Steven H. Rehfeld

'Chinatown' by Steven Rehfeld - Very Large Red and Yellow Figurative Painting

2011

In Steven Rehfeld's expansive 38" x 48" mixed media piece, passion, and precision collide in a visual spectacle. The canvas becomes a theater of emotions, with deep purples, fiery re...

Steven H. Rehfeld (American, 1954) 'Untitled' 2010 Oil paint, mixed media, canvas, stretcher bars The artist signed the back of the painting. About the Artist: Introducing Steven H....

Steven H. Rehfeld (American, 1954) 'Fragmented' 2005 Oil paint, pencil, canvas, stretcher bars The artist signed the back of the painting. This 30" x 30" contemporary abstract piece...

Steven H. Rehfeld (American, 1954) 'Resonance' 2018 Oil paint, tape, canvas, stretcher bars The artist signed the back of the painting. Steven Rehfeld's 'Resonance' is a vivid tapes...

Red Hammond (American) The Klue, 1986 Oil on canvas 65 1/4 x 53 1/2 x 1 1/2 in. Signed, dated, and inscribed verso Artist statement sourced from Red Hammond's website: ORIGINALITY As an artist I put myself into the piece of art not to achieve originality for its own sake, but to be honest to, to follow the work. Immersion in the making ensures that the work will be authentic -.that its uniqueness allows the work to emanate its own light, encouraging the viewer to look and to see. While not initially apparent, my paintings typically have numerous, subtle inflections that are often hidden at first glance because the large primary, usually black forms, are strong and register first. SHAPES AND EMOTIONS I place significant emphasis on my ability to invent personal shapes. When put together, they establish a dialogue within the painting. I start without any preconceived idea for the painting and do not work from drawing in order to maintain the spontaneity and challenge to work through a solution - to remain fresh and capable of creating surprises for both myself and the viewer. Working instinctually, , I grope around, figuring out how the feelings I have manifest themselves in a specific shape or shapes and how to achieve the overall mood I’m searching for in a particular piece. SYMBOLS AND MEANING I build a painting with symbols that go beyond words, creating works that may appear somewhat opaque, mysterious, at times. This encourages engagement on the part of the viewer and allows each viewer to arrive at their own ideas concerning the works’ meaning. Viewers of art often confuse subject matter with content. A cow in a field is a cow in a field - that is subject matter. Content is what the artist puts in of him or herself. That is an intangible that is difficult to decipher. I find the early work of the American abstract expressionists and the artifacts and ritual art of indigenous peoples and tribal cultures to be inspirations. COMPLETION Often I’m sure that I have completed a painting and for that moment in time I probably have. Sometimes, however, hours, days or several years later, I look at again and realize that while I was correct for that moment, the painting’s potential was never realized. So I begin the process of working that painting again, and this process can go on for years until I’ve finally got the painting to where it needs to be in order for it to be fully realized. ART AS THERAPY AND DISCOVERY Like life, art is not just about self-improvement but also about self-discovery. If I’m not working on getting better as a painter, improving my paint application or pushing myself to expand my limits as a person, I feel I’m letting myself down and falling short of my potential as an artist. Each day in the studio is a mini-metaphor for life that demands and rewards patience.… Without it, I end up with a big...

This is a large, vibrant, colorful and strong abstract expressionist oil painting on canvas that is full of life and vigor. Painting subject to availability and 1stdibs buyer protected purchase and shipping with returns subject to terms. The artist, Alexis Portilla, shows that his artistic virtuosity ranges from the strong and bold and big to the fragile, vulnerable small exquisite pieces in beeswax and oil (Pale Fire). Alexis Portilla obtained his Master's of Fine Arts at Columbia University in 1990. His bold linear lines, use of symbols, pictographs and strong colors create atmospheric abstracts. “Using simple forms and creating swathes of rich texture, Alexis Portilla builds atmospheric abstract paintings that convey a sense of time having passed. Brushy areas of color suggest the indeterminacy of memory, while bold linear forms speak for the present.” Meredith Mendelsohn, Art News magazine review. Influenced by the emotion of artistic expression in music, poetry and literature, the artist finds bold expression in color, lines and shapes that resemble pictographs, and texture. We showcase this talented mid career artist's sheer virtuosity both in style and use of varied medium which is apparent in his works in which he paints large oil abstracts...

Gray, red, yellow, and black abstract figurative painting by Houston, TX artist and Reeves Art + Design owner Paul Reeves. This painting depicts multiple faces against a background o...

Sekhar Kar - Untitled, Mixed Media on Paper 30 x 22 inches (Unframed) ( UNFRAMED ALL IN DELIVERED PRICE ) Style : Sekhar Kar's paintings depict men and women in swirling masses ...