Items Similar to "Straw Barge" on the Thames (after) Edward Duncan Oil on Linen 1898
Want more images or videos?
Request additional images or videos from the seller
1 of 13
Richard Hayley Lever"Straw Barge" on the Thames (after) Edward Duncan Oil on Linen 18981898
1898
About the Item
"Straw Barge" on the Thames (after) Edward Duncan Oil on Linen 1898
Well executed study of E. Duncan's Straw Barge circa 1881, painted by Richard Hayley Lever dated 1898 a year before he went to England, where he proceeded to refine his skills as a painter under the tutelage of the British impressionists Julius Olsson and Algernon Talmage. Duncan's sketch and color plate of the Straw Barge painting was used in the book SIMPLE LESSONS IN WATER COLOR , Marine painting. Hayley Lever used that example to paint his interpretation of "Straw Barge" in 1898. Lever attended Adelaide's Prince Alfred College from 1883 to 1891, during which time he received drawing lessons from the marine painter, James Ashton. As a boy, he loved to watch incoming clipper ships at the port of Adelaide, an experience that influenced his later penchant for maritime themes. Upon graduating from Prince Alfred College, he took classes with Ashton at the Norwood Art School and later attended Ashton's Academy of Art in Adelaide.
Oil on linen in a 20th century walnut frame with linen liner. From a Bay area collection estate.
Signed lower left "H Lever 1898"
on verso "Straw Barge" "Hayley Lever" (partially indistinguishable see images)
Image, 17"H x 22"W
Frame, 21"H x 26"W x .5"D
Hayley Lever's exceptional career path took him from the shores of his native Australia to those of England, and then the United States.[1] Described as an artist of "individuality,"[2] he refused to ally himself with any particular style or movement; rather, guided by his belief that "art is the re-creation of mood in line, form and color," he incorporated the precepts of Realism, Impressionism, Tonalism and Post-Impressionism into his art, applying those strategies in accordance with the emotion and aesthetic affect he wished to convey.[3] In America, where he achieved his greatest acclaim, he was viewed as a proto-modernist, lauded by critics such as Edgar Holger Cahill, who declared:
"in all his painting, whether it is of boats dancing on the waters of the Cornish coast, the ferry bridges and boats and streets of Gloucester, Massachusetts, the steaming asphalt highways of New York City, or the gently upheaving Catskills about Woodstock, it is always Lever who addresses us.[4]"
Hayley Lever was born on September 28, 1875 in Bowden Tannery, a suburb of Adelaide, Australia.[5] The son of Albion W. Lever and his wife, Catherine (Hayley) Lever, he was christened Richard, but as a professional artist he used his second and last names only.
Lever attended Adelaide's Prince Alfred College from 1883 to 1891, during which time he received drawing lessons from the marine painter, James Ashton. As a boy, he loved to watch incoming clipper ships at the port of Adelaide, an experience that influenced his later penchant for maritime themes. Upon graduating from Prince Alfred College, he took classes with Ashton at the Norwood Art School and later attended Ashton's Academy of Art in Adelaide. During these years, Lever spent his free time painting and sketching in the local countryside, exhibiting his work at the Adelaide Easel Club and at other local venues. His interest in painting outdoors was likely influenced, to some extent, by the achievements of artists such as Tom Roberts, Charles Conder and other painters of the so-called "Heidelberg School," who introduced the tenets of Impressionism and pleinairism to Australian art during the late 1880s and early 1890s.
