Capitol in Washington DC, and becoming one of the founders of the Metropolitan Museum in New York. An inveterate traveler, Kensett spent summers on painting excursions away from New York City. One of these trips was a special painting excursion with fifteen other artists sponsored by the B & O Railroad from Baltimore, Maryland to Wheeling, West Virginia. Unlike many of the Hudson River painters...

Oil on canvas attributed to Ernest Hébert, painter born in Grenoble painter of scenes of the genre in 1840. He arrives in Italy which will become his ado...

19th Century French school, Two italian women in a landscape, oil on canvas 59 x 43.5 cm Bears a signature and a date on the lower left (see photograph please) but barely lisible ...

Theodore E. Pine (1828-1905) was an American artist known for his portraits and genre paintings. Pine specialized in portraiture, capturing the likenesses and personalities of his su...

OLD FINE Original Antique 19th Century British OLD MASTER OIL PAINTING Good Condition Canvas. With one repair overtime , Professional Cleaned & Re-vanished , Ready to hang. " Origi...

William Frederick Witherington was born in London in 1785. In 1805, he began his studies at the Royal Academy Schools. He first exhibited at the British Institution in 1808, and at the Royal Academy in 1811, where he continued to exhibit almost every year. He also exhibited for several years at the Birmingham Society of Arts. He travelled around England painting views of rural life in Devon, Kent, Wales and the Lake District. During the 18th and 19th centuries the hop gardens of Kent, Sussex and Surrey provided artists with a rich source of subject matter. The picking season was the English equivalent of the French and Italian grape...

Two hunters, one leaning against the cross and dogs on the left "halt in the forest" Oil on canvas, restored and cleaned in good condition. Very nice painting for hunting scene art...

Landscape with Mill

Since the 12th century, people in China have used folding screens and doors to partition and decorate their homes - the vivid scenes backing the screens added life and color to a room. This 19th-century painting is delicately brushed of gouache and ink on fabric and was originally part of a set of eight backing a wooden screen in northern China. The figure depicted is one of the mythical Eight Immortals of Taoism. Said to have attained immortality through their studies of the natural world, each of the Eight Immortals represents a different condition in life and together they impart a blessing of prosperity and longevity. Depicted here is immortal Lan Caihe, the patron saint of florists and gardeners. Standing atop a lotus leaf in open water, they hold a gardening hoe in one hand and a basket for flowers...

John Rogers Herbert RA 1810- 1890 Oil on canvas, dated '1850' lower right on sword strap Image size: 33 ½ x 23 ½ inches Gilt Watts frame This striking painting, depicts David as a y...

"Young Ladies Sewing" by Francis Blackwell Mayer is a charming portrayal of domestic life in the 19th century. Painted by the American artist known for his genre scenes and historica...

The Valley of the Temples is an original modern artwork realized in 19th century. Mixed colored tempera on paper. Includes frame. Titled on the lower margin: Veduta del tempio esa...

"Young Lady Sewing on Rocking Chair" by an 1860s American School artist is a charming watercolor painting that captures a traditionally domestic moment...

Asking for forgiveness. Artist signed and dated 1860 The painting has been previously conserved including a lining that protects the painting surface, some craquelure remains, beautiful handmade gold leaf frame by Richard Tobey Los Angeles. Pieter Alardus Haaxman was born in 1814 he was a Dutch painter. The son of Cornelis Haaxman and Maria Bolland, the criminal investigator of urban taxes in Delft. Haaxman was trained by the Delft art teacher Cornelis Ouboter van der Grient and the painter Cornelis Kruseman. Like his Delft teacher, Haaxman became a drawing teacher at the Delft City Drawing...

Since the 12th century, people in China have used folding screens and doors to partition and decorate their homes - the vivid scenes backing the screens added life and color to a roo...

Virginia Granbery (1831-1921) was an accomplished American artist known for her work in watercolor and oil paintings. Granbery's works predominantly featured landscapes, floral studi...

