Abstract Figurative Paintings

Surrealistic abstract figurative painting paying homage to Picasso. Bright and vivid colors. Provenance only artist collection to gallery inventory. Hand-signed by the Artist. Certif...

An original oil on canvas, amazing and special and rare painting, by the famous Israeli Georgian artist Meir Pichhadze, the painting is signed and date...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

In this collection, British painter Michael Pemberton (b. 1974) suggests we each have a personal HUMAN ATMOSPHERE. An ether where we truly exist, unseen by the naked eye but as real ...

Glowing Rose [2021] limited_edition Giclee print Edition number 20 Image size: H:90 cm x W:90 cm Complete Size of Unframed Work: H:98 cm x W:96 cm x D:0.1cm Sold Unframed Pleas...

Figurative abstraction. Painting will be mounted to support frame and ready for hanging.

LVII, 2022 by Hunter & Gatti From the series Lous and The Yakuza Acrylic and oil wax on fine art paper 255 grs. Image size: 20.6 in H x 15.7 in W Unframed This is a project together...

Fiery River Black Orange Abstract Expressionist 2022 Signed on the beck. Jerzy Kubina Polish/American Artist: Jerzy was born in Zamosc, Poland, 1956. Studied at the Academy Of Fine A...

"Red Clouds" Acrylic & Inks Painting 39" x 39" inch by Kinda Adly Kinda Adly, born in Egypt in 1989, is a self-taught artist. She grew up in Egypt and currently lives in Switzerland...

Swiss artist Edith Konrad paints figurative abstract compositions with mixed media on canvas. She layers her expression of her emotional response to the subjects with dynamic textures and subtle patterns in her artworks. The thick layers of paint add a sculptural and tactile, rich looking feel to her paintings, along with the bodily presence of her subjects. Her works have been exhibited internationally, including Artspace Warehouse Los Angeles and many art fairs such as Montreux, Geneva, Salzburg, Rotterdam, Marbella, Los Angeles, Toronto and Paris. This original 34 inch high by 10 inch wide artwork is composed of oil and mixed media on canvas. The artist signed this abstract figurative painting on the front in the lower right corner. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Edith Konrad has studied in numerous master classes with artists from Germany and Italy. She paints in a variety of techniques and particularly prefers the use acrylic on canvas, collage and mixed media. In 2007 her art was acquired by the State Museum Halifax, Nova Scotia, Canada. She won the 2009 Palm Art Award, a Certificate of Excellence for outstanding artistic quality and originality of the work. In 2010 she exhibited at the Salon de la Culture at the Louvre in Paris, France. REPRESENTATION Artspace Warehouse, Los Angeles, USA EXHIBITIONS 2022 Identity With A Chance of Imperfection, Los Angeles, CA 2020 In Search of Principle, Artspace Warehouse. Los Angeles, CA 2019 Something Vague, Artspace Warehouse, Los Angeles, CA 2018 Artspace Warehouse, Los Angeles, CA Opposites Group Exhibition, Hotel Chlosterhof, Stein am Rhein, Switzerland Falcon Gallery, Stein am Rhein, Switzerland K-13 Freiamt, Villmergen, Switzerland 2017 Falkengalerie, Stein am Rhein, Germany Banca intermobiliare di investimenti Lugano, Switzerland Arte Genova 13, Art Fair Genova, Italy 2016 Fugo Diethelm, Mühlau, Switzerland Galerie f 5, Lucerne, Switzerland Kunstsupermarkt Solothurn, Switzerland Kunstwarenhaus Zürich, Switzerland Affordable Art Fair New York, NY Galerie-Beck, Saarbrücken, Germany 2015 Affordable Art Fair Singapore Migros Kulturprozent Zugerland, Switzerland Artspace Warehouse, Los Angeles, California Love Art Fair Toronto, Canada Affordable Art Fair New York, NY LA Art Show International Art Fair, Los Angeles 2014 Artspace Warehouse Los Angeles Houston Fine Art Fair, Texas Kunstwarenhaus Zürich, Switzerland Love Art Fair Toronto, Canada Who’s Who Deutschland (Germany) 2013 Galleria Alter Ego, Ponte Tresa, Switzerland Schweizer Kunstraum, Lausanne, Switzerland Artspace Warehouse Los Angeles, California Kunstwarenhaus Zürich, Switzerland Flussreif in Berikon, Switzerland Ateliernacht im Freiamt, Switzerland Kunst-Supermarkt Solothurn, Switzerland 2012 Affordable Art Fair Los Angeles, CA Artspace Warehouse, Los Angeles Galerie Katapult, Basel, Switzerland 2011 Kunst-Supermarkt Solothurn, Switzerland Kunstwarenhaus Zurich, Switzerland Zugermesse, Switzerland 2010 Kunstwarenhaus, Zürich, Switzerland Ennenda, Switzerland Zentrum Aettenbühl Sins CH Louvre, Salon de la Culture, Paris, France 2009 International Art Fair, Europ Art Geneva, Switzerland Palm Art Award, Leipzig, Germany Kunst-Supermarkt Solothurn, Switzerland Porto Ceresio Italy Galerie Tedden Düsseldorf, Germany Galerie Katapult, Basel, Switzerland Who‘s Who Deutschland (Germany) 2008 Chunschtspycher Bettmeralp, Switzerland Bad Ditzenbach Germany Porto Ceresio Italy Forum Zugerland Migros Kulturprozent, Switzerland Kunst-Supermarkt Solothurn, Switzerland 2007 International Art Fair ROTTERDAM, Holland Kulturachse Horw: art five, Switzerland Acquisition by STATE MUSEUM HALIFAX, Nova Scotia 2301 Art Fair Zug Design, Switzerland Vita Solothurn Gallery, Switzerland 2006 International Art Fair EUROP`Art Genève International Art Fair ART SALZBURG, Austria International Art Fair ART MARBELLA, Spain Müllerhaus Lenzburg group exhibition CH 2005 International Art Fair ART GALLERY Montreux, Switzerland Porto Ceresio Italy Kulturschür Windisch, Switzerland 2004 Bahnhofgalerie, Sins, Switzerland 2003 Keller Galerie, Zürich, Switzerland 2002 Bahnhofgalerie, Sins, Switzerland 2001 Jugendseelsorge, Zürich, Switzerland 2000 Zentrum Aettenbühl, Sins, Switzerland TV & FILM Athena, Amazon Prime...

