Russell Sambrook

Capper's Farmer, 1935

1935

Date: 1942 Medium: Oil on Board Dimensions: 18.50" x 15.70" Signature: Signed Image of woman holding pie and a man calling out to farmhands. An early 20th-century illustrator work...

Date: 1945 Medium: Gouache Dimensions: 23.50" x 35.50" Signature: Signed Lower Left Story illustration, older man leading horse, concerned kids. "Don't sell him, Uncle Pete' Ba...

Signature: Farmer Smoking his Pipe Medium: India and colored inks "Dorne never got around to producing his volume of instruction for the Famous Artists Schools, but a lot of that ma...

Date: 1914 Medium: Oil on Canvas Dimensions: 29.00" x 19.00" Signature: Signed and Dated Lower Right

My paintings are glimpses into my perception of life along the coast of Maine and the high desert of Taos, N.M. Using rich color and employing the dramatic light of the coast and...

Presenting a rare early oil painting from the, "WPA" period, 1941, by American artist Ron Blumberg, “The Farmer” After his classical training in Paris, Blu...

Provenance: The Artist. Menikoff collection (friends of the artist) About this artist: Born in Little Italy in 1907, Gregorio Prestopino first set out to become a sign painter as the son of New York City immigrants. Instead, his talent provided a life-changing scholarship to the National Academy of Design, and for five years he studied drawing under C. W. Hawthorne. He spent the summer of 1934 at the MacDowell Colony in Peterborough, New Hampshire. His deep involvement with the colony led him to later serve as its director in 1954. Much of Prestopino’s work was in the vein of social realism. During the 1940s and 1950s he became deeply invested in portraying everyday Manhattan and Harlem scenes. He first became interested in the Ashcan school at the National Academy of Design, and remained committed to an interest in working with urban scenes. His lively treatment of people and events revealed his affinity for sixteenth-century artist Pieter Breughel. Later in his career, he focused on producing images of nudes and picturesque New Hampshire landscapes, and investigated the relationship between color and form. Prestopino exhibited at several biennials at the Corcoran Gallery, at the Art Institute of Chicago, the Museum of Modern Art. His work was frequently shown at the Pennsylvania Academy of Fine Arts, where he was awarded the Temple Gold Medal in 1946 and an additional prize in 1952. He was awarded a National Institute of Arts and Letter Grant in 1961, and in 1972 the National Academy of Design awarded him the Altman Figure Painting Award. Prestopino’s artistic cache skyrocketed when Life magazine published his images from New York’s maximum security institution Green Haven as part of its “Prison Series” in 1957. That same year his paintings and sketches of urban life were featured in the short film Harlem Wednesday. Directed by John and Faith Hubley...

Signed to the lower right. Presented in a slim wooden frame. On board.