Serghei Ghetiu

The elderly Saxophonist

2025

I have always been fascinated by artists who pushed the boundaries, experimented and changed the art world; my art explores many styles, from Modernism to Impressionism, Expressionis...

In crafting this painting, I delved deep into the intersection of realism and impressionism, using oils to capture both the tangible and the transient. This piece portrays a figure, ...

Saxophonist. 2021. Oil on canvas, 80x60cm Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani is a matured and recognized master, as follows from the long list of his exhibitions and countries where his works reside. 1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia 1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia 1990 - Exhibition of Van Gogh's memory, "Palette" , Russia 1991 - Exhibition Gallery Palette 1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia 1992 - Exhibition at Gallery Pinatin, Berlin. 1993 - Exhibition of Piraeus, Athens, Greece. 1993 - Exhibition Gallery 47...

Title: Street Musicians Artist: Albert Roca i Cama (Palamós, 1945 – 2023) Technique: Oil on canvas board Dimensions: 71 x 51 cm (27.95 x 20.08 in) Support: Canvas board Signature: Signed in the lower right corner as “214 Roca” Approximate date: Late 20th – early 21st century Condition: Very good Framing: Unframed Description of the work: The painting depicts two street musicians in a profoundly expressive scene. In the foreground, a man rests his arm on an accordion, his gaze lost in thought and a contemplative expression on his face, while holding a straw or toothpick between his lips. Behind him, another figure plays a transverse flute with closed eyes, fully immersed in his music. The composition conveys serenity and weariness, presenting an intimate moment imbued with urban lyricism. The brushwork is loose yet confident, reinforcing the emotional depth of the characters. The color palette blends warm tones with hints of grey and blue, emphasizing the introspective and street-like atmosphere. The overall impression is of a moment suspended in time, where music and life intertwine in the silent dignity of their expressions. Artist biography: Albert Roca i Cama was born in Palamós in 1945 and passed away in 2023. He was a Catalan painter associated with expressive realism, known for his energetic strokes and mastery of color. From an early age, he showed artistic inclination and worked in Barcelona alongside comic artist García...