Abstract Expressionist Figurative Paintings

Vivid and evocative abstracted painting of 9/11 by artist Jocelyn Audette (American, b. 1952), circa 2001. Impasto adds texture and interest. Label on verso with artist's name. Pres...

Red Thumbprint - Abstract Expressionist Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). This piece i...

A Geometric Play of Masks, Eyes and Lines. Post war Expressionism. 1970's. Patrick Boudon. Art Informel. Ecole de Paris. Technique: oil on canvas, very textural and colorful. Patr...

Figurative Nude Study - Watercolor and Charcoal on Paper Watercolor and charcoal painting of a nude reclining woman by acclaimed bluegrass musician and San Francisco artist Katherin...

''Pink Heels" French School, signed lower left corner circa 1960's oil on canvas, unframed canvas: 18 x 15 inches the painting is in overall very good and sound condition

"A New Idea" in Blue - Figural Abstract Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Large blue and red brushstrokes form the structure of this composition, with a seated figure in the misty background. What appears to be a cobalt blue vessel...

This vibrant and dynamic artwork by Koko Hovaguimian is a celebration of jazz through color and form. Measuring 20x24 inches, the painting features a lively composition that captures...

Francesca Owen weaves an ethereal fantasy world in this painting. It’s a beautiful dreamscape that plays cleverly with light and shade. Her forest ought...

This artwork "Mother and Child" c 1940 is an oil painting on hardboard by noted American artist Victor Thall, 1902-1983. It is signed at the lower right corner by the artist. The board size is 23.5 x 15.5 inches, framed size is 37 x 28.5 inches. Framed in original gold wash frame, with fabric liner. The painting is in excellent condition, the frame has some minor restorations. About the artist: Victor Thall belongs to that unique American brand of rugged individualist. Working closely for a time with such painters as Gorky and de Kooning, Thall wasn't content to join the burgeoning American clique of Abstract Expressionism. Instead, on the eve of its international recognition, he abandoned New York, making a worldwide tour of indigenous cultures attempting to find a solution to the crisis of abstraction. Thall felt that painting needed to communicate in a way that Abstract Expressionism could not. Using parts of its vocabulary, Thall created work that was modern in spirit but based on fundamental traditions that he believed connected the whole history of art. In this way he resembled his contemporary Max Beckman, and it is fitting that Thall was chosen with Beckman by The New Yorker art critic Robert Coates as the best painter of the 1949 Whitney Annual. Fiercely uncompromising in his opinions, Thall sadly fell into obscurity in his later years. Yet it was a willful obscurity. But America does eventually honor her difficult individualists, even if sometimes years after their deaths. Victor Thall was born in New York in 1902. He studied at the Art Students League under Arthur B. Davies, George Bellows, George Luks, and John Sloan. Further studies were at the Pennsylvania Academy of Fine Arts. He left for Paris in 1924 continuing his studies at the Ecole des Beaux Arts and the Academie Julien. Returning to the United States in the early 1930's, he became friendly with Willem de Kooning and Arshile Gorky. He participated in the WPA New Deal Art Project of New York City between 1935 and 1939. He taught at the Art Students League in the late forties and was represented in the Whitney Annual of 1949 and 1950. His paintings are in numerous private collections in the United States and Europe. He died in 1983. Education: 1914 -1927 Art Student's League - Studied with:Arthur B. Davies, George Bellows, George Bridgman, George Luks, Von Schlegel, Robert Henri, John Sloan, Frank Vincent du Mond. Pennsylvania Academy of Fine Arts - Studied with:Arthur B. Carles, Henry McCarter Ecole des Beaux Arts - Paris; Grande Chaumiere - Paris; Academie Julien, Paris Teaching: 1947 -1949 Art Students League Selected Bibliography: Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991. Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery. 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950. Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43. 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1949. Lansford, Alonzo, "Thall at Binet," The Art Digest, December 15, 1947, ill. Upton, Melville, "George Binet Gallery," Sun, December 13, 1947. Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947. "Victor Thall at Binet Gallery," Art News, December 1947, p. 59. Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947. Burrows, Carlyle, "Art of the Week," Herald Tribune, 1946. Review of group show at the Chinese Gallery. Coates, Robert M., "The Art Galleries: Past and Present," The New Yorker, May 27, 1944, pp. 68-69 Victor Thall at Puma Gallery," Art News, November 1-14, 1943, p. 22. Devree, Howard, "Victor Thall," New York Times, October 24, 1943. Burrows, Carlyle, "Victor Thall at the Puma Gallery," Herald-Tribune, October 24, 1943 Upton, Melville, "Victor Thall at Puma Gallery," Sun, October 23, 1943. Lansford, Alonzo, "Varied Shows of the Week," The Art Digest, October 1943. Review of Puma Exhibition. Victor Thall Oil Paintings, New York: Puma Gallery, 1943. Art News, "Our Own Exhibition Gallery," June-july 1943, ill. MacLeod, Norman. Thanksgiving Before November. New York, 1936. Book ill. Selected Public and Private Collections: Brooklyn Museum Desmond Child, Los Angeles Robert Crewe, Los Angeles Sidney Lumet, New York Newark Museum Billy Steinberg, Los Angeles 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...