A turning point in Hayley Lever's artistic evolution occurred in the autumn of 1899, when he sailed to England for further study. He initially went to London, studying the art of both the past and present in the city's galleries and museums. In early January of 1900, he settled in St. Ives, an ancient fishing port and art colony on England's Cornish seacoast, where he proceeded to refine his skills as a painter under the tutelage of the British impressionists Julius Olsson and Algernon Talmage. Working out of a studio located on the top floor of a local art gallery, he painted views of the town and harbor, as well as scenes of Devon. In keeping with the tonal impressionist proclivities of St. Ives painters at that time, he became especially interested in conveying evening effects, going on to paint atmospheric moonlight scenes with soft brushwork and a low-keyed palette. At the same time, Lever was also looking beyond St. Ives for inspiration. He continued to make trips to London and his proximity to the Continent allowed him to travel to Paris, where he familiarized himself with styles such as Impressionism and Post-Impressionism and exhibited his paintings at the Salon. Biography from Spanierman Gallery (retired)
Born in Adelaide, Australia, Hayley Lever was known for his town-shore landscapes and still-life painting in a style that combined impressionism with vivid colors and strong lines of realism---post impressionism. In his use of color, he was deeply influenced by Vincent Van Gogh. He freely explored numerous styles based on impressionism but was never locked into any particular style.
He showed early art talent and traveled to England in 1893. He studied art in London and then painted at an artists' colony in Cornwall on the seacoast of St. Ives where he began his seacoast paintings. He received much attention in Europe for these works. In 1908, he did a series of paintings called "Van Gogh's Hospital, Holland" expressing the profound influence he felt of that artist.
Lever came to America in 1911, encouraged by American artist Ernest Lawson whom he knew in France, and was soon counted among the most widely exhibited artists in New York City. Many of his scenes were of Manhattan. He had a summer studio in Gloucester, Massachusetts and from 1919 to 1931 taught at the Art Students League in New York City. He also became Director of the Studio Art Club in Mount Vernon, New York.
Lever imparted to his students the following message: "Art is the re-creation of mood in line, form and color. If I were confined to my own back yard for the rest of my life, I'd still have more pictures in my mind than I would have time to paint. Art is nothing but having a good time"
He died in Mount Vernon, New York in 1958, having suffered ill health the last few years of his life.
He received many awards and critical acclaim and his works were purchased by major American museums, such as New York's Metropolitan Museum of Art and Washington's Phillips Collection and Corcoran Museum. Source: Michael David Zellman, "Three Hundred Years of American Art"
- Creator:Richard Hayley Lever (1876-1958, American)
- Creation Year:1898
- Dimensions:Height: 21 in (53.34 cm)Width: 26 in (66.04 cm)Depth: 0.5 in (1.27 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good paint and finish with one 2.5" tear middle right side professionally restored and retouched and two small punctures repaired. (all reversable and minimal conservation methods employed.) See last image for pre-conservation condition.
- Gallery Location:Soquel, CA
- Reference Number:Seller: RJA82431stDibs: LU54211053842
Richard Hayley Lever
An Australian by birth, Richard Hayley Lever left his native Adelaide at the age of 17 to train as an artist in Europe, and his work soon won attention in London and Paris. In 1900 he was introduced to the St Ives Club by fellow Australian Louis Grier, and he married Aida Gale in the town in the same year. Working closely with Grier and with Julius Olsson he maintained St Ives as a base, while also painting marine subjects along the southern coast of England and in Brittany. In 1912 Hayley Lever move to New York and took American citizenship. His paintings of the Hudson Valley, Vermont, and Nantucket secured an international reputation.
About the Seller
5.0
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
Established in 1986
1stDibs seller since 2014
2,884 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Shipping from: Soquel, CA
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllTurn of 20th Century Mt. Shasta Landscape with Deer
Located in Soquel, CA
Gorgeous turn of the 20th Century Mount Shasta landscape by Anna Carver Bingham (American, 1849 - 1924), 1901. Several deer gather around calm waters that...
Category
Early 1900s American Impressionist Landscape Paintings
Materials
Linen, Oil
$1,200 Sale Price
20% Off
1880s Figurative Sackett's Calvary Charge of the 9th New York Volunteers
Located in Soquel, CA
Late 19th century figurative painting of the battle of Trevilians Station and of the wounding of Colonel Sackett June 11, 1864. Oil on canvas in giltwood frame. Signed or notated indistinctly lower right. Image, 20.25"H x 36.25"W.