VESUVIUS 2022 PARIS, FRANCE Graphically textural, yet bold, this abstract piece comes framed, and offers a neutral color palette. Inspired by the eruption of Mount Vesuvius in 79 AD...

Wonderful large scale Bay Area Figurative School portrait titled "Jason's Brilliance Dazzles," 1996 by an anonymous bay area artist (M) Unsi...

Mid-Century Cyclists - The Field Sprint Pierre Bosco (Italy/France, 1909-1993) Oil on canvas 15 x 12 inches, frame size “The savage art of Bosco bears its rudeness and its mystery....

There are a lot of people in the art world today who dismiss illustrators are being commercial solely because the artists identified as being commercial artists and that the work was done on assignment. Sadly these art world people have limited imagination and a restricted sense of curiosity. This boxing illustration/painting was done for Sports Illustrated...

Finestra con Natura Morta is an original Contemporary artwork realized in the 1970s by the italian contemporary artist Leo Guida Oil painting on canvas. Frame is included. Tot...

Dynamic and expressive abstract expressionist composition by SF Bay Area found artist "Aska" (20th Century). Colors are patched and layered in a controlled...

A fine mid century abstract expressionist figural painting by American artist Robert Phillip Anderson (1926-2005). Anderson was born in Perth Amboy, NJ, an...

"Untitled 82" Painting 39" x 35" inch by Ahmed Dafrawy Dafrawy’s fine arts academic background started in 2014 when he received the certificate of draw...

Portrait of Man San Francisco Bay Area Figurative Movement Figurative portrait of a man by San Francisco artist Peter Witwer (American, 1928-1968). Unsigned from a collection of his work. Provenance estate of Peter Witwer, Lost Art Solon. Image 32"H x 26"W Frame, 32.5"H x 26.5"W x 1.75"D Posthumous show of the artists work exhibit card on verso. Born George Peter...

Wonderful impasto Bay Area Figurative Movement painting with bell tower (possibly Berkeley Campanile?) and abstracted figures on path and ...

Oil painting over ink on paper. Figurative expressionist, moody, poetic nude.

The Light 13, 2021 by Jose Ricardo Contreras González From the series The Light Oil on canvas Image size: 30 H cm. x 40 W cm. Mounted on a stretcher. Signed on verso THE LIGHT (2018...

Abstract work of art with figurative elements by Elizabeth Myers Castonguay. Her work is dedicated to creating art about human equality and preservation of the biodiversity of nature. This painting is a complex work of art that incorporates abstraction and figurative elements. One can notice images of books, human hands, bitten apple and even an entire beautiful landscape in this canvas. Stark contrast of dark background with bright shapes and elements create drama and tension. This work can become a unique gift and will be a wonderful addition to any space, be it a living room of a modern home or a lobby of a commercial building. Elizabeth Myers Castonguay is an accomplished artist, whose work was exhibited at Denise Bibro...

This pieces is part of a 22 painting series I created for my MFA thesis in 2017. The abstraction in this series is effected through symbolic gestures, distinctive lines, and organi...