Portrait of a Woman in Red - Bay Area Figurative School Abstract Expressionist Abstracted portrait of a woman in red by San Francisco artist Heather Speck (American, b. 1978). A wom...

Bold and dynamic abstraction of a futuristic woman by Nick Keefer (American, b. 1968). Unsigned, but "by Nick Keefer" has been written on the back. Unframed. Nick Keefer was born in...

From Paul's India Series; pearlescent moonlight glints off the water and casts shimmering light onto the surface. A beautiful place to relax and wash away the days heat and dust. The...

Simone Theelen, a dynamic and exploratory artist born in 1963. embarks on a continuous journey of creativity and discovery in her studio, where chaos an...

Unique artwork by Paul Guragossian Signed lower left Born to Armenian parents, who were survivors of the Armenian genocide, Paul Guiragossian experienced the consequences of exile f...

Violin Serenade - Blue Grass in the Nude Acrylic Abstract Expressionist on Paper A nude reclining in an emerald green chair gives an interesting o...

original Oil Painting on board by Yvette Dubois Habasque (1929-2016) signed and inscribed verso drawing on back dated: 1964 board: 15 x 11 inches Fine original painting by the Fre...

Evocative and expressive contemporary self portrait titled "Unfinished Story" by Alexander Gore (Russian, b. 1958), 2010. Signed upper left edge. Unframed. Image, 15"H x 11"W. Ale...

With hints of hot spicy colour this piece also reflects the cooling effect the water has on the surrounding temple area. It's a more pastel coloured work offering time for contemplat...

Artist/ School: French School, signed and dated 1970's verso Title: Abstract figures on a moon like surface Medium: oil painting on board, unframed. board: 30 x 33.5 inches Prov...

Figure in red, green, blue conte crayon by San Francisco artist Michael William Eggleston (American, 20th Century). Unsigned, from a collection of his works. Image size: 24"H x 18"W....

Wonderful Bay Area School figurative of tan man with blue hat by Patricia Gren Hayes (American, 20th Century), 1980. Signed, titled and dated on ve...

Beautiful multicolor abstract expressionist oil painting with pops of grey, yellow, orange, green and blue on a wood panel by Bay Area artist Michael Pauker (American, b.1957). Flush...

Introducing "Monochromatic Musicians - In Deep Blue" by the renowned artist Koko Hovaguimian. This captivating oil painting transports the viewer into a world of evocative artistry, ...

Beautiful oil on canvas painting with aerosol spray paint of two reclining figures by the well known Russian/American artist, Nahum Tschacbasov. Signed upper right and dated 1949. ...

Francesca Owen is an award winning contemporary fine art painter and a former Slade graduate where she studied under some influential artists such as Dame Phyllida Barlow RA CBE, And...

A bold figurative narrative, blocks of color on white, acrylic, collage friendship, helpful, hand, figurative abstraction This acrylic painting on paper can be framed or displayed ...

Incredible modern art, created from combining laser kinetics with sound to create powerful patterns.

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s w...

This contemporary abstract expressionist woman's portrait "My force within" was created by French artist Natalya Mougenot and is part of her ongoing series dedicated to exploring wom...

Wang Tao (Chinese, 1943) "Blue Clouds with Dragons (Untitled)," 2007, Acrylic and vintage antique paper collage on canvas, Hand signed and dated L/R, Verso inscribed and dated Di...

Antique American modernist abstract painting. Oil on canvas, circa 1940. Housed in a vintage frame. Image size, 18L x 24H.