Military History Prior to 1865
The 9th New York Cavalry contained two companies from Cattaraugus County. It was mustered into the service October 1, 1861 and, until mustered out in July, 1865, lost 619 officers and men out of a total enlistment of a little less than two thousand. It participated in many battles and skirmishes and lost its colonel, William Sackett, who was killed at Trevilian Station, Virginia, on June 11, 1864.
From the Albany Evening Journal, July 20, 1864:
Another name is added to the list of hero martyrs who have fallen in the service of their country. Col. WILLIAM SACKETT, of the Ninth New-York Cavalry, (son of Hon. W.A. SACKETT,) was mortally wounded in the engagement, under Gen. SHERIDAN, at Pavillion Station, Va., and died on the 14th ult. As he was left behind, the sad intelligence of his decease has but just been received.
Col. SACKETT had seen much service. He entered the army on the 22d of April, 1861, was appointed Major of the Ninth New-York Cavalry in October of the same year, was promoted to Lieutenant-Colonelcy in August, 1862, and in March, 1863, became commander of the regiment. He was with Gen. MCCLEELAN in the Peninsula campaign, was in all the cavalry actions of the campaign which followed, was with the army in its advance after the battle of Antietam, and in almost constant conflict with the enemy until after the battle of Fredericksburgh. He participated in most of the cavalry engagements under Gen. HOOKER's command, was in all the principal cavalry actions during LEE's invasion of Maryland and Pennsylvania in 1863, and was among the first engaged in the terrible conflict at Gettysburgh, where he performed distinguished service in holding a rebel brigade in check a long time while our forces were getting into position on the crest of the hill. He was active in the cavalry skirmishes which ensued in the latter part of the Summer.
During the present campaign he was with Gen. SHERIDAN in all his brilliant expeditions up to the time when he fell. He died while leading a charge against the enemies of his country -- died, as he wished to die, doing his whole duty. He was brave, he was generous, he was unflinchingly faithful to the cause of the Union. He loved the old flag with a love that was stronger than life, and esteemed it glorious to fall in its defense. He was born in Seneca Falls, and was 25 years of age.
When the great civil war broke out [William Sackett] was practicing law at Albany, N. Y., having a short time previous been admitted to the bar. In December, 1861, he was commissioned Major of the 9th Regiment of New York Cavalry, and taking the field served with credit in several engagements in which that command participated. On June 27, 1862, his immediate superior, Lieutenant- Colonel Hyde, resigned and three days later Major Sackett was commissioned to fill the vacancy. On the 30th of the following May he was advanced to the Colonelcy of his regiment, with rank from March 15, 1863.
It is stated in "Battles and Leaders of the Civil War" that the cavalry pickets commanded by Colonel Sackett fired the first shot at the battle of Gettysburg. He subsequently led his command, in a gallant manner, in numerous engagements, including the battle of Trevilians Station, fought June 10, 1864. There he received a mortal wound and died inside of the enemy's lines some three days later. The report that he had been severely wounded and was in the hands of the enemy soon reached his wife, who immediately determined to make an effort to reach and care for him, not knowing that he was already dead when the report reached her. The following correspondence, copied from Official Records published by the War Department, tells in most emphatic terms of her devotion.
City Point, Va., July 7, 1864.
General R. E. Lee, Commanding Confederate Army,
Mrs. Sackett, the wife of Colonel William Sackett, who was wounded on the 11th of June, near Trevilians Station, Va., is here in deep distress and feeling great anxiety to learn the fate of her husband. Colonel Sackett was left at a house some two miles and a half from the station, in charge of...
Category
1880s American Impressionist Figurative Paintings
Materials
Oil, Linen
19th Century Gold Country - Pioneer Figurative Landscape
Located in Soquel, CA
Gold Country, a rustic figurative landscape of early California pioneers by an unknown artist (American, 20th Century). Excellent workmanship and ...
