Samir Sarkar

Together, Gossip, Mixed Media on paper, Red, Orange, Contemporary Artist"In Stock"

Shipra Bhattacharya - Untitled - 30 x 30 inches (unframed size) Acrylic on canvas Inclusive of shipment in a roll form. A wonderful work by the very well lauded by the indiancontem...

A wonderful work by the very well lauded by the indiancontemporary artist Shipra Bhattacharya. Shipra has a wonderful skill to paint meticulously enchantingly as well Attractively. ...

Shuvaprasanna Bhattacharya - Untitled - (unframed size) Pen & Ink on Paper , 11 x 8 inches , 2009 (Delivered) One of the most popular series of the Master Artist, The Golden Flute is the artists more romantic renedition of Art. The iconic figures of Krishna, Radha, and Ganesha that found lyrical expression in the Icons series are modern representations and sophisticated idealizations of the same images in the popular media. Krishna is a cosmic musician, and the tune he creates by playing his transcendental flute is embodied with cosmic energy. When Krishna is depicted as being between the age of 5 and 8, it is always with his flute. Therefore, during this period, he is aptly called Murlidhara (murali means “flute,” and dhara means “hold”), signifying the one who holds the flute. He is never without it, whether he is with his mother, on the grazing grounds with his herd of cows, among his cowherd companions or roaming around on the Jamuna banks. Gopis lose their selves in this tune. For them, music becomes the voice of love, which is too passionate and secretive. Style : The city of Kolkata has always figured prominently in his work. His themes come from his personal interactions with its urban milieu - its sickness and sordidness, its violence and vulnerability and all that compounds its existential agony. Shuvaprasanna has depicted varying moods of the city and its people, its places, and all its facets that make the city distinctive. He doesn't merely portray reality as 'matter of fact' and his presentation of reality often has dream-like elements in it. In terms of technique, Shuvaprasanna boasts a precise, finely executed style that yields an unmistakable visual intensity. He works comfortably in an assortment of media, including oil on canvas, charcoal, and mixed media. About the Artist and his work : Born : In Calcutta, 1947. Education : Graduated from Indian College of Art (R.B. University, Calcutta) in 1969. Exhibitions : Shuvaprasanna has had several gallery and museum exhibitions, including at the Tao Art Gallery and at the Chawla Art Gallery, Square One Mall. Several works by the artist have been sold at auction, including 'ABODE' sold at Waddington's 'Fine Prints & Photography Auction' in 2014. There have been many articles about Shuvaprasanna, including 'An exclusive edifice' written by Kunal Ray for The Hindu in 2014. Selected Solo Exhibitions : 2011 - Shuvaprasanna: Recent Works, CIMA, Centre of International Modern Art, India, Kolkata 2010 - Summer Show 2010, CIMA, Centre of International Modern Art, India, Kolkata 2007 - ‘Madhura: The Golden Flute’, organized by Indian Contemporary at Visual Arts Centre, Hong Kong 2006 - ‘The Divine Flute’, Aicon Gallery, USA 2002 - ‘Icons and Illusions’, Gallery ArtsIndia, New York 1998 - ‘An Appreciation of Ted Hughes’, Exhibition of Crow Paintings...

Bhaskar Chitrakar - Frida Kahlo - 15 x 11 inches (unframed size) Watercolor & Gouache on Paper, 2020 About the Artist & his works : Born : 1978. Bh...

"Derviche II” Painting in Glass Frame 31" x 31" inch by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept and the subject of the orientalism and the enchantment of that period. Through her work we can feel the researches she has done to reveal her Egyptian origins and the magic and power of the bygone times. Katherine Bakhoum has succeeded in imprinting her own stamp to evoke a new world full of charm, nostalgia and magic that is deeply implanted in her canvas. Her power dwells in creating her own style of contemporary expressionism building upon the old orientalism. Katherine Bakhoum’s art comes up out of an Egyptian childhood and from the distance of a life spent in France. What is left unsaid is as important as what is shown. Decorative yes, as in old orientalism, when everything was texture and what wasn’t texture was veiled, a reincarnation of old spirits, dervishes, orientalist motifs and the stuff of a once powerful civilization, the better to suggest it all might just come to life again. The choice of ancient subject matters, the echo of orientalist pieces in the collages, like the echo of the appeal of ancient gestures, of foreign lands, and domestic tapestries, all this weaves up out of Katherine Bakhoum’s creations. Sometimes we only have the line of a horizon on which to hang our imagination, sometimes we only have the trace of a profile in the shadows. What we always have is a persistent belief in beauty. Where there is beauty, there is hope. Katherine Bakhoum has abandoned neither. SOLO EXHIBITIONS Claudine Legrand Gallery: Annual exhibitions from 1996 to 2016 Safar Khan...

"Dervish Profile I” Painting in Glass Frame 31x31 in by Katherine Bakhoum Tisné Katherine Bakhoum represents art that has been forgotten for a long while. She draws upon the concept...

The size without macrame 50х50 cm. Macrame is made by hand. The back part of the painting is reinforced with a felt layer. The "Sweet Home" series is dedicated to the feelings of p...

Forgive Us Our Sins, Sacre-Coeur (Sacred-Heart in English) depicts a high fashion model on the Paris runway. St. Genevieve, patron saint of Paris, is scrawled on the canvas, graffiti style. Created in three vertical panels that reference the classic style of altar pieces, it is elevated by the lower panel. The prettiness of the model is in contrast to the grittiness of spray paint that is superimposed on the work. This lower panel has been treated with a high gloss resin, in contrast to the matte finish of the rest of the work. Scrawled in the lower left portion of the painting, the text reads Pardonne nos péchés, or forgive us our sins. This monumental work is rendered in realism, but ultimately expressed as a defaced modern commodity. The spray painted graffiti is transformed into a series of balloon like images, festive till one realizes they came from a paint gun...