Large Scale Bay Area Figurative Inspired -- The Young Trumpet Player Compelling Bay Area Figurative Movement inspired painting of a young trumpet player, circa 1990. Unsigned. Unframed. The Bay Area Figurative Movement (also known as the Bay Area Figurative School, Bay Area Figurative Art, Bay Area Figuration, and similar variations) was a mid-20th Century art movement made up of a group of artists in the San Francisco Bay Area who abandoned working in the prevailing style of Abstract Expressionism in favor of a return to figuration in painting during the 1950s and onward into the 1960s. Spanning two decades, this art movement is often broken down into three groups, or generations: the First Generation, the Bridge Generation, and the Second Generation. Many of the "First Generation" artists in this movement were avid fans of Abstract Expressionism, and worked in that manner, until several of them abandoned non-objective painting in favor of working with the figure. Among these First Generation Bay Area Figurative School artists were: David Park, Richard Diebenkorn, Rex Ashlock, Elmer Bischoff, Glenn Wessels, Wayne Thiebaud, Raimonds Staprans, and James Weeks. The "Bridge Generation" included the artists: Henrietta Berk, Nathan Oliveira, Theophilus Brown, Paul Wonner, Roland Petersen, John Hultberg, and Frank Lobdell. Many "Second Generation" artists of this movement studied under the First Generation artists, or were late starters. Among these Second Generation artists were: Bruce McGaw, Henry Villierme...

Sonia Gechtoff The City at Twilight: Twin Towers II, 1985 Acrylic and pencil on paper (held in original frame with Gruenebaum Gallery, NY label) Signed and dated on the front; also b...

An original acrylic on paper by American artist Richard Huntington entitled "Dog on a Stump". This new work is part of the current gallery exhibition, A Sense of Place which runs through the end of June. This special exhibition is a celebration of the work of 4 extraordinary artists who used to call Western New York home. Travel lust, adventure, and livelihood have taken each of these artists to distant places, including China, Mexico, Massachusetts, and New York City, but they will always be a treasured part of Buffalo's dynamic arts community. Acknowledging that a sense of place can be an element in any work of art, shaping or transforming it depending on intentions and explorations, Resource:Art is thrilled to present this selection of new work by each of these unique artists. Richard Huntington is a writer, printmaker, and painter who lives in Buffalo, N.Y. and San Miguel de Allende, Guanajuato, Mexico. Born in Albany, N.Y., Huntington received a BFA from Syracuse University in 1959 and an MFA in 1963 from the University at Buffalo, where he studied under Seymour Drumlevitch. He taught studio and art history courses at Bradley University in Peoria, Ill.; lived and worked in New York City, where he showed at the Fulton Street Gallery and other venues; was an art critic for the Buffalo Courier...

Large-scale abstract of multicolor brains by Bay Area artist Michael Pauker (American, b.1957). Unsigned, but was acquired with a collection of his work. Unframed. Image size: 60"H x...

This striking mid-century semi-abstract oil painting on canvas by renowned Denver modernist Paul K. Smith captures the vibrant energy of an artist’s studio. Painted in the mid-20th century, the composition features expressive renderings of flowers, paint supplies...

Dan McCaw's (US based) "Indelible" is an original, handmade oil painting that depicts an abstracted dark patterned figure standing in a patterned interior setting. Artist Statement...

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Paul Wadsworth is one of the UK’s leading exponents of Expressionist paintings. His pieces are heavily worked with layers of richly applied paint, the result is paintings that sing w...

Kader Boly is known for painting pastoral and communal scenes from his life as a nomadic herder in the Fulani tribe, on the plains of West Africa. Kader’s work is set apart using han...

Artist: Matt Carone, signed lower right Dated: 1995 Dimensions: 80.25"H x 56.25"L In a fine wooden black and gold gilded frame. Provenance: Freitas Revilla Gallery. Matt Carone (1930-) South Florida artist and gallerist. The Italian- American New Jersey native took up painting in the 1940s after Hans Hoffman asked him to model in a class in which Nicolas Carone...

This contemporary abstract expressionist figurative portrait of three figures, "Shared Force", was created by French artist Natalya Mougenot as part of her ongoing series dedicated t...