Walking Home in the Snow by John Carleton Wiggins is a captivating winter landscape that evokes the tranquil beauty of rural life. The painting depicts a lone figure, likely a young ...

Venetian harbor scene with St Marks in the background oil on oak panel. Exceptional quality. Signed illegibly lower left. From an old Philadelphia collection. ...

Since the 12th century, people in China have used folding screens and doors to partition and decorate their homes - the vivid scenes backing the screens added life and color to a roo...

Drawn with a fine line and fresh, sketched quality, this folk hanging unites two scenes of lucky hoho lotus boys circumscribed in frames punctuated with fruits such as pomegranate, symbolic of prosperity and good fortune. On top, the two explore the natural wonders of the world...

Antique American painting from the mid 19th century. Framework oil on canvas, on the first canvas, depicting a countryside landscape with a co...

"Little Girl with Fishbowl," an 1860s American school portrait, captures a tender moment in the life of a young girl. The painting showcases the subjec...

WILLIAM JAMES MÜLLER British, 1812 - 1845 NEAPOLITAN COAST signed "W. J. Muller" (lower right) oil on canvas 23-5/8 x 35-3/4 inches (60 x 91 cm.) ...

Nicolas Edward GABE (Paris, 1814 - Paris, 1865) The death of General Négrier on Place de la Bastille on June 25, 1848 Oil on canvas Signed and dated lower right 82 x 101 cm 1849 Nicolas Edward Gabé is a 19th century artist who is still little studied to this day and yet seems to have enjoyed, according to the artistic press of the time, a certain notoriety, in particular for his seascapes. The few bibliographical elements that we have come from the Salon booklets and tell us that the artist was born in Paris in 1814, therefore shortly before the end of the Empire. No elements on his artistic training are mentioned in the booklets, we just know that Gabé exhibited at the Paris Salon from 1835 to 1864 where he first practiced miniature then then approached easel painting, risking himself as well in still life that the seascapes, the landscape, the portrait or the hunting. According to press articles, he also took part in various exhibitions in the provinces such as Boulogne-sur-Mer and Marseille. Notably, Gabé did not exhibit at the Salon his large historical canvases on the revolution of 1848, which today are of obvious documentary and iconographic interest; probably for political reasons which are easily understandable to us today in view of the historical events of then. Gabé died in Paris at the age of 51 on January 4, 1865 with a mention in the January 7, 1865 edition of L'Union des Arts: “The death of Mr. Gabé, painter, well known in the export trade in paintings as well as to the auctioneers' hotel, whose sales it supplied through its numerous navies. “ "On June 25, 1848, in front of the barricades erected in the Bastille by the insurgents of the Red Republic, General Négrier fell to death, while he was uttering words of order and conciliation". Here are the opening lines of the tribute paid by Colonel Borgarelli d´Ison, friend of General Négrier. General Négrier belonged to a family from Maine, brought back by Marshal Lannes from emigration. Born in Le Mans on April 27, 1788, François Marie Casimir de Négrier entered, barely 18, as a volunteer in the 2nd Light Infantry Regiment. He began in 1806 with the campaigns of Prussia and Poland, during which he earned, through his bravery, the rank of sergeant and the decoration of the Legion of Honor. He made the following campaigns in Spain and Portugal, and left, with his regiment, only for the campaign of France, in 1814, after having risen successively, by actions of brilliance and by a serious wound, to the ranks of head of battalion and officer of the Legion of Honor, with which he was provided from October 1813. The Restoration retained his rank in his regiment. After having fought and wounded a second time seriously in Waterloo, Négrier was recalled in 1816 under the second Restoration. He was appointed, in 1825, lieutenant-colonel, then colonel in 1830, brigadier general in 1836, and of division in 1841. From March 1837 he participated in the conquest of Algeria. The Revolution of 1848 found Negrier in possession of the important command of the 16th Military Division in Lille. Quaestor of the Assembly in these times which promised to be troubled, Négrier reviewed the Place de la Concorde on June 23 at around noon various mobile guard battalions. He then took the head of 2,000 men provided by the 10th and 11th legions of the national guard and bivouacked on the Place du Palais until the next day 24. On Sunday 25 at nine o'clock, the Négrier division resumed the fight towards the Saint suburb. -Antoine. The troop gains continual advantages. At around two o'clock the column of Négrier had seized the Pont Marie: it had removed the barricades from the Quai Saint-Paul, the rue de l'Etoile, the rue des Barres...