History Maps by Maria Pierides [2020] original Oil, oil stick collage, pastel and wax on cradled panel Image size: H:20 cm x W:20 cm Complete Size of Unframed Work: H:20 cm x W:20...

"Angel" Abstract Painting 59" x 47" inch by Amal Nasr “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure of the first experience, and ...

Discover the captivating urban narrative of Foti Kllogjeri's painting, a cityscape where towering buildings on either side converge to form a mesmerizi...

Oil on board painting by Edward Marecak (1919-1993) titled "The Argument" from 1968. Semi-abstract oil painting depicting two figures in colors of greens, pinks, blues, and blacks. Presented framed, outer dimensions measure 49 ½ x 33 ¼ x 1 ½ inches. Image size is 48 x 32 inches. Painting is clean and in very good vintage condition - please contact us for a detailed condition report. About the artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks, and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. During junior high he painted scenery for puppet shows of “Peter and the Wolf,” awakening his interest in art. In his senior year in high school he did Cézanne-inspired watercolors of Ohio barns at seventy-five cents apiece for the National Youth Administration. They earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. A center of innovative work in architecture, art and design with an educational approach built on a mentorship model, it has been home to some of the world’s most renowned designers and artists, including Eero Saarinen, Charles Eames, Daniel Libeskind and Harry Bertoia. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy and sculptor Carl Milles were interrupted by U.S. army service in the Aleutian Islands during World War II. Following his military discharge, Marecak studied on the G.I. Bill at the Colorado Springs Fine Arts Center from 1946 to 1950, having previously met its director, Boardman Robinson, conducting a seminar in mural painting at the Cleveland Institute of Art. Although he did not work with Robinson at the Fine Arts Center, who had become quite ill - retiring in 1947 - he studied Robinson’s specialty of mural painting before leaving to briefly attend the Cranbrook Academy in 1947. That same year he returned to the Fine Arts Center, studying painting with Jean Charlot and Mary Chenoweth, and lithography with Lawrence Barrett with whom he produced some 132 images during 1948-49. At the Fine Arts Center he met his future wife, Donna Fortin, whom he married in 1947. Also a Midwesterner, she had taken night art courses at Hull House in Chicago, later studying at the Art Institute of Chicago with the encouragement of artist Edgar Britton. After World War II she studied with him from 1946 to 1949 at the Fine Arts Center. (He had moved to Colorado Springs to treat his tuberculosis.) Ed Marecak also became good friends with Britton, later collaborating with him on the design of large stained glass windows for a local church. In 1950-51 Marecak returned to the Cleveland Institute of Art to complete his Bachelor of Fine Arts degree. A year later he was invited to conduct a summer class at the University of Colorado in Boulder, confirming his interest in the teaching profession. In 1955 he received his teaching certificate from the University of Denver. Vance Kirkland, the head of its art department, helped him get a teaching job with the Denver Public Schools so that he and his family could remain in the Mile High City. For the next twenty-five years he taught art at Skinner, Grove, East, George Washington and Morey Junior High Schools. Prior to coming to Colorado, Marecak did watercolors resembling those of Winslow Homer, John Singer Sargent and Charles Burchfield. However, once in Colorado Springs he decided to destroy much of his earlier oeuvre, embarking on a totally new direction unlike anything he had previously done. Initially, in the 1940s, he was influenced by surrealist imagery and Paul Klee and in the West by Indian petroglyphs and Kachinas. His first one-person show at the Garrett Gallery in Colorado Springs in 1949 featured paintings and lithographs rendered in the style of Magic Realism and referential abstraction. The pieces, including an oil Witch with Pink Dish...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

Abstract is an original contemporary artwork realzed by Giorgio Cresciani in 1977. Oil painting on table. Hand signed and dated on the lower margin.

"Prophecy" Abstract Painting 31" x 31" inch by Amal Nasr “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure of the first experience, a...

"Waiting II" Painting 19" x 11" in by Ibrahim Abd Elmalak Femmes Fatale, Circa 1980s Ink & Acrylic on Paper. Signed Signed The selection of Abd ...

"The media world" abstract on linen canvas acrylic 72x97cm 2006 The harshness of this competitive world where to be the first is the priority goal.

Oil, acrylic, charcoal on panel.

Richard Andres (American, 1927-2013) Interior, 1976 acrylic on canvas signed lower right, signed and titled verso 50 x 59.5 inches Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

This is an original unframed, oil painting on canvas. Rocky Hawkins was born in 1950 in Seattle, Washington and grew up in small towns near the Cascades Mountains. His interest in th...

"Sea Goddess" Abstract Painting 16" x 16" inch by Amal Nasr “New Horizon” series There is a constant quest to restore the joy of discovery and the pleas...

Oil painting on foam core titled "Adam and Eve" by Denver artist Edward Marecak (1919-1993) from 1983. Portrays two semi-abstract figures with shapes in the background, painted in colors of pink, blue, yellow, and brown. Presented in a custom wooden frame, outer dimensions measure 30 ⅞ x 48 ⅞ x 2 ⅝ inches. Image size 30 x 48 inches. Painting is in good vintage condition - please contact us for a detailed condition report. Provenance: Estate of Edward Marecak About the Artist: Born to immigrant parents from the Carpathian region in Slovakia, Marecak grew up with his family in the farming community of Bennett’s Corners, now part of the town of Brunswick, near Cleveland, Ohio. When he turned twelve, his family moved to a multi-ethnic neighborhood of Poles, Czechs, Slovaks, and Slovenians in Cleveland. His childhood household cherished the customs and Slavic folk tales from the Old Country that later strongly influenced his work as a professional artist. His junior and senior high projects earned him a full scholarship to the Cleveland Institute of Art (1938-1942) where he studied with Henry George Keller whose work was included in the 1913 New York Armory Show. In 1940 Marecak also taught at the Museum School of the Cleveland Institute. Before being drafted into the military in 1942, he briefly attended the Cranbrook Academy of Art near Detroit, one of the nation’s leading graduate schools of art, architecture, and design. Marecak’s studies at Cranbrook with painter Zoltan Sepeshy...

"Genesis" Abstract Painting 47" x 39" inch by Amal Nasr “New Horizon” series There is a constant quest to restore the joy of discovery and the pleasure of the first experience, an...

A modernist depiction of figures executed with strong use of line and texture. This piece is filled with movement and beautiful brushwork, the use of color placement is enchanting wi...

Oil on board painting by Edward Marecak (1919-1993) titled "Masks" from the 1980s. Mosaic style oil painting in vibrant colors of red, blue, green, yellow, and orange. Presented in a...

Colorful and dynamic abstract composition by Ross H. Pollette, who also paints under the pseudonyms 'Max West' (American, b. 1948). Pollette has used oil, in...

Combinations of dark oil colours present an abstract figurative figure of the ancient Greek god Hermes, who represents trade, wealth, luck, fertility,...

Storm - abstract painting by Maestro Nina Ruseva. About the artwork: TECHNIQUE: Oil painting STYLE: Abstract, Contemporary Edition : Unique, signed Weight: Approximately 2 kg. Th...

Tapas Ghosal - Untitled - 24 x 24 inches (unframed size) Acrylic Dry Pastel & Pigment on Canvas, 2014 It will be delivered in a roll form. Style : In Hindu philosophy, the 'Antahka...

Fire by Jose Ricardo Contreras González Oil on canvas Image size: 75 H cm. x 65 W cm. Mounted on streacher. José Ricardo Contreras Gon...

The archer - Modern -Alfonso Pragliola Italia 2014 - Oil on canvas cm.60x40. Black laquered wooden frame.

"Pearl's World" is a large acrylic painting with a photograph portrait and a number of found objects integrated into the painting, including pearls, metal pins, tickets, and text. Th...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

After touring Europe on a motorcycle, he arrived in Berlin in 2012, where he won a residence for artists with a pictorial series on massification and nihilism. In 2014 he was invited...

Unique abstract expressionist oil painting of three dark shadowy figures by Dwight Eberly (American, 1925-2014). The figures stand in a warm, glowing light that is depicted in soft focus. Signed "Eberly '85" lower right. Framed. Image size: 38"H x 44"L. A California abstract expressionist artist and art educator. "I want my work to stimulate on an emotional level - not just a visual. I want the response to transcend the color and canvas or composition--something that has not been touched before but is waiting to be known, an affirmation and change." EDUCATION: 1960-1961 California State University, Sacramento - M.A. Degree 1954-1955 California State University, Sacramento - B.A. Degree 1948-1950 University of Southern California, Los Angeles 1946-1947 University of Illinois, Urbana, Illinois ORGANIZATIONS: Mendocino County Arts Council 1993-1994 Gualala Arts - Board Member (4 years) Artists Guild of San Francisco - Participating Member Roseville Arts Center-Board Member; 1984-1988 Northern California Art...

Clarence Holbrook Carter (American, 1904-2000) Expanding Mandala, c. 1970s Acrylic on scintilla 23 x 30 inches Clarence Holbrook Carter achieved a level of national artistic success...

Figurative abstract style black and white drawing of "Winged Victory of Samothrace" Greek Goddess Nike in an oval antique wood frame with gold inlay detail "Nike Descending XVI" by H...