Man on the Hill Original Painting entitled "Contemplation" by leading Contemporary British Artist, Angela Wakefield. Blue, white & black expressive impasto on canvas. Art measures 24 x 24 inches Frame measures 29 x 29 inches This piece presents a hauntingly atmospheric and introspective moment, using abstraction to evoke emotion and imagination. Here’s an art curator’s perspective: 1. Mood and Emotion • The painting captures a profound sense of solitude and reflection. The lone figure standing against a turbulent, layered sky evokes feelings of contemplation, longing, or even melancholy. The use of blues and dark tones reinforces this introspective atmosphere. 2. Abstract Expressionism • The loose, textured brushstrokes create a sense of movement and depth in the sky, while the contrast between the figure and the landscape lends a poetic ambiguity. The lack of facial details in the figure allows viewers to project their own emotions or narratives onto the scene. 3. Color Palette and Contrast • The predominance of deep blues with hints of white and muted purples creates a mood that feels both serene and stormy. The sharp black silhouette of the figure against the lighter background highlights isolation while grounding the composition. 4. Narrative and Ambiguity • This painting invites interpretation. The figure could represent a memory, a spirit, or simply a person lost in thought. The lack of specific details keeps the work universal, allowing viewers to connect personally to its themes. 5. Framing and Presentation • The white frame softens the piece and provides a modern, clean boundary that contrasts well with the dark and moody composition. It enhances the painting’s versatility, making it suitable for both intimate spaces and larger collections. Artistic Significance: This work speaks to themes of human connection (or disconnection) with nature, identity, and the passage of time. It would resonate with those who appreciate contemplative art that blends abstraction with emotional depth, making it a unique addition to a thoughtful collection. Angela Wakefield has twice been on the front cover of ‘Art of England’ and featured in ARTnews, attracting international attention and critical acclaim with her urban landscape paintings of New York & London. The style of painting has been described as ‘contemporary realism’, and is often favourably compared with Edward Hopper by collectors and art critics. Angela’s work is held in private collections in Europe and the USA, including the British Royal Family. Her admirers include leading figures in international business...

"Arabic Calligraphy 3" Abstract Painting 20" x 26" inch by Mohamed Hassan Mohamed Hassan is a traditional Arabic calligraphist, he obtained his official license to practice this art...

Outstanding and vibrant figurative oil on canvas painting by the well known American artist, Nahum Tschacbasov. Signed lower right and dated 1945. Partial Perl’s Gallery, New York label verso with partial title on same label verso. Title might be “Mountains and Horses” Condition is very good. The painting is housed in it”s original House...

A modern abstract expressionist oil painting signed illegibly and dated 1956.

Abstract expressionist composition with a highly abstracted figural form swirling in a monochromatic orange plane by Toni Morley (American, 20th Century). Titled "Survivor" and signe...

Bright strong work with thick oil paint form the artist's 2018 India series Signed

Fantastic Original Oil Painting by Noted California Artist Arthur J. Krakower (1921-2009) Titled "Suffer - But It Was Worth It - Wasn't It?" Signed and dated 1999. Original oil on...

Vivid and evocative feminist abstract expressionist figurative painting of woman and the many facets of her life, represented by multiple female figures engaged in various activities throughout the chaotic and colorful abstract expressionist canvas, by Audrey E. Gabrielson (American, 1932-2018), 1976. Verso has an abstract portrait with signature. Unframed. Image size: 29.75"H x 31.50"W Audrey Gabrielson was an artist, poetess, sculptor, whom lived in San Francisco. She was born in Canada in 1932 and drew, colored, modeled in clay when very young. She studied at Reed College, Portland, studying with famous West Coast artist, Louis Bunce. in San Francisco she painted with artists Cucaro, Alexander E. Anderson, and Raymond Howell. She had shown in North Beach, Modesto, Gualuala Hotel, Sausalito, Abbey Party Rents (S.F.) and many more. She had ongoing exhibits at Alberta Art, Red Deer and Uglies, Lacombe. Her art was collected by national and international collectors such as authors C.Y. Lee (“Flower Drum Song”), Alfred Coppel (“34 East”); musical promoter, Ilka Pardinas, FLY, Los Angeles. Additionally, she worked in bronze, studying under S.F. sculptor C.B. Johnson. Her art was influenced and inspired by German Expressionists, Van Gogh, Lautrec, Picasso, Klimpt, Schiele, Tamayo, Conners, Park – and many more. Obituary: Born in Alberta, Canada, Audrey passed away at her home in San Francisco's Bernal Heights neighborhood, surrounded by loved ones. Gabrielson was an artist, poet, sculptor, photographer, muse and an integral part of the San Francisco art scene of the late 1950s to late 1970s. She was a friend and contemporary of artists such as Benny Bufano...