James Stokeld (1827-1877) "Buttercup" Original Oil Painting C.1869 Original oil on canvas Canvas dimensions 20" wide x 26" high The frame measures 23....

Unknown Artist (probably American, nineteenth century) Tavern Scene Oil on canvas, 15 x 12 inches Framed: 21 x 18 inches (approx.)

This captivating artwork, titled "Children Feeding the Horse", is masterfully executed in rich tones. It depicts two children tenderly feeding a gentle white horse against a familiar...

Adolphus M. Madot Circa 1833 - 1861 Oil on canvas Image size: 36 x 24 inches (91.4 x 61 cm) Arched Pre-Raphaelite style frame The subject of the present picture is the dialogue between the court jester Touchstone and the shepherd Corin in the Forest of Arden ( As You Like It, Act III, scene 2). The work of William Shakespeare 'As You Like It' was a popular literary source in Pre-Raphaelite circles, inspiring such artists as John Everett Millais, Walter Howell Deverell and Arthur Hughes. The present picture is comparable in style to the work of Edward W. Rainford and Henry Stacy Marks...

Monogrammed lower right

Painting with a traveler on a white horse and accompanied by a dog looking up at a road sign in the form of a cross. On the roadsign is ” Arnhem”. (a town at the Rhine river in the E...

Alleyway Looking at Tyrol, Austria" by Henry T. Cariss captures a quaint yet vibrant scene set in the picturesque region of Tyrol. The painting features a narrow dirt alleyway that s...

A BERLIN (K.P.M.) PORCELAIN PLAQUE: BALTHAZAR'S FEAST Mid-19th century The reverse with impressed sceptre and KPM factory marks and various incised numbers, in a giltwood frame. Fr...

Since the 12th century, people in China have used folding screens and doors to partition and decorate their homes - the vivid scenes backing the screens added life and color to a roo...

Domenico Bresolin (Padua 1813 - Venice 1890), Boy in a squero in Venice Oil on canvas applied to cardboard 27 x 16 cm initialed (DB) lower left. Publications D. Ritter, Venedig in...

FANTIN LATOUR Theodore (1805 – 1875) « Young Lady dressed with middle-age suit » Pastel on card signed low right Old original frame gilded with leaves Dim pastel : 80 X 63 cm Dim fr...

Medium: Acrylic on Board Dimensions: 24.25" x 31.75" Signature: Signed Lower Right "Wolves of the Dawn" Book Cover by William Sarabande

The Andalusia John Frederick Herring (English, 1795-1865) Signed Lower Right 14 x 18 inches 18 x 22 inches with frame Provenance: Frost &Reed, Ltd., London 1984 Herring, born in London in 1795, was the son of a London merchant of Dutch parentage, who had been born overseas in America. The first eighteen years of Herring's life were spent in London, where his greatest interests were drawing and horses.[2] In the year 1814, at the age of 18, he moved to Doncaster in the north of England, arriving in time to witness the Duke of Hamilton's "William" win the St. Leger Stakes horserace. By 1815, Herring had married Ann Harris; his sons John Frederick Herring Jr., Charles Herring, and Benjamin Herring were all to become artists, while his two daughters, Ann and Emma, both married painters. When she was barely of age in 1845 Ann married Harrison Weir. In Doncaster, England, Herring was employed as a painter of inn...

Attributed to Ukita Ikkei (1795-1859) Hanging scroll painting of the American ship commanded by Commodore Matthew Perry in Uraga Bay, annotate...

Title: "Gossips, A Venetian Scene" Artist: Francis William Topham Medium: Oil paint on paper Size: 7.75" x 6.5" Period: 19th Century Framed