Category
Late 19th Century Impressionist Figurative Paintings
Materials
Linen, Oil, Cardboard
$1,040 Sale Price
20% Off
Two Maidens by a Stream after Narcissus Diaz de La Pena Barbizon - Original Oil
Located in Soquel, CA
Two Maidens by a Stream after Narcissus Diaz de La Pena Original l Oil on Linen
Idyllic painting of two girls walking along a path towards a stream in the Barbizon style of Narcisse ...
Category
1940s Impressionist Figurative Paintings
Materials
Linen, Oil, Stretcher Bars
19th Century Original Oil Malaysian Fishermen and Schooner
Located in Soquel, CA
19th Century Impressionist Original Oil Painting of Malaysian Fishermen and Schooner by Alberto Bonghi
The painting is a depiction of a scene in Malaysia with a Schooner in backgro...
Category
1890s Impressionist Figurative Paintings
Materials
Linen, Oil, Stretcher Bars
Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929
Located in Soquel, CA
Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929
Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene.
Image, 10.25"H x 14.25"W
Signed "J. F. Barker" dated "3/29" on Stretcher bar verso
Signed James F. Barker on Linen verso
James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education,
With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making.
Gravestone in Prospect Hill Cemetery, Nantucket
He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal.
He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...
Category
1920s American Impressionist Figurative Paintings
Materials
Linen, Oil
$2,280 Sale Price
20% Off
You May Also Like
"Evening View to the South West" , Oil Painting
By David Grossmann
Located in Denver, CO
David Grossman's (US based) "Evening View to the South West" is an original, handmade oil painting that depicts a wide open plain of the West with fields of...
Category
2010s American Impressionist Landscape Paintings
Materials
Linen, Oil, Panel
"Midnight Sun in Finland (Last Snow)" Oil painting
By Ulrich Gleiter
Located in Denver, CO
Ulrich Gleiter's (EUR based) "Midnight Sun in Finland (Last Snow)" is an oil painting that depicts a snow covered yard with a deck railing and a yellow mi...
Category
2010s Impressionist Landscape Paintings
Materials
Oil, Linen
Lupine Fields, Toro Park
By Tina Orsolic Dalessio
Located in Sag Harbor, NY
Oil painting of lupine fields at Toro Park, in California. A sunny day makes a bright blue sky, which fades to white as it inches towards the horizon. Th...
Category
21st Century and Contemporary Impressionist Landscape Paintings
Materials
Linen, Oil
"Fish Shacks, Big" large scale oil painting, seascape with humble architecture
By Tim McGuire
Located in Sag Harbor, NY
Framed dimensions: 74.93 x 86.75 inches
A large scale oil painting of a harbor of fishing shacks, seen from above, in Nova Scotia.
Tim McGuire Born in 1971, Tim McGuire grew up in...
Category
21st Century and Contemporary American Impressionist Landscape Paintings
Materials
Oil, Linen
Magdalena Afternoon
By Natasha Isenhour
Located in Denver, CO
Rocky trail and landscape
Category
2010s American Impressionist Figurative Paintings
Materials
Linen, Oil
"Parked Panda" plein air painting of Fenske's Fiat in Tuscan landscape
By Ben Fenske
Located in Sag Harbor, NY
"Parked Panda" is a plein air oil painting of Fenske's Fiat in Tuscan landscape, where he lives.
Frame Dimensions 33 x 41in
Ben Fenske (b. 1978) although a native of Minnesota, a...
Category
2010s American Impressionist Landscape Paintings
Materials
Canvas, Oil, Linen
Recently Viewed
View AllMore Ways To Browse
Richard The Second
Framing Antique Linens
Straw Work
Views Of The Thames
Thames Oil Painting
Antique European Linens
Antique Native American Painting
Richard Hollander
Antique Oil Paintings Dancers
Gloucester Massachusetts
Still Life Painting 1891
Antique Paintings Australia
Moonlight Scene
Oil Painting Highway
Thames Bridge
Thames Impressionist
Barge Painting
Impressionist Painting Thames