The Kiss - Abstract Figurative Composition in Acrylic on Paper A bold abstract painting by California-based artist, Ricardo de Silva (American/Brazil, 20th C). Figurative Abstract o...

Bright figurative abstract with rich layers of texture and color by Chaz Cole (American, 20th Century). Irregular perimeter. Signed and dated "Chaz Cole" lower right. Signed and date...

Paul F. Keene Jr. (1920-2009). Theater Lobby, ca. 1955-60. Oil on linen canvas, 20 x 24 inches. Original metal strip frame. Signed lower left. Excellent condition. Biography: ...

SALE ONE WEEK ONLY “Untitled” painted in India Ink of two heads was done during what has been call Lester Johnson’s Dark Paintings of the 1960s. In 2013 John Yau wrote with much insight about that period of Johnson’s work - “Lester Johnson (1919-2010) was an innovative figurative painter who has never quite fit into any of the accepted narratives of postwar American art, and that alone makes his work worthy of a longer look. The 1960s was an explosively turbulent era marked by assassinations, race riots, space flights, the Cuban Missile Crisis, the Beatles’ and Rolling Stones’ first American tours, and the rapidly escalating Vietnam War. Everyone was wary and on edge. Meanwhile, in the New York art world, all eyes were fixated on the rise and triumph of Pop Art, Minimalism and Color Field painting. Johnson was one of the few artists that attuned to the dismay that everyone was feeling during the violent and schizophrenic time, the sense that it could all come crashing down. However, his work was never overtly political or didactic. While his dark, brooding, monochromatic paintings of anonymous men gained a small and loyal following, they also became part of that largely invisible history of a time when New York was a tough scary and exciting place to be. More than fifty years after they were made, Johnson’s Dark Paintings continue to retain a coarseness that we associate with gestural Abstract Expressionism and Jean Dubuffet’s anti-psychological, anti-personal portraits incorporating sand and gravel. One sees in them the antecedents of Joyce Pensato’s gestural exaggerations of Groucho Marx, Homer Simpson and Minnie Mouse. While Pensato brings an infectious humor to her work, Johnson was more somber. I cannot help but think that both these artists chose their bedraggled subjects out of empathy and a trace of identification.” Lester Johnson, was born in 1919 in Minneapolis, Minnesota. He attended Minneapolis School of Art, where he studied under Alexander Masley who was a former student of Hans Hofmann. Johnson continued his artistic career in New York City where he opened his first studio on 6th and Avenue A. His neighbor there was fellow painter Wolf Kahn. During his time there he would share a loft with Larry Rivers and married the art historian Josephine Valenti. In 1961 he briefly taught at Ohio State University before returning to New York City to share a studio with Philip Pearlstein. Jack Tworkov would invite Johnson to teach at Yale, an offer that Lester Johnson would accept and spend the rest of his life in Connecticut. Johnson passed away in 2010. Johnson's work has been exhibited in the Baltimore Museum of Art, the Albright-Knox Art Gallery, the Fogg Art Museum, Harvard University, the Art Institute of Chicago, the Detroit Institute of Arts, the Kalamazoo Institute of Arts, the Modern Art Museum of Fort Worth, the Wadsworth Atheneum, the Minneapolis Institute of Arts, The Walker Art Center, the Yale University Art Gallery, the Museum of Modern Art, the Metropolitan Museum of Art, the Whitney Museum of American Art, the Solomon R. Guggenheim Museum, the Chrysler Museum of Art, the Carnegie Museum of Art, the Museum of Art, the Rhode Island School of Design, the Aldrich Contemporary Art Museum, the Rose Art Museum, Brandeis University, the Hirshhorn Museum and Sculpture Garden, and the Smithsonian American Art Museum. This work has been framed inside of a custom frame with museum glass...

Dan McCaw's "Textures" created in 2024, is a striking oil painting measuring 30 x 24 inches. This original artwork features an abstract composition of figures, rendered with rich tex...

Title: The Guardians of Togetherness Painting, Modern, Abstract, Colorful, Contemporary, Invest, Artwork, Original The Guardians of Togetherness opens up the viewer to experience t...

The Costa Rican artist Francisco Zuniga (1912-1998) took, for a short while, drawing lessons at the Art School of San Jos, before he worked from 1928 to 1934 in his